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Harry Pepl * 1945  † 2005

Press archive

What was written and broadcast about Harry Pepl: reviews, portraits, interviews and obituaries, with summary and source. The originals are protected by copyright and kept in the archive; we provide them to researchers and the press on request.

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  1. 9 March 1985 · Review · DE

    Kleine Zeitung (daily newspaper, Graz): „Tirol und Chikago“ new

    Leo Lukas

    Review of the Jazzzwio performance with Famoudou Don Moye of the Art Ensemble of Chicago on Thursday, 7 March 1985, at the packed Studentenheim Münzgrabenstraße 59 in Graz, Austria. The programme included “African Godchild”, “Das Auge des Maulwurfs” and “Air, Love and Vitamines”.

  2. 9 March 1985 · Review · DE

    Neue Zeit (Graz daily newspaper): „Liebe, Luft und Vitamine“ (Stimmungsvolles Konzert im Grazer Münzgrabenheim) new

    Brigitte Oberleitner

    Review of the concert by Pepl, Pirchner and Don Moye at the Münzgrabenheim in Graz, Austria, on Thursday, 7 March 1985. The reviewer compares the rush of audience with that for the Michel Portal Unit the year before, singles out Moye on the cymbals and points to the ECM record with DeJohnette.

    One of the musicians who, whatever formation they play in, are a draw for the public, is the guitarist Harry Pepl.

    On the concert by Pepl, Pirchner and Don Moye at the Münzgrabenheim in Graz, Austria, in the Neue Zeit, a Graz daily newspaper.

  3. 9 March 1985 · Review · DE

    Tagespost (Graz daily newspaper): „GamsbArt: Vielseitiger Gitarrero“ new

    Short review of the evening with Pirchner, Pepl and Don Moye: the guitarist is able to prove his versatility every time; it was an evening of free improvisation.

  4. 9 March 1985 · Review · DE

    Kronen Zeitung (Austrian daily newspaper; attribution inferred from author and layout): „Drei Mann in Topform“ (Grazer „Münzl“: Pepl, Pirchner und Moye) new

    R. Herbolzheimer

    Review of the concert by Pepl, Pirchner and Moye at the “Münzl” in Graz, Austria: music of great tension and many facets, in which the dialogues of vibraphone and guitar succeed as only musicians who know each other like brothers can manage.

    Pirchner’s and Pepl’s dialogues on vibraphone and guitar as good as is only possible with musicians who know each other like brothers.

    On the concert of the Jazzzwio with Don Moye on Thursday, 7 March 1985, at the “Münzl” (nickname of the Münzgrabenheim student centre) in Graz, Austria, in the Kronen Zeitung, Austria’s largest-circulation daily.