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| Collection | Entry | Year | Identifier | Open and work with |
|---|---|---|---|---|
| Work | Piano Nr. 26Harry Pepl · piano piece · piano | HP-W-0133ISWC T0012521991 | ||
| Work | Piano Nr. 35Harry Pepl · piano piece · piano | HP-W-0134ISWC T0012522030 | ||
| Work | Quartett 5erHarry Pepl | HP-W-0140ISWC T0093271998 | ||
| Work | Roasted TypewriterHarry Pepl | HP-W-0144ISWC T0010793835 | ||
| Work | Scat PatHarry Pepl, Martin Bayer, Peter Primus Frosch, Clemens Salesny · multitrack recording (Lonely Single Swinger Band) · Pepl's scat singing and tracks, with ensemble in 2015 | HP-W-0147ISWC T0092842437 | ||
| Work | Scat SnapHarry Pepl, Clemens Salesny, Martin Bayer · improvisation with Pepl's original tracks · Harry Pepl (tape) vocals and bass, Clemens Salesny bass clarinet, Martin Bayer guitar, Valentin Duit drums | HP-W-0148ISWC T3406715940 | ||
| Work | SchreibmaschineHarry Pepl | HP-W-0152ISWC T0092886639 | ||
| Work | Single SwingHarry Pepl, Clemens Salesny · multitrack recording (Lonely Single Swinger Band) · 2015: Pepl's recording (guitar, double bass sample, drums) with Clemens Salesny on saxophone; played since 2018 by the quartet without playback | HP-W-0157ISWC T0092842460 | ||
| Work | SopranoHarry Pepl · multitrack recording (Lonely Single Swinger Band) · Pepl solo using multitrack recording, trio line-up | HP-W-0160ISWC T0093861585 | ||
| Work | SoundsHarry Pepl | HP-W-0161ISWC T0012522029 | ||
| Work | StringsHarry Pepl | HP-W-0165ISWC T0010794565 | ||
| Work | The EndHarry Pepl | HP-W-0168ISWC T0093271932 | ||
| Work | Time Trace IIHarry Pepl · improvisation with Pepl's original tracks · Harry Pepl (tape) piano, Clemens Salesny alto saxophone, Martin Bayer guitar, Andreas Schreiber violin, Valentin Duit drums | HP-W-0172 | ||
| Work | TurboHarry Pepl | HP-W-0181ISWC T0012522018 | ||
| Work | Vocal DuetHarry Pepl, Clemens Salesny, Martin Bayer · improvisation with Pepl's original tracks · Harry Pepl (tape) vocals, Andreas Schreiber vocals | HP-W-0186ISWC T3406715531 | ||
| Work | Vokal QuartettHarry Pepl | HP-W-0188ISWC T0093271818 | ||
| Work | ZapplerHarry Pepl | HP-W-0192ISWC T0010793846 | ||
| Work | Zip CodeHarry Pepl, Clemens Salesny, Martin Bayer · improvisation with Pepl's original tracks · Harry Pepl (tape) guitar, Clemens Salesny alto saxophone, Martin Bayer guitar, Andreas Schreiber violin, Valentin Duit drums | HP-W-0194ISWC T3406716896 | ||
| Work | ZirkulationenHarry Pepl | HP-W-0195ISWC T0013004095 | ||
| Quotation | „a well-balanced mix of superbly played solos“Kritiker „egg“ im Salzburger Volksblatt · Critic “egg” in the Salzburger Volksblatt, 25 June 1975, quoted in Hochradner and Haslinger (eds.): “Those were the days”, Vienna 2017; translated from the German | 1975 | ||
| Quotation | „Free jazz for connoisseurs“Kritiker des Salzburger Volksblatts · Salzburger Volksblatt, around 1975, quoted in the programme text of Ö1 “In Concert” (Ö1: the ORF's cultural radio station), 5 June 2020, reprinted on radiohoerer.info, 11 June 2020; translated from the German | 1975 | ||
| Quotation | „Harald Pepl (guitar)“Burgenländische Freiheit (page 42, ANNO page), 26 March 1975 | 1975 | ||
| Quotation | „Großpetersdorf guitarist and Harry Pepl student Otto Artner“Burgenländische Freiheit (printed page 44, ANNO page 36), 1 December 1976 | 1976 | ||
| Quotation | „also no stranger to the visitors of the jazz pub“Burgenländische Freiheit (printed page 42, ANNO page 34), 9 March 1977 | 1977 | ||
| Quotation | „The group is completed by Fritz Pauer (p) and Harry Pepl (g).“Burgenländische Freiheit (printed page 32, ANNO page 24), 5 January 1977 | 1977 | ||
| Quotation | „will leave the ORF Big Band and move to Graz, where he will get a teaching appointment at the jazz department of the MHS“Burgenländische Freiheit (printed page 35, ANNO page 27), 10 August 1977 | 1977 | ||
| Quotation | „A concert of superlatives, with Friedrich Gulda on piano“Burgenländische Freiheit (printed page 44, ANNO page 36), 3 May 1979 | 1979 | ||
| Quotation | „heads the jazz guitar department at the jazz academy in Graz“Jazzfestival Saalfelden programme booklet 1979, 7 September 1979, p. 18 | 1979 | ||
| Quotation | „In the Bartók Hall at midnight the Austrian-Yugoslav guitar duo Harry Pepl and Voja Brkvic gives a concert, followed by Gusztáv Csík.“Hajdú-Bihari Napló (daily newspaper of Hajdú-Bihar County, Debrecen, Hungary), 7 September 1979, p. 2; translated from the Hungarian | 1979 | ||
| Quotation | „The opening act is provided by two well-known Austrians“Burgenländische Freiheit (printed page 36, ANNO page 28), 14 February 1979 | 1979 | ||
| Quotation | „the virtuoso technique and perfect interplay of the guitar duo Pepl and Brkovity came as a surprise“Gábor Turi, “Fesztivál öt napig. Összefoglaló a debreceni dzsessznapokról”, Hajdú-Bihari Napló (daily newspaper of Hajdú-Bihar County, Debrecen, Hungary), 16 September 1979, p. 8; translated from the Hungarian | 1979 | ||
| Quotation | „Werner Pirchner (vibes) and Harry Pepl (gtr) appear as guest soloists.“Burgenländische Freiheit (printed page 48, ANNO page 40), 27 June 1979 | 1979 | ||
| Quotation | „After the second concert Benny Goodman was full of praise for you and your colleagues.“Kurt A. Müller · Letter from Goodman's manager Kurt A. Müller to Harry Pepl, Bangkok, 15 November 1980; translated from the German | 1980 | ||
| Quotation | „To Harry, a great guitarist, my best, Benny“Benny Goodman · Handwritten dedication on a rehearsal photograph from the Berlin Philharmonie, November 1980, Pepl private archive; cf. Kohler 2006, p. 62 f. | 1980 | ||
| Quotation | „Vibraphone and Harry Pepl on guitar demonstrated convincingly“Burgenländische Freiheit (printed page 52, ANNO page 44), 30 April 1980 | 1980 | ||
| Quotation | „When you took off with your solo at the start of the second concert, Benny really got going, in a way I had not seen him for many years“Kurt A. Müller · Letter from Goodman's manager Kurt A. Müller to Harry Pepl, Bangkok, 15 November 1980, on the second concert with Benny Goodman at the Berlin Philharmonie on 8 November 1980; translated from the German | 1980 | ||
| Literature | Profiles of International Drummers, Percussionists, MusiciansPaiste (Hg.) · Paiste Cymbals + Gongs 1981, unpaginated · Nottwil (Switzerland) | 1981 | ||
| Quotation | „(12) James “Blood” Ulmer, Philippe Cauvin, Raphael Fays, Kilimandjaro, Bireli, Lagrene, Harry Pepl, Lee Ritenour, Larry Coryell, Harri …“Billboard (US music trade magazine with the industry charts, founded 1894), 27 June 1981, p. 65 | 1981 | ||
| Quotation | „Jack’s appearances with John Purcell […] as well as the jam session with the Pirchner-Pepl Zwio were surely among the highlights of the …“Jazzfestival Saalfelden programme booklet 1981, 4 September 1981, p. 19 | 1981 | ||
| Quotation | „they play like two people in love with each other“Runo Ericksson · Liner notes to the LP “Runo Ericksson's Omnibus” (1981), on Harry Pepl and Werner Pirchner; quoted in Kohler 2006, p. 49 | 1981 | ||
| Literature | Das Gitarrenbuch. Geschichte, Instrumente, InterpretenAlexander Schmitz · W. Krüger 1982, 624 pages, ISBN 3-8105-1805-0, p. 221, 241, 410 · Frankfurt am Main | 1982 | ||
| Quotation | „concert by the jazz duo Pirchner, Pepl, Jazz Zwio (line-up: Harry Pepl, electric and acoustic guitar; Werner Perchner, tenor vibraphone and …“Delo (Slovenian daily newspaper, Ljubljana), no. 250, 26 October 1982, p. 11; translated from the Slovenian | 1982 | ||
| Quotation | „recognised as one of Europe's leading jazz guitarists“Ars Electronica 1982, programme book, 1 October 1982 | 1982 | ||
| Quotation | „to play a jam session with Harry Pepl, by whom he was very impressed.“Steirerkrone (Neue Kronen Zeitung, Styria edition), 20 May 1982 | 1982 | ||
| Literature | Erster Blick über die Mauer (Interview mit Harry Pepl)Jazzlive, no. 1, July 1983, p. 7 | 1983 | ||
| Literature | Subconscious-Lee. 35 Years of Records & Tapes. The Lee Konitz Discography 1947-82Michael Frohne (Hg.) · Jazzrealities 1983, p. 88 · Freiburg im Breisgau | 1983 | ||
| Literature | Überblick zur Jazzgitarre (Serientitel offen), Gitarre + Laute, Jahrgang 5Gitarre + Laute 5 (1983), p. 83; Gitarre + Laute Verlagsgesellschaft · Cologne | 1983 | ||
| Quotation | „The combination of the prepared vibraphone, from which Pirchner drew incredible sounds full of vibrating sensitivity, and the modern guitar …“Miro Križič, “Plodna jazzovska jesen ’82 v Zagrebu”, Glasbena mladina (Slovenian music magazine), no. 5, 18 February 1983, p. 8; translated from the Slovenian | 1983 | ||
| Quotation | „This is the first time that we are really looking over the wall“Harry Pepl · On the ECM album with Jack DeJohnette; interview “Erster Blick über die Mauer”, Jazzlive no. 1, July 1983, p. 7, quoted in Kohler 2006, p. 82 | 1983 | ||
| Quotation | „With the group “Jazzwio”, Werner Pirchner and Harry Pepl made a name for themselves far beyond Austria's borders.“ORF, „Ohne Maulkorb“ · Description of the feature “Pirchner und Pepl sind Jazzwio” in the ORF Historical Archive, broadcast of 3 June 1983; quoted in Kerstin Madner, master's thesis, University of Vienna 2011, p. 267; translated from the German | 1983 |
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