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Harry Pepl * 1945  † 2005

Press archive

What was written and broadcast about Harry Pepl: reviews, portraits, interviews and obituaries, with summary and source. The originals are protected by copyright and kept in the archive; we provide them to researchers and the press on request.

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  1. 27 October 1984 · Radio · FR

    Radio France, „Concert de jazz“ (live recording, im INA-Katalog): „Concert de jazz : [émission du 00/00/00]“

    André Francis (production)

    Combined programme by Radio France, France’s public radio broadcaster, from the Festival de Jazz de Paris on Saturday, 27 October 1984, with three concert recordings, 3 hours 9 minutes in all. It opens with the Compagnie Lubat around Bernard Lubat (piano, percussion, drums, synthesiser), 55 minutes. Then come Tenor Madness with Daniel Humair (drums), Jean-François Jenny-Clark (double bass), Harry Pepl (guitar), Joachim Kühn (piano, keyboards) and the tenor saxophonists François Jeanneau, Harry Sokal and Larry Schneider, 1 hour 20 minutes, and finally the quartet of the tenor saxophonist Jean-Louis Chautemps with Robert Persi (keyboards), Rémy Dall'Anese (electric bass) and André Ceccarelli (drums), 55 minutes. Pepl plays only in the Tenor Madness part; its track list is in the separate record for this part (PHY13030614). Record PHY13030595_00 in the catalogue of the INA (Institut national de l'audiovisuel), the archive of French radio and television; the programme can only be heard on site at the INAthèque, which does not provide copies.

  2. 27 October 1984 · Radio · FR

    Radio France, „Concert de jazz“ (live recording, im INA-Katalog): „Festival de Jazz de Paris : Concert du Tenor Madness“

    André Francis (production)

    Concert recording by Radio France of Saturday, 27 October 1984, at the Festival de Jazz de Paris: Tenor Madness with Daniel Humair (drums), Jean-François Jenny-Clark (double bass), Harry Pepl (guitar), Joachim Kühn (piano, keyboards) and the tenor saxophonists François Jeanneau, Harry Sokal and Larry Schneider, 1 hour 20 minutes, with pieces by Humair, Kühn, Jeanneau and Sokal. The combined record for the same evening (PHY13030595_00) also includes the Compagnie Lubat and the quartet of Jean-Louis Chautemps. Record PHY13030614 in the catalogue of the INA (Institut national de l'audiovisuel), the archive of French radio and television; the recording can only be heard on site at the INAthèque, which does not provide copies.

  3. 23 September 1984 · Other · DE

    steirischer herbst, festival archive (online): „Michel Portal Unit featuring Harry Pepl“

    Entry in the archive of the steirischer herbst festival on the guest performance on Sunday, 23 September 1984, in the former slaughterhouse in Graz, Austria, in the “Falso Loco” series, with Daniel Humair, Jean-François Jenny-Clark, Joachim Kühn, George Lewis, Harry Pepl and Michel Portal.

  4. 11 June 1984 · Other · DE

    moers festival, festival archive (online): Archiv 1980 bis 1989: 11. Juni 1984, Eissporthalle

    For the festival from Friday 8 to Whit Monday 11 June 1984, the online archive of the moers festival (international festival for jazz and improvised music in Moers, North Rhine-Westphalia, Germany) lists “Airmail (AUT)” on the last day in the ice rink hall, with Wolfgang Puschnig, Karl “Bumi” Fian, Mike Richmond and Wolfgang Reisinger, on the same evening as Pension Winnetou, Yoshiaki Fujikawa & Eastasia Orchestra and the 29th Street Saxophone Quartet. Pepl is not listed in this line-up; according to Nikolaus Kohler he played.

  5. 10 June 1984 · Radio · FR

    Radio France, „Concert de jazz“ (live recording, im INA-Katalog): „Concert du Michel Portal Plus“

    André Francis (production)

    Concert recording by Radio France of Sunday, 10 June 1984, according to a France Musique broadcast of the following year at the jazz festival in Angoulême, France: Michel Portal Plus with Michel Portal (alto and tenor saxophone, clarinet), Harry Sokal (tenor saxophone), Joachim Kühn (piano, keyboards), Harry Pepl (guitar), Claude Barthélemy (electric bass), Jean-Paul Celea and Jean-François Jenny-Clark (double bass), Daniel Humair (drums) and Mino Cinelu (percussion), 1 hour 24 minutes. Besides pieces by Portal, Kühn and Sokal the programme lists a title “Pepl's theme” by Harry Pepl. Record PHY14005306 in the catalogue of the INA (Institut national de l'audiovisuel), the archive of French radio and television; the recording can only be heard on site at the INAthèque, which does not provide copies.

  6. 17 January 1984 · Review · FR

    Le Monde: „Berio, Aperghis et Portal: les anges et les démons“

    Concert report in Le Monde on a programme with works by Luciano Berio and Georges Aperghis and a performance by Michel Portal. Pepl played in Portal’s group during these years.

  7. 1984 · Portrait · DE

    Jazzlive (österreichisches Jazzmagazin): „Harry Pepl (Gitarre)“, Porträt mit Titelbild

    Multi-page portrait with a cover (“Portrait: Harry Pepl”). It reports that Pepl had been voted the third-best Austrian jazz musician of the year the year before, with the same ranking among guitarists, behind Pat Metheny and James Blood Ulmer. It mentions a concert with Werner Pirchner, the Family of Percussion and Steve Swallow in Hamburg, Germany, a seminar by Peter Giger in Wengen, Switzerland, with Ronald Shannon Jackson, and a performance in Moers, Germany, with Wolfgang Puschnig, Wolfgang Reisinger and Mike Richmond. The performances mentioned, Moers in June 1984 and the jazz workshop of the NDR (Norddeutscher Rundfunk, the public broadcaster for northern Germany) in Hamburg, date the issue to 1984; Nikolaus Kohler cites the collaboration with the Family of Percussion from Jazzlive no. 14, September 1984. It is one of two Jazzlive covers featuring Pepl; the second shows him with Air Mail (no. 20, April 1985).

    There is no doubt that Harry Pepl must today be counted among the leading jazz guitarists in Europe.