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Harry Pepl * 1945  † 2005

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Material for your reporting on Harry Pepl: short biographies ready to use, documented key facts, press photos with credits and the contact for the estate.

Short biographies ready to use

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Harry Pepl (1945 to 2005) was an Austrian jazz guitarist, composer and university teacher. He played in Jazzzwio with Werner Pirchner, with Benny Goodman, Jack DeJohnette and Michel Portal, and in the band Air Mail. With Real-time Composing he turned improvisations into compositions. From 1977 until the mid-1990s he taught in Graz.

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Harry Pepl (1945 to 2005) was an Austrian jazz guitarist, composer and university teacher. Born in Vienna, he taught himself jazz from records and in the 1970s was a session musician and guitarist with the ORF Big Band. With the vibraphonist Werner Pirchner he formed Jazzzwio, which played the Montreux Jazz Festival in 1981. He was guitarist with Benny Goodman, recorded for ECM with Jack DeJohnette and with Herbert Joos and Jon Christensen (“Cracked Mirrors”, 1988), and played with Wolfgang Puschnig in the band Air Mail and, in France, with Michel Portal. Using MIDI guitar and computer, he developed Real-time Composing, in which improvised voices become scores; this is how he wrote for the Kronos Quartet and the Artis-Quartett. From 1977 he taught at the Graz music academy, from 1984 as professor. From the mid-1990s he worked in his own studio in Hernstein, Lower Austria. Since 2015 releases from his estate have appeared on Fullmax Recordings.

In depth 2,585 characters

Harry Pepl was born in Vienna on 10 September 1945 and died in Wiener Neustadt on 5 December 2005. He started out on the accordion, took up the guitar at 15 and taught himself jazz by copying recordings by Wes Montgomery, Jim Hall and others note for note. After years with the dance band Austrian Evergreens, he became a session musician and guitarist with the ORF Big Band in the 1970s.

From the mid-1970s he and the Tyrolean vibraphonist Werner Pirchner formed the duo Jazzzwio. The duo recorded “Gegenwind” in 1979, played the Montreux Jazz Festival in 1981 and in 1982 expanded into a trio with Jack DeJohnette for an ECM album; it featured Pepl's composition “Air, Love & Vitamins”, which many musicians still play today. In 1980 and 1981 Pepl was the guitarist in Benny Goodman's quartet. He played with Wolfgang Puschnig, Mike Richmond and Wolfgang Reisinger in the band Air Mail, in France with Michel Portal, Dave Liebman and Jack DeJohnette, and recorded “Volver” with Enrico Rava and Dino Saluzzi. His ECM album “Cracked Mirrors” with Herbert Joos and Jon Christensen received the German Record Critics' Award (Preis der deutschen Schallplattenkritik) in 1988.

Pepl was one of the first jazz musicians anywhere to work with MIDI guitar and computer. From this he developed Real-time Composing or Instant Composing: he improvised voice by voice, had the result printed out as a score and corrected nothing afterwards. This produced commissioned works for Ensemble Wien, Ensemble Kontrapunkte, the Kronos Quartet, STUDIO PERCUSSION graz and the Artis-Quartett, as well as the album “Schönberg Improvations” (1990) with a Bösendorfer computer grand piano.

From 1977 he taught jazz guitar at the Graz music academy, today the University of Music and Performing Arts Graz, and from 1984 as full professor; his students included Wolfgang Muthspiel. The province of Lower Austria honoured him with culture prizes for music in 1991 and 1998.

From the mid-1990s Pepl worked mainly in his studio in Hernstein, Lower Austria. There he created the piano albums “Consequence” and “Flow” and the Lonely Single Swinger Band, a one-man band in which he played all the instruments himself. The estate is administered by his son Daniel Pepl; releases from it have appeared on Fullmax Recordings since 2015. Since 2018 Clemens Salesny, Martin Bayer, Andi Schreiber and Valentin Duit have been playing live with Pepl's original tracks; their album “Harry Pepl (tape) & The (Lonely) Single Swinger Band: Live” (2025) took second place in the Best Album category at the Austrian Jazz Award 2025.

At a glance

  • Harry Pepl (christened Harald), born on Monday, 10 September 1945, in Vienna, died on Monday, 5 December 2005, in Wiener Neustadt. Austrian jazz guitarist, composer, improviser and university teacher.
  • Education: self-taught in jazz, learning by listening to records and playing along; classical guitar in the class of Karl Scheit, in the early 1970s at the jazz department of the Vienna Conservatory.
  • 1960s and 1970s: guitarist with the Viennese dance and beat band Austrian Evergreens, then studio musician and guitarist with the ORF Big Band, soloist on its LP “Leave Me” (1976).
  • Jazzzwio: duo with the vibraphonist Werner Pirchner from the mid-1970s until 1985; appearance at the Montreux Jazz Festival on Sunday, 12 July 1981.
  • Benny Goodman: guitarist in Goodman's quartet in 1980 and 1981, concerts in Berlin and Copenhagen, film music in Rome; “Berlin 1980” was released in 1996.
  • ECM: “Werner Pirchner / Harry Pepl / Jack DeJohnette” (1983) with Pepl's composition “Air, Love & Vitamins” and “Cracked Mirrors” with Herbert Joos and Jon Christensen (1988), as well as contributions to “Schattseite” (Adelhard Roidinger) and “Volver” (Enrico Rava and Dino Saluzzi).
  • Air Mail: band with Wolfgang Puschnig, Mike Richmond and Wolfgang Reisinger, 1983 to 1993; in France with the group of Michel Portal.
  • Real-time Composing: his own method of composition, built from improvised voices recorded on top of one another with MIDI guitar and computer; commissioned works for the Kronos Quartet, the Artis Quartet, the Ensemble Kontrapunkte, the Ensemble Wien and STUDIO PERCUSSION graz.
  • Teaching: from 1976/77 at the University of Music and Performing Arts Graz (today the University of Arts Graz), from 1984 full professor of jazz guitar, until the mid-1990s; his students include Wolfgang Muthspiel.
  • Awards: German Record Critics' Award for “Cracked Mirrors” (1988); culture prizes of the Province of Lower Austria for music in 1991 and 1998.
  • Late work: from the mid-1990s he worked in his own studio in Hernstein (Lower Austria), piano albums “Flow” (1996) and “Consequence” (recorded 1995), multitrack recordings as “Harry Pepl's Lonely Single Swinger Band”.
  • Estate: releases on Fullmax Recordings since 2015; the album “Harry Pepl (tape) & The (Lonely) Single Swinger Band: Live” (Friday, 22 August 2025) took second place in the Best Album category at the Austrian Jazz Award 2025.
  • Research: diploma thesis by Nikolaus Kohler (University of Vienna, 2006) and dissertation by Stefan Heckel on Instant Composing (University of Music and Performing Arts Vienna, 2024).
  • Reception: described by Le Monde as a ‚Gigant der Improvisation‘ [“giant of improvisation”] (quoted from Kleine Zeitung, 10 January 1988). John Abercrombie said of him: “He's great, he's like a machine gun.” (ibid.)

All details are documented with sources in the Chronology and the Biography.

Voices and quotations

Free to use, please with the source given. Further press voices with references are in the press archive.

He was an amazing guitarist, pianist and composer. His harmonic, rhythmic and sound concepts were very unique!

Jack DeJohnette, statement for Ö1, September 2020

Giant of improvisation

Le Monde, quoted in the Kleine Zeitung, 10.01.1988, translated from the German

was, in his active phase, one of the most important guitarists in the world

Der Standard, obituary, 06.12.2005, translated from the German

In the moment when I make music or compose with inspiration, which for me is one and the same, I believe in the absolute: in the truth in which all opposites coincide.

Harry Pepl, 1996, in: Bernhard Günther (ed.), Lexikon zeitgenössischer Musik aus Österreich, 1997, p. 824 f., translated from the German

There is so much: when I start telling it, everything comes crashing down on my head, all the sounds, all the notes, the music and the experiences, actually the whole world!

Harry Pepl in conversation with Nikolaus Kohler, 2005 (Kohler 2006, p. 150), translated from the German

New Yorkers are flabbergasted every time they hear that I come from the Austrian mountains.

Harry Pepl in the Kurier, 03.11.1998, p. 10, translated from the German

I wanted you to be able to hear the room on the CD as well.

Harry Pepl on “Flow”, Concerto 2/1998, translated from the German

Names and spellings

  • Harry Pepl, not Peppl or Pepi. In works data he appears as “Pepl, Harald”.
  • Jazzzwio with three z's, as on the records; also “Pirchner-Pepl Jazzzwio”. Other spellings such as “JazzZwio” or “Jazz-Zwio” appear in the press.
  • Air Mail as two words, as on the covers and as Wolfgang Puschnig writes it; the literature often has “Airmail”.
  • Austria Drei, on some documents “Austria 3”.
  • Real-time Composing or Instant Composing: Pepl's own terms for his method.
  • Harry Pepl's Lonely Single Swinger Band: Pepl's name for his one-man band in his home studio. The live project since 2018 is called Harry Pepl (tape) & The (Lonely) Single Swinger Band.
  • “Schönberg Improvations” is the original title of the 1990 album; the 2004 reissue was mistakenly released as “Schoenberg Improvisations”.
  • “Air, Love & Vitamins”, on some editions “Air, Love and Vitamines”.

Anniversaries

  • Sunday, 30 May 2027: 40 years of “Men's Land” with Michel Portal, live recording from Amiens (Bleu label)
  • October 2027: 40 years of “Volver” with Enrico Rava and Dino Saluzzi (ECM)
  • Tuesday, 30 May 2028: 40 years of “Cracked Mirrors” with Herbert Joos and Jon Christensen (ECM)
  • Tuesday, 10 September 2030: 85th birthday
  • Thursday, 5 December 2030: 25th anniversary of his death
  • Saturday, 12 July 2031: 50 years of Jazzzwio at the Montreux Jazz Festival
  • April 2033: 50 years of the ECM album “Werner Pirchner / Harry Pepl / Jack DeJohnette” (ECM 1237)
  • Monday, 10 September 2035: 90th birthday
  • Wednesday, 5 December 2035: 30th anniversary of his death
  • Saturday, 30 May 2037: 50 years of “Men's Land” with Michel Portal (Bleu label)
  • October 2037: 50 years of “Volver” with Enrico Rava and Dino Saluzzi (ECM)
  • Sunday, 30 May 2038: 50 years of “Cracked Mirrors” (ECM)
  • Sunday, 10 September 2045: 100th birthday

Contact

For interviews, review copies, print-quality photos and archive material, the contact is Daniel Pepl, son of Harry Pepl, administrator of the musical estate and producer of the releases. Please send enquiries via the form for press enquiries.

Press photos

The photos may be used with credit in coverage of Harry Pepl and his music. Please ask for any other use.

Black-and-white group picture: four musicians lean side by side against a white wall; to their left stands Harry Pepl as a pale, composited figure (according to the cover of the double CD).
The quartet with Harry Pepl as a superimposed figure, 2015Photo: Manulli by Ania Radziszewska

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Black-and-white group picture: three male musicians and one female musician stand side by side in front of a white wall on paving stones and look into the camera.
The quartet at the white wall, 2015Photo: Manulli by Ania Radziszewska

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Colour photo: four men in dark clothing stand between the beams of an attic in front of a brick wall, the one on the left in profile, the others looking into the camera.
The band between the wooden beams of an attic, 2018Photo: Maria Frodl

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Colour photo: four men stand in an attic with old wooden beams and brick walls, dark clothing, serious bearing, raking light from the left.
The band in the attic, group picture, 2018Photo: Maria Frodl

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Colour photo in portrait format: four men stand in an attic beneath wooden beams, with a brick wall and a lamp in the background.
The band in the attic, portrait format, 2018Photo: Maria Frodl

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Colour photo: four men stand side by side between the beams of an attic in front of a brick wall, the one on the left in profile, wearing a cap, the others looking into the camera.
The band between the wooden beams, second picture, 2018Photo: Maria Frodl

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Green-toned picture: five people stand side by side in front of a white wall, the figure on the left paler in yellow-green, with the names in handwriting above.
Cover: Harry Pepl & Clemens Salesny, Martin Bayer, Peter Primus Frosch, Agnes Heginger, 2020Photo: Manulli by Ania Radziszewska

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Abstract painting in turquoise, red, blue, pink and gold on a cream-coloured ground, with the title and the names of those involved on the left.
Cover: Harry Pepl (tape) & The (Lonely) Single Swinger Band, Live, 2025Cover: painting by Harry Pepl, design Manulli

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Latest releases

Press quotes

The guitar professor in Graz is regarded internationally as one of the best in his field.

Report “Feldzug mit der Gitarre”, Kleine Zeitung, 10 January 1988, p. 18 (standfirst)

In the seventies there was hardly a faster jazz guitarist in Europe than the Austrian Harry Pepl.

Obituary “Schnelle Finger” (initials wws.), FAZ no. 286, 8 December 2005, p. 39

one of the defining instrumentalists of the European jazz scene

Obituary “Ade Harry Pepl!”, JazzEcho (Universal Classics), 7 December 2005

One of Europe’s leading jazz guitarists

News item “Jazz-Gitarrist Harry Pepl gestorben”, Kulturinformationszentrum des Deutschen Kulturrates / neue musikzeitung (nmz-red/leipzig, source: orf.at), December 2005

He was an amazing guitarist, pianist and composer. His harmonic, rhythmic and sound concepts were very unique!

Statement for Ö1 on Harry Pepl's 75th birthday, September 2020 (archive of Daniel Pepl)

Giant of improvisation

Le Monde, quoted in Kleine Zeitung, 10 January 1988, p. 18

was, in his active phase, one of the most important guitarists in the world

Obituary “Harry Pepl 1945 - 2005”, Der Standard, 6 December 2005, p. 25 (date and page according to Heckel 2024, n. 26)

Harald Pepl (guitar)

Burgenländische Freiheit (page 42, ANNO page), 26 March 1975

To the press archive