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| Collection | Entry | Year | Identifier | Open and work with |
|---|---|---|---|---|
| Quotation | „He did a great deal for me rhythmically. What Mick Goodrick means in my case for the voicings, the accompaniment, Harry Pepl means for the …“Wolfgang Muthspiel · Lothar Trampert, Gitarre & Bass 7/1998, p. 54 ff., reprinted in Martin Schaberl, master’s thesis (Magisterarbeit, University of Music and Performing Arts Graz), 2004, p. 201; translated from the German | 1998 | ||
| Quotation | „I am a man of contrasts, often very funny or ironic and then very sad again. You can probably hear that in my playing too“Harry Pepl · Conversation with Martin Schuster, “Man könnte Klavierspielen müssen”, Concerto 2/1998; translated from the German | 1998 | ||
| Quotation | „I feel committed to musical truthfulness“Harry Pepl · Portrait on the Lower Austrian Culture Prize, “Auszeichnung für den musikalischen Jazz-Grenzgänger Harry Pepl” (initials “flo”), Kurier, Tuesday 3 November 1998, p. 10; translated from the German | 1998 | ||
| Quotation | „I played one note, then the second, and by the third at the latest Jack knew exactly where I was, and we were together.“Harry Pepl · On an unprepared festival concert with Jack DeJohnette; interview with Christian Rösner, Wiener Zeitung, Tuesday, 10 February 1998, p. 4 | 1998 | ||
| Quotation | „I wanted you to be able to hear the room on the CD as well.“Harry Pepl · Concerto (music magazine), issue 2/1998, April 1998, p. 2 of 4 (version in Presseberichte (1)) | 1998 | ||
| Quotation | „Music is my life, and I cannot not play“Harry Pepl · Conversation with Christian Rösner, “Echtzeitkompositionen”, Wiener Zeitung, Tuesday 10 February 1998, p. 4; translated from the German | 1998 | ||
| Quotation | „Music: Harry Pepl (prize of honour), Friedrich Keil and Elisabeth Schimana (recognition prizes)“Das Waldviertel, volume 47, issue 4 (page 408), December 1998, p. 408 | 1998 | ||
| Quotation | „Music: Harry Pepl (Würdigungspreis, prize of honour)“OTS (original text service of the APA), Lower Austrian State Press Service, 8 September 1998; translated from the German | 1998 | ||
| Quotation | „My main problem is my high blood pressure. Another contradiction: on the outside I may seem calm, but inside it races around in me like mad.“Harry Pepl · Conversation with Martin Schuster, “Man könnte Klavierspielen müssen”, Concerto 2/1998; also quoted in the Kleine Zeitung, Tuesday 6 December 2005, p. 55; translated from the German | 1998 | ||
| Quotation | „Pepl’s flowing real-time compositions on “Flow” are in any case full of energy and honesty; understandable in expression and eloquent.“Christian Rösner · Review of the CD “Flow”; “Echtzeitkompositionen”, Wiener Zeitung, Tuesday 10 February 1998, p. 4; translated from the German | 1998 | ||
| Quotation | „The 53-year-old guitarist and pianist of world renown from Hernstein captivates jazz lovers with extraordinary, spontaneous and innovative …“Kurier (Kürzel flo) · “Auszeichnung für den musikalischen Jazz-Grenzgänger Harry Pepl”, Kurier, 3 November 1998, p. 10 | 1998 | ||
| Quotation | „The guitarist and composer Harry Pepl may well be called Austria’s most independent and at the same time most uncompromising jazz voice.“Christian Rösner · Wiener Zeitung, Tuesday, 10 February 1998, p. 4 | 1998 | ||
| Quotation | „The music prizewinners are represented by Harry Pepl, who performs “Tintenfishinky”“OTS (original text service of the APA), Lower Austrian State Press Service, 30 September 1998; translated from the German | 1998 | ||
| Quotation | „What mattered to me was to play music that really comes from within and that happens in the moment“Harry Pepl · On real-time composing at the piano; interview with Christian Rösner, Wiener Zeitung, Tuesday, 10 February 1998, p. 4 | 1998 | ||
| Quotation | „What matters is finding your own individual line, and for that it is practise, practise, practise“Harry Pepl · Kurier (page 10, Chronik section, “Landsleute” column), 3 November 1998, p. 10 (Pepl) | 1998 | ||
| Literature | Harry Pepl. Aspekte seiner musikalischen EntwicklungChristian Haudej · Unpublished master’s thesis, Institute for Jazz Research, University of Music and Performing Arts Graz · Graz | 1999 | ||
| Literature | Norwegian Jazz Discography 1905-1998Johs Bergh · Norwegian Jazz Archives 1999, ISBN 82-90727-10-0, p. 255, 366 · Oslo | 1999 | ||
| Quotation | „from 1992 to 1997 he was taught by Harry Pepl in the jazz department of the Graz University of Music“Wiener Zeitung, Extra section, 30 July 1999, p. 915; translated from the German | 1999 | ||
| Quotation | „No idea what would have become of me if I hadn’t met Harry.“Martin Siewert · On his studies with Pepl in Graz; portrait by Klaus Taschwer, Falter, Wednesday, 25 August 1999, p. 53 | 1999 | ||
| Quotation | „The main point is that you can bring music to life, no matter what style.“Harry Pepl · Interview with Christian Haudej, 1999, p. 19, quoted in Heckel 2024, p. 86 | 1999 | ||
| Literature | Music in Austria. From Its Early Beginnings to the Present Day. An OverviewHarald Goertz · Bundespressedienst 2000, p. 57 · Vienna | 2000 | ||
| Literature | Reclams JazzführerCarlo Bohländer, Karl Heinz Holler, Christian Pfarr · Reclam 2000, ISBN 3-15-010464-5 · Stuttgart | 2000 | ||
| Quotation | „a brilliant, atmospherically dense, wildly grooving “Zeitraffer” by Harry Pepl“Andreas Fellinger, Neue Zeit, 26 November 2000, p. 38; translated from the German | 2000 | ||
| Quotation | „A play with waves and tides, in the pull of the speed of the moment“Harry Pepl · On “Zeitraffer” (Pepl’s own words), quoted by Ewald Baringer, NÖN, 5 April 2000, p. 18; translated from the German | 2000 | ||
| Quotation | „A truly brilliant stroke by the legendary guitarist and composer.“Ewald Baringer, NÖN · Ewald Baringer, review of the premiere of “Zeitraffer”, NÖN (Lower Austrian newspaper), 5 April 2000, p. 18; translated from the German | 2000 | ||
| Quotation | „Art has the task not merely to negate the tendencies of the time, but also to sharpen them.“Harry Pepl · Programme note on “Zeitraffer”, concert “Einkreisung”, Sammlung Essl, Schömer-Haus Klosterneuburg, 1 April 2000 | 2000 | ||
| Literature | „Ein Stück freier Himmel“. 10 Jahre Musik im Grabenhof. Die Grabenfesttage der ÖBV von 1991 bis 2000Marie-Therese Rudolph (Hg.) · Deuticke 2000, 327 pages, ISBN 3-216-30547-3, p. 314 · Vienna, Munich | 2000 | ||
| Quotation | „Harry Pepl’s brilliant, atmospherically dense, wildly grooving “Zeitraffer”“Andreas Fellinger · On the performance of “Zeitraffer” at Forum Stadtpark Graz; “Die Moderne in der Perkussion”, Neue Zeit, Sunday 26 November 2000, p. 38; translated from the German | 2000 | ||
| Quotation | „Real-time Composing (my working method): total improvisation in the pull of the speed of the moment.“Harry Pepl · Programme note for the work “Zeitraffer”, quoted in Heckel 2024, p. 61 and p. 208 | 2000 | ||
| Quotation | „This was no bloodless composer at work, but a deeply feeling, very contemporary musician who has emotion and creative intelligence equally …“Ewald Baringer · Review of the premiere of “Zeitraffer” at the Schömer-Haus, NÖN, Wednesday 5 April 2000, p. 18; translated from the German | 2000 | ||
| Quotation | „“Le Monde” called Pepl a giant of improvisation.“Sammlung Essl, programme “Einkreisung”, 1 April 2000, short biography | 2000 | ||
| Literature | Bremische Chronik 1981/1986Reinhard Patemann (Bearb.) · Staatsarchiv Bremen 2001, ISBN 3-925729-31-3, p. 29 · Bremen | 2001 | ||
| Literature | Jazzforschung / Jazz Research, Band 33Institut für Jazzforschung Graz, Internationale Gesellschaft für Jazzforschung (Hg.) · vol. 33, Akademische Druck- u. Verlagsanstalt 2001 · Graz | 2001 | ||
| Literature | The New Grove Dictionary of Music and Musicians, 2. Ausgabe, Artikel „Pirchner, Werner“Stanley Sadie (Hg.) · Macmillan, Grove 2001, vol. 19 · London, New York | 2001 | ||
| Literature | The Twentieth-Century String Quartet. An Historical Introduction and CatalogueIan Lawrence · Scarecrow Press 2001, ISBN 0-8108-4002-2 · Lanham, Md. | 2001 | ||
| Quotation | „Above all, however, he formed with the guitarist Harry Pepl the “Jazz-Zwio”, which was successful far beyond Austria’s borders.“Falter, 15 August 2001, p. 49; translated from the German | 2001 | ||
| Quotation | „At that time everyone was talking about Harry Pepl.“Christian Rösner · Christian Rösner in the Wiener Zeitung, 28 December 2001, p. 11; translated from the German | 2001 | ||
| Quotation | „playing marked by rough, jagged cascades of notes“Andreas Felber · Andreas Felber, head of the Ö1 jazz department, on Pepl’s guitar playing in the liner notes to the reissue “Light Blues” (Air Mail, Austrian Jazzart No. 1, EmArcy 2001); quoted by Jörg Weitlaner in Concerto 5/2001, p. 54; translated from the German | 2001 | ||
| Quotation | „The interplay of the whole band, in which we had developed a telepathic understanding, was what made Airmail special for me.“Harry Pepl · On the quartet Air Mail; quoted by Jörg Weitlaner in “Fünf Variationen österreichischer Jazzkunst” (Five variations of Austrian jazz art), Concerto 5/2001, p. 54; translated from the German | 2001 | ||
| Quotation | „the legendary “Light Blues” by Harry Pepl’s “Airmail”. Wonderful.“Otmar Klammer · Otmar Klammer, Kleine Zeitung, 27 October 2001; translated from the German | 2001 | ||
| Quotation | „With Harry Pepl on guitar he founded the legendary “jazz orchestra with two men”“Gunther Baumann, Kurier, 11 August 2001, p. 29; translated from the German | 2001 | ||
| Literature | All Music Guide to Jazz. The Definitive Guide to Jazz MusicAll Music Guide (Redaktion) · 4th edition, Backbeat Books 2002, p. 1053 · San Francisco | 2002 | ||
| Literature | Forum Stadtpark. Die Grazer Avantgarde von 1960 bis heuteChristine Rigler (Hg.) · Böhlau 2002, 492 pages, ISBN 3-205-99487-6, p. 264 · Vienna, Cologne, Weimar | 2002 | ||
| Literature | Inhalt schafft Form. Ein Versuch über Werner Pirchner (1940-2001)Andreas Felber · Österreichische Musikzeitschrift 57 (2002), no. 7, p. 50 to 52; DOI 10.7767/omz.2002.57.7.50 · Vienna | 2002 | ||
| Literature | Jazz-LexikonKunzler · Martin Kunzler: Jazz-Lexikon, vol. 2: M to Z, fully revised and expanded new edition, Rowohlt Taschenbuch 2002 (rororo 16513), p. 906 to 907 (entry Pepl) · Reinbek | 2002 | ||
| Literature | Swing that music! 30 Jahre Jazzland. Ein sehr persönliches Jazzland-LexikonAxel Melhardt · Pichler 2002, ISBN 3-85431-275-X · Vienna | 2002 | ||
| Literature | The New Grove Dictionary of JazzBarry Kernfeld (Hg.) · 2nd edition, Grove's Dictionaries 2002, 3 vols., ISBN 1-56159-284-6, vol. 3 (Nightclubs to Zwingenberger) · New York | 2002 | ||
| Quotation | „a bit crazy, and he liked trying out funny things“Harry Pepl · On Werner Pirchner; quoted in the Kurier, 24 July 2002, p. 26; translated from the German | 2002 | ||
| Quotation | „Avalanches of sound also characterise the playing of the Austrian guitarist Harry Pepl.“Clemens Panagl, Salzburger Nachrichten · Clemens Panagl, “Grooven nach Mitternacht”, Salzburger Nachrichten, 26 August 2002, p. 10; translated from the German | 2002 | ||
| Quotation | „celebrated triumphs on Europe’s festival stages in the Jazz-Zwio with the guitarist Harry Pepl“Andreas Felber, Der Standard, 27 July 2002, p. 30; translated from the German | 2002 |
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