Press archive
What was written and broadcast about Harry Pepl: reviews, portraits, interviews and obituaries, with summary and source. The originals are protected by copyright and kept in the archive; we provide them to researchers and the press on request.
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13 March 2007 · Radio · DE
Deutschlandfunk, Nachtradio (Playlist): „Milestones - Harry Pepl“ (Klassiker der Jazzgeschichte)
Playlist of a late-night radio programme on 13 March 2007 at 01:05, with “Live in Montreux 81”, the ECM (the renowned European jazz label) album with Pirchner and DeJohnette and Air Mail’s “Light Blues”. It shows Pepl as an entry in a German series on classics of jazz history.
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9 December 2006 · Radio · DE
Wiener Zeitung (p. 21, Programm: Radio Ö1, Samstag): „Die Österreich 1 Jazznacht“ mit Christian Bakonyi (Harry Pepl)
Christian Bakonyi (Gestaltung)
Programme note on the Ö1 Jazznacht (all-night jazz programme on ORF’s cultural radio station) with Christian Bakonyi, which from 11.05 pm presented Harry Pepl, about a year after his death, in largely unreleased recordings. The Wiener Zeitung also printed the same programme text on Thursday, 7 December 2006, so the broadcast date of Saturday, 9 December 2006, is not entirely certain.
the composer, guitarist and musical free spirit Harry Pepl
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15 December 2005 · Radio · DE
Wiener Zeitung (p. 23, Medien: Radioprogramm Österreich 1): „Spielräume: Im Gegenwind. Erinnerungen an Harry Pepl“ (Ö1, 17.30 Uhr)
Giselher Smekal (Gestaltung)
Programme note: on Thursday, 15 December 2005, at 5.30 pm, Ö1 (ORF’s cultural radio station) broadcast “Im Gegenwind. Erinnerungen an Harry Pepl” (Against the wind. Memories of Harry Pepl) with Giselher Smekal in its “Spielräume” series.
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6 December 2005 · Radio · DE
Ö1 Morgenjournal, 7 Uhr (laut Programmaussendung OTS0063 des ORF): „Nachruf Harry Pepl“ (Beitrag im Ö1-Morgenjournal)
Wolfgang Bilek
According to ORF’s programme release, the 7 am Ö1 Morgenjournal (news programme of ORF’s cultural radio station) on Tuesday, 6 December 2005, carried an obituary of Harry Pepl by Wolfgang Bilek. The wording has not been preserved.