Press archive
What was written and broadcast about Harry Pepl: reviews, portraits, interviews and obituaries, with summary and source. The originals are protected by copyright and kept in the archive; we provide them to researchers and the press on request.
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24 November 2010 · Review · DE
Kleine Zeitung: „Eine Jazz Big Band, die Seelen baumeln lässt“
Otmar Klammer
Concert report from the finale of the Austrian Soundcheck: Stefan Heckel accepts the Harry Pepl Prize, endowed with 4,500 euros, and announces that he will devote himself to the namesake's work as a scholar. A few days before the fifth anniversary of Pepl's death, the trombone duo Daniel Riegler and Matthias Muche plays three arrangements of Pepl pieces, among them “125/250” from the Air Mail years.
A few days before the fifth anniversary of the death of the Viennese jazz guitarist and composer, the trombone duo Daniel Riegler and Matthias Muche delivered three elegantly polished arrangements, of which the notorious “125/250” from Pepl's Airmail days came closest to his jagged style.
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24 November 2010 · Review · DE
Kronen Zeitung: „Schwülstige Fadesse“
MW
Report on the closing night of the 20th Austrian Soundcheck at the Orpheum in Graz: Stefan Heckel receives the third Harry Pepl Prize as the starting point for a doctoral thesis on Pepl's legacy, whose work, according to festival director Gerhard Kosel, still awaits scholarly study. As a prelude, Daniel Riegler (prize winner 2008) and Matthias Muche play three of Pepl's real-time compositions as a trombone duo.
Since the death of the great guitarist and composer Harry Pepl (1945-2005), his work still awaits scholarly study, says Soundcheck director Gerhard Kosel.
As a prelude, Daniel Riegler (Pepl Prize winner 2008) and Matthias Muche had performed three “real-time compositions” by the master as a trombone duo.