Press archive
What was written and broadcast about Harry Pepl: reviews, portraits, interviews and obituaries, with summary and source. The originals are protected by copyright and kept in the archive; we provide them to researchers and the press on request.
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20 May 2016 · Interview · DE
Kleine Zeitung: „Der jazzverwandte Kosmopolit“
Otmar Klammer
Interview with Wolfgang Puschnig on his 60th birthday. Asked about the most lasting influence, he names Harry Pepl first, with whom he played for seven years in Air Mail; his planned double CD of duos also gathers recordings with friends who are no longer alive, such as Pepl and Hans Koller.
Harry Pepl, definitely, with whom I played in the Airmail band for seven years.
Wolfgang Puschnig
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19 May 2016 · Interview · DE
Die Presse (Online): „Kärntner Jazzer mit langem Atem“
Samir H. Köck
Interview with Wolfgang Puschnig on his 60th birthday. Puschnig names the seven years with Airmail, Harry Pepl’s band, as one of the highlights of his career; Pepl is only a side topic of the conversation.
the seven years with Airmail, the band of the guitarist Harry Pepl, who died in 2005
As a guitarist he was outside every norm. That opened up a new, more flexible approach to phrasing for me.
Wolfgang Puschnig
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26 October 2015 · Radio · DE
Ö1, Spielräume Spezial: „Heimat bis Du großer...“ (Würdigung von Harry Pepl zum Nationalfeiertag)
Klaus Wienerroither (Gestaltung)
Programme for the Austrian National Day, Monday, 26 October 2015, 5.10 pm, commemorating the guitarist and composer almost ten years after Pepl’s death. The title alludes to the line „Heimat bist du großer Söhne“ [“Homeland of great sons”] of the Austrian national anthem; the programme opens with “In this case it really is one of the sons” and calls Air Mail “probably one of the best jazz groups of Austrian origin”. Playlist: Air Mail with “Shifting People” and “The Halley’s Comet / Light Blue Blues”, “Salt and Pepl” with the ORF Big Band under Richard Österreicher, “Harry Pepl’s Blues” with Benny Goodman, “Against The Wind” live with the Jazzzwio, “Eastern Island Ears” with Dave Liebman and Wolfgang Reisinger, a part of “Anspannen, Überspannen, Abspannen” with STUDIO PERCUSSION graz, Peter Alexander’s “Sag’ mir quando, sag’ mir wann” (Pepl as studio guitarist) and finally “Air, Love & Vitamins” with Werner Pirchner and Jack DeJohnette.
The tribute to an individualist.
In this case it really is one of the sons.
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5 January 2011 · Portrait · DE
Kurier: „Jazz mit Herz, Witz und Bauchgefühl“
Werner Rosenberger
Portrait of Wolfgang Puschnig ahead of his project “For The Love Of It” at the Vienna Konzerthaus. Besides his work with Linda Sharrock, the Kurier calls his projects with Harry Pepl in Air Mail legendary; the same text appeared on kurier.at.
Legendary, too, his collaboration with the singer Linda Sharrock or his projects with Harry Pepl (“Air Mail”).
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24 November 2010 · Review · DE
Kleine Zeitung: „Eine Jazz Big Band, die Seelen baumeln lässt“
Otmar Klammer
Concert report from the finale of the Austrian Soundcheck: Stefan Heckel accepts the Harry Pepl Prize, endowed with 4,500 euros, and announces that he will devote himself to the namesake's work as a scholar. A few days before the fifth anniversary of Pepl's death, the trombone duo Daniel Riegler and Matthias Muche plays three arrangements of Pepl pieces, among them “125/250” from the Air Mail years.
A few days before the fifth anniversary of the death of the Viennese jazz guitarist and composer, the trombone duo Daniel Riegler and Matthias Muche delivered three elegantly polished arrangements, of which the notorious “125/250” from Pepl's Airmail days came closest to his jagged style.
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6 May 2010 · Portrait · DE
mica – music austria (Online): „Porträt: Wolfgang Reisinger“
Portrait of the drummer Wolfgang Reisinger at mica – music austria (Austria’s music information centre). Besides Part Of Art, he names Air Mail with Wolfgang Puschnig, Mike Richmond and Harry Pepl as the second important band of his own during his time in the Vienna Art Orchestra. Pepl, he says, was the first of the great musicians from whom he could learn a lot, “a real genius”. He recounts how John Scofield called out “I’ll kill you!” to Pepl as they changed over on stage, and mentions tapes of a live performance that are almost better than the two studio albums.
Time and again I have had the good fortune to meet great musicians from whom you could really learn a lot, and the first of them was definitely Harry Pepl. He was a real genius and a great guitarist, with an energy and seriousness that showed you where things could go.
Wolfgang Reisinger
I still remember well how we once came off the stage, John Scofield went on, and in passing he said to Harry, ‘I’ll kill you!’. Those are the little experiences you don’t forget. That really was a totally hot band back then.
Wolfgang Reisinger