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Harry Pepl * 1945  † 2005

Press archive

What was written and broadcast about Harry Pepl: reviews, portraits, interviews and obituaries, with summary and source. The originals are protected by copyright and kept in the archive; we provide them to researchers and the press on request.

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  1. 2006 · Obituary · DE

    Jazzzeitung (p. 6): „Ciao Habanero“ (Harry Pepl 1945 bis 2005)

    Rainer Rygalyk

    Personal obituary by the jazz photographer Rainer Rygalyk. Wolfgang Puschnig and Wolfgang Reisinger recall the years with Air Mail; Rygalyk describes Pepl’s last major public appearance in 2004 at the Jazz Festival in Salzburg, with playback of eight Composings and live musicians in front of his pictures.

    He is the European jazz guitarist par excellence.

    I simply learned his musical language.

    Wolfgang Puschnig

    It was an extreme pull. Suddenly playing with someone who stands up there, two floors above us, steps on the gas so confidently and carries everything along with him.

    Wolfgang Reisinger

    To me he was a Franz Schubert kind of guy: incredibly beautiful songs, but of the highest quality, and the next moment completely bizarre and jagged.

    The drummer Wolfgang Reisinger. “Schubert Franzl” is the affectionate Viennese way of referring to Franz Schubert (1797 to 1828), the Viennese composer celebrated for his songs

    Wolfgang Reisinger

  2. 2006 · Encyclopaedia · DE

    mica music austria, music database: Wolfgang Schiftner (Eintrag mit dem Harry-Pepl-Preis 2006)

    Entry in the mica (Austria's music information centre) music database on the saxophonist Wolfgang Schiftner, born in 1982, co-founder of the JazzWerkstatt Wien. Among his awards it lists the Harry Pepl Prize 2006 at the Austrian Soundcheck (festival in Graz) in Graz, Austria, which makes Schiftner the first winner.

  3. 15 March 2006 · Report · DE

    APA-Basisdienst (APA0260, culture): „Starke Töne: JazzWerkstatt Wien lädt wieder zum Festival ins WUK“

    APA (initials leh/aku)

    Preview of the second festival of the JazzWerkstatt Wien at the WUK in Vienna from 16 March to 8 April 2006. The evening of 19 March is dedicated to the memory of Harry Pepl and Bumi Fian, with guests such as Wolfgang Puschnig, Wolfgang Reisinger and Raphael Preuschl.

  4. 29 April 2006 · Review · DE

    Kronen Zeitung (p. 25): „Zu einer Hommage an Werner Pirchner und Harry Pepl geriet der …“ (GrazJazz 2006)

    initials „TS“

    Short review of the third evening of GrazJazz 2006 at the Orpheum in Graz (Austria): Christian Muthspiel, Franck Tortiller and Georg Breinschmid paid homage to the music of Pirchner and Pepl, a demanding and dignified tribute.

    finally Christian Muthspiel, Franck Tortiller and Breinschmid paid homage to the music of the two recently deceased exceptional talents

  5. 30 April 2006 · Review · DE

    Kleine Zeitung (p. 86, culture): „Der spürbare Geist des Komponisten“ (GrazJazz 2006)

    Franz Remmalk (Schreibung laut APA)

    Review of the third day of GrazJazz 2006: with his new trio Christian Muthspiel arranged the music of Pirchner and that of his long-time musical companion Pepl; with Franck Tortiller on vibraphone the result was a superbly polished concert with a strikingly transparent sound.

    a superbly polished concert that lingered on long afterwards, piece by piece

  6. 22 July 2006 · Report · DE

    Der Standard (p. 11, Szenario): „Jetzt gehts los“ (Glatt & Verkehrt 2006)

    initials „felb“

    Weekend tip for the Glatt & Verkehrt festival: on Sunday, 23 July 2006, Christian Muthspiel, Franck Tortiller and Georg Breinschmid played their tribute to the Jazzzwio in the Minoritenkirche in Krems-Stein (Lower Austria, Austria).

    their sadly posthumous tribute to the brilliant Jazzzwio

  7. November 2006 · Programme booklet · DE

    GamsbART-Post 5/2006 (GamsbART-Verein, Graz): programme November to December 2006: Harry Pepl Gedenkpreis, 14. Austrian Soundcheck, Katholisches Studentenhaus Münzgraben

    Heimo Steps; Otmar Klammer

    Programme booklet of the Graz festival with the first texts on the Harry Pepl Prize. The prize for musicians under 30, a scholarship of 5,000 euros from the City of Graz, is presented on 18 November 2006 during the evening “Tribute to Harry Pepl”. Heimo Steps describes how “Cracked Mirrors” came about; Otmar Klammer describes Pepl’s “real composing”.

    an incorrigible musical visionary

    Pepl was a guitarist of international reputation who, with his idiosyncratic, angular and complex improvisational style, offered a European alternative to the US guitarists

    Otmar Klammer, GamsbART-Post

  8. 13 November 2006 · Report · DE

    Kronen Zeitung (p. 25): „Eine Hommage an Harry Pepl“ (Soundcheck in Graz)

    initials „MG“

    Preview of the 14th Austrian Soundcheck (festival in Graz, Austria) at the Graz jazz club M59: the closing night on 18 November 2006 brings a homage to Pepl and the first award of the Harry Pepl Prize, endowed by the City of Graz with 5,000 euros.

  9. 17 November 2006 · Report · DE

    Kleine Zeitung (Online, culture section): „Harry Pepl: Œuvre eines Kreativen“

    Michael Tschida

    Online article on the first presentation of the Harry Pepl Prize in Graz, seen as an impetus to safeguard Pepl’s musical estate. His work, it says, is stored in boxes at the house, with tapes, scores and technical oddities; gamsbART (Graz concert promoter) is said to have promised that future diploma scholarships should support the scholarly study of it.

    to archive the work of an exceptionally creative person

    Gerhard Kosel

    How much the star guitarist still inspires jazz musicians even now should be shown by more than just today’s final of the “Austrian Soundcheck”. Hats off to Harry P.!

  10. 19 November 2006 · Report · DE

    Kleine Zeitung (p. 89, culture): „Jazzpreis“ (Rubrik „Aktuell“)

    News item on the first award of the Harry Pepl Prize (5,000 euros, endowed by the City of Graz) to the saxophonist Wolfgang Schiftner on Saturday, 18 November 2006, at the Austrian Soundcheck, where he performed with the JazzWerkstatt Wien.

    The award is meant to commemorate the leading Austrian guitarist Pepl, who died in 2005, and to be the starting point for a study of his life’s work.

  11. 20 November 2006 · Report · DE

    Kronen Zeitung (p. 34): „Alter Mut auf neuen Wegen“ (1. Harry-Pepl-Preis geht an Wolfgang Schiftner)

    Matthias Wagner

    Report on the closing night of the 14th Austrian Soundcheck at the M59 in Graz: the JazzWerkstatt Wien played two sets as a “Tribute to Harry Pepl”, first Clemens Wenger on MIDI keyboard, then the prize-winner Wolfgang Schiftner with Clemens Salesny and colleagues. Gerhard Kosel of gamsbART explained the criteria of the prize, which comes with the obligation to work on Pepl’s legacy.

    above all an innovative way of working musically, the courage to leave one’s own traces

  12. 22 November 2006 · Report · DE

    Der Standard (culture, Printausgabe): „Jazzwohnzimmer Miles Smiles feiert“

    felb

    Short report on the 15th anniversary of the Viennese jazz club Miles Smiles in the Josefstadt, founded by Wulf Müller. The first concert in autumn 1981 was played by Bill Frisell and Eberhard Weber. Among those who recorded there were Aladár Pege, Jim Pepper and David Friesen, along with Austrian musicians down to Werner Pirchner and Harry Pepl.

    along with Austrian greats from Werner Pirchner and Harry Pepl downwards

  13. 6 December 2006 · Programme booklet · DE

    Porgy & Bess (programme note, Online): „A Tribute to Harry Pepl“, Mittwoch, 06.12.2006, 20:00 Uhr

    initials „CH“

    Announcement of the tribute evening with Lorenz Raab and Raphael Preuschl, the Andy Manndorff Trio, the Koehne Quartet and Peter Ponger solo, plus the concert films of Benny Goodman and of the Jazzzwio in Montreux in 1981 and visuals by Rainer Rygalyk. The text pays tribute to Pepl and mentions the three-day series devoted to him at Porgy & Bess (Vienna jazz club) in 1994; the net proceeds went to the administration of his estate.

    But it was Harry Pepl himself who was truly “ace”

    When you talk to guitarists, e.g. to Abercrombie or Scofield, there was one constant question: “And how is Harry?”

    As an original stylist who left a lasting impression on the international scene through his technical perfection, rhythmic incisiveness, harmonic variety and overflowing musical energy

  14. 9 December 2006 · Radio · DE

    Wiener Zeitung (p. 21, Programm: Radio Ö1, Samstag): „Die Österreich 1 Jazznacht“ mit Christian Bakonyi (Harry Pepl)

    Christian Bakonyi (Gestaltung)

    Programme note on the Ö1 Jazznacht (all-night jazz programme on ORF’s cultural radio station) with Christian Bakonyi, which from 11.05 pm presented Harry Pepl, about a year after his death, in largely unreleased recordings. The Wiener Zeitung also printed the same programme text on Thursday, 7 December 2006, so the broadcast date of Saturday, 9 December 2006, is not entirely certain.

    the composer, guitarist and musical free spirit Harry Pepl