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| Collection | Entry | Year | Identifier | Open and work with |
|---|---|---|---|---|
| Literature | Progressive Jazz. Free, Third Stream, FusionWalter Bruyninckx · 60 Years of Recorded Jazz Team, vol. 1 to 5 · Mechelen | 1984 | ||
| Literature | The Record of a Legend. Benny GoodmanD. Russell Connor · Let's Dance Corp. 1984, 382 pages, ISBN 0-86511-552-4 · New York | 1984 | ||
| Quotation | „There is no doubt that Harry Pepl must today be counted among the leading jazz guitarists in Europe.“Jazzlive, portrait “Harry Pepl (Gitarre)”, probably 1984; translated from the German | 1984 | ||
| Quotation | „1983 date teaming mallet stylist Pirchner, acoustic guitarist Pepl and timemaster DeJohnette“Billboard (US music trade magazine with the industry charts, founded 1894), 16 March 1985, p. 66 | 1985 | ||
| Quotation | „a delicate chamber jazz set rich in moods; recalls producer Eicher’s strongest early forays into this stream“Billboard (US music trade magazine with the industry charts, founded 1894), 16 March 1985, p. 66 | 1985 | ||
| Quotation | „And the Special Imports side of PolyGram gives us, on ECM, […] and “Werner Pirchner/Harry Pepl/Jack De Johnette.”“Lee Jeske, Cash Box (US music trade magazine with its own charts), 9 March 1985, p. 28 | 1985 | ||
| Quotation | „Artists from Styria and all over Austria meet with their friends in New York.“Peter Vujica · Peter Vujica in Austrian Information (Austrian Press and Information Service, New York), Volume 38, No. 4, 1985, p. 3 | 1985 | ||
| Quotation | „Austrians Pirchner and Pepl join with drummer Jack DeJohnette to create a highly original and accessible trio sound.“PolyGram Special Imports, European ECM · DownBeat (US jazz magazine, founded 1934), April 1985, p. 11 | 1985 | ||
| Quotation | „Harry Pepl: the giant from Hernstein in Lower Austria, “a giant of improvisation” (Le Monde), W.P.’s musical alter ego.““Der Riese aus dem Fuchsloch”, Sterz no. 32, 1985 | 1985 | ||
| Quotation | „relaxed and cool, in the ECM Records manner“The New York Times (Section 1, p. 10), 18 May 1985 | 1985 | ||
| Quotation | „The electronic effects of Pepl’s ovation guitar blend with Pirchner’s tenor vibes and marimba to form a rich overlay“PolyGram Special Imports, European ECM · DownBeat (US jazz magazine, founded 1934), April 1985, p. 11 | 1985 | ||
| Quotation | „The opening event on May 15th at the Ohio Theater will be shared by the Jazz Musicians, Harry Pepl and Werner Pirchner“Peter Vujica · Peter Vujica, director of steirischer herbst (Styrian Autumn, festival of contemporary art in Graz, Austria), in Austrian Information (Austrian Press and Information Service, New York), Volume 38, No. 4, 1985, p. 3 | 1985 | ||
| Quotation | „The Pirchner-Pepl JazzZwio has long had a permanent place in the apocryphal pantheon of music.““Der Riese aus dem Fuchsloch”, Sterz no. 32, 1985 | 1985 | ||
| Quotation | „Werner Pircher, Harry Pepl, and F. Don Moye as guest play jazz“Programme of “Beyond the Sound of Music. New Austria / New York”, Austrian Information, Volume 38, No. 4, 1985, p. 6 (Pirchner’s name misprinted as “Pircher”) | 1985 | ||
| Quotation | „“Live in Montreux”, a hammer for heart and brain, if you let heart and brain be the anvil.““Der Riese aus dem Fuchsloch”, Sterz no. 32, 1985 | 1985 | ||
| Literature | On stage, backstage. Montreux Jazz FestivalSabine Nicole, S. T. Wagner (Hg.) · Editions Illustré 1986 · Lausanne | 1986 | ||
| Quotation | „A much-noticed international debut at the “New Jazz Festival Moers” and at the festivals in Cologne and Warsaw.“Gemeindeblatt für den Bezirk Landeck, no. 25, 20 June 1986, p. 5 | 1986 | ||
| Quotation | „A music that does justice to a trait of the times, an artistic togetherness to whose wholeness each contributes his own independent and …“quoted in the Gemeindeblatt für den Bezirk Landeck, 20 June 1986, p. 5; original publication not named | 1986 | ||
| Quotation | „Air Mail is establishing itself as one of the most exciting quartets on the European scene.“quoted in the Gemeindeblatt für den Bezirk Landeck, 20 June 1986, p. 5; original publication not named | 1986 | ||
| Quotation | „Air Mail was the most enjoya[ble] discovery of the festival“quoted in the Gemeindeblatt für den Bezirk Landeck, 20 June 1986, p. 5; original publication not named | 1986 | ||
| Quotation | „Air Mail, fired up by Wolfgang Puschnig, driven by the rhythm section of Mike Richmond / Wolfgang Reisinger and shaken up by an utterly …“Jazz Hot (French jazz magazine founded in 1935), no. 432, July/August 1986, p. 16; translated from the French | 1986 | ||
| Quotation | „an ideal jazz quartet … in the same breath we cite the example of John Coltrane's quartet of the 1960s“quoted in the Gemeindeblatt für den Bezirk Landeck, 20 June 1986, p. 5; original publication not named | 1986 | ||
| Quotation | „On the 14th: Harry Pepl quartet: Wolfgang Puschnig, soprano sax; Mike Richmond, bass; Wolfgang Reisinger, drums.“Tempo (Paris), no. 3, 15 April 1986, p. 7 | 1986 | ||
| Quotation | „Recordings with Michel Portal and Jack DeJohnette are also planned.“APA news service (Austria Presse Agentur), APA JAZZ NEWS section, 25 February 1986; translated from the German | 1986 | ||
| Quotation | „That is Air Mail, which will touch down in Coutances for its first concert in France.“Jazz sous les pommiers, festival archive (online), 10 May 1986 | 1986 | ||
| Quotation | „the new star of the “guitar-mad jazz fans”“Jazz sous les pommiers, festival archive (online), 10 May 1986 | 1986 | ||
| Quotation | „There I discovered a prodigious group: Air Mail“Jazz Hot (French jazz magazine founded in 1935), no. 432, July/August 1986, p. 15; translated from the French | 1986 | ||
| Quotation | „There I found again the thread of a history of the guitar that I feared I had lost for good.“Jazz Hot (French jazz magazine founded in 1935), no. 432, July/August 1986, p. 16; translated from the French | 1986 | ||
| Quotation | „“Air Mail”, one of the best contemporary quartets on the European jazz scene, is coming to town.“Gemeindeblatt für den Bezirk Landeck, no. 25, 20 June 1986, p. 5 | 1986 | ||
| Quotation | „“Halley Comet” is the most telling piece of this cosmic quartet.“Jazz Hot (French jazz magazine founded in 1935), no. 432, July/August 1986, p. 15; translated from the French | 1986 | ||
| Literature | Encyklopedie jazzu a moderní populární hudby, Díl II. Část jmenná. Světová scéna, osobnosti a soubory, L-ŽAntonín Matzner, Ivan Poledňák, Igor Wasserberger u. a. · 1987, p. 206 · Prague | 1987 | ||
| Quotation | „A trio record with Jack DeJohnette and Dave Holland is in preparation.“APA news service (Austria Presse Agentur), APA JAZZ NEWS section, 7 April 1987; translated from the German | 1987 | ||
| Quotation | „AirMail with Austria’s foremost guitarist Harry Pepl“APA JAZZ NEWS (Austria Presse Agentur) · Announcement of the Wiesen jazz festival, APA-Basisdienst, Tuesday, 2 June 1987 | 1987 | ||
| Quotation | „There was praise, too, from a prominent colleague, the guitarist John Abercrombie.“APA news service (Austria Presse Agentur), APA JAZZ NEWS section, 16 June 1987; translated from the German | 1987 | ||
| Literature | 20 Jahre Steirischer Herbst. Eine DokumentationPaul Kaufmann (Hg.) · Zsolnay 1988, ISBN 3-552-81988-6, p. 157, 169, 336, 379, 399 · Vienna, Darmstadt | 1988 | ||
| Literature | Benny Goodman: Listen to His LegacyD. Russell Connor · Scarecrow Press, Institute of Jazz Studies 1988, p. 299 to 301, ISBN 0-8108-2095-1 · Metuchen, N.J. | 1988 | ||
| Literature | Dictionnaire du jazzPhilippe Carles, André Clergeat, Jean-Louis Comolli · Robert Laffont 1988 · Paris | 1988 | ||
| Literature | SaitensprüngeWolfgang Kralicek · Wochenpresse, no. 49, 9 December 1988, p. 54 to 55 · Vienna | 1988 | ||
| Quotation | „A treat for jazz lovers“Chris Tomark, Kronen Zeitung · Concert review, Kronen Zeitung, 4 April 1988, p. 24, quoted in Heckel 2024, p. 93 (chapter “Cracked Mirrors”) | 1988 | ||
| Quotation | „accepted Harry Pepl’s guitar synthesiser as an imaginative enrichment of the sound“Stuttgarter Zeitung, 15 December 1988 | 1988 | ||
| Quotation | „Also worth highlighting on the record is the guitar of Harry Pepl, a “neophyte” who is already surprising half the world.“Rui Eduardo Paes, Diário de Lisboa (Lisbon daily), 11 November 1988, p. 24; translated from the Portuguese | 1988 | ||
| Quotation | „Austrian jazz has finally become international. Guitarist Harry Pepl received the German Record Critics’ Award for “Cracked Mirrors” …“Austria Presse Agentur · APA review of the year, APA-Basisdienst, Monday, 19 December 1988 | 1988 | ||
| Quotation | „Austrian jazz’s guitar great, of a standing that helps to set the tone not only in Europe“Daily newspaper (title not preserved), April 1988 | 1988 | ||
| Quotation | „created, as it were, out of nothing“Harry Pepl · Harry Pepl quoted by the APA news service (Austria Presse Agentur), APA JAZZ NEWS section, 14 June 1988; translated from the German | 1988 | ||
| Quotation | „European jazz? The trio of Herbert Joos, Harry Pepl and Tony Oxley provided an example of it.“Eßlinger Zeitung (Saturday/Sunday edition), 17 December 1988 | 1988 | ||
| Quotation | „Gems of contemporary jazz, wittily crafted by a top-class trio“Daily newspaper (title not preserved), 22 April 1988 | 1988 | ||
| Quotation | „Great success for the guitarist Harry Pepl, a lot of attention for Austrian jazz.“APA news service (Austria Presse Agentur), APA JAZZ NEWS section, 30 August 1988; translated from the German | 1988 | ||
| Quotation | „Harry Pepl brings electronics into play in an astonishing way.“Daily newspaper (title not preserved), April 1988 | 1988 | ||
| Quotation | „Harry Pepl’s guitar adds greatly to the moody mix“Edward Strickland · Edward Strickland, Fanfare, Volume 12, No. 1, 1988, p. 373 | 1988 | ||
| Quotation | „Harry PEPL’s natural and attractive playing on his MIDI guitar creates constant “aha” moments and marks him out as one of the most …“Press review (collage, compilation not identified), 1988 | 1988 |
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