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| Collection | Entry | Year | Identifier | Open and work with |
|---|---|---|---|---|
| Quotation | „once a student of the great Harry Pepl“Michael Huber, Kurier, 11 April 2008, p. 37; translated from the German | 2008 | ||
| Quotation | „The Austrians Werner Pirchner and Harry Pepl were among the most original minds of European jazz in the seventies and eighties.“Neue Zürcher Zeitung · Concert note “Jazz”, Neue Zürcher Zeitung, 31 January 2008, p. 57; translated from the German | 2008 | ||
| Quotation | „The scholarship, endowed with 4,000 euros, comes with the requirement to engage with the work of Pepl, the jazz guitarist and KUG professor …“University of Music and Performing Arts Graz, gazette no. 5 (online), 3 December 2008 | 2008 | ||
| Quotation | „There’s also moving balladry as heard on the emotive “And Harry Said Goodbye,” dedicated to another Schalk influence, European guitar …“Mark F. Turner, All About Jazz (US online jazz magazine, founded 1995), 22 September 2008 | 2008 | ||
| Quotation | „Yet some of his teachers in Graz are personal heroes to him: Harry Pepl, for example“Falter, 26 November 2008, p. 55; translated from the German | 2008 | ||
| Literature | Aspects of Context and Harmony in the Music of Clare FischerMichael Kahr · PhD dissertation, University of Sydney, 2009 · Sydney | 2009 | ||
| Literature | Experimentieren – improvisieren – zuhören: Ursprung, Entwicklung und Theorien der heutigen experimentellen elektronischen Musik sowie Beweggründe und Gedanken in Wien tätiger MusikschaffenderSilvia Elisabetta Pagano · dissertation, University of Vienna (supervisor Christoph Reuter) · Vienna | 2009 | ||
| Literature | Jazzzwio – ein markanter Name – bis heuteThomas Hein · Concerto, 2/2009, p. 44 | 2009 | ||
| Literature | La collection. Musée d'art moderne de la Ville de ParisSuzanne Pagé (Hg.) · Paris Musées 2009, p. 587 · Paris | 2009 | ||
| Quotation | „a composition that is now regarded as an Austrian jazz classic“Samir H. Köck (Kürzel „sam“) · On “Air, Love & Vitamins”; “Tränen mit John Dowland”, Die Presse, 10 March 2009, p. 27; translated from the German | 2009 | ||
| Quotation | „an Alpine ballad (Da augschissene Wandersbuasch) by the Viennese Harry Pepl“Gottfried Sengstschmid, NÖN, 9 November 2009, p. 49; translated from the German | 2009 | ||
| Quotation | „As a musician, Pepl gave expression to inner avalanches.“Wolfgang Muthspiel · Wolfgang Muthspiel in Die Presse, 2 March 2009, p. 28; translated from the German | 2009 | ||
| Quotation | „Great moments of brilliantly offbeat music and gnarled humour“Zeitschrift für Kultur und Gesellschaft (cultural magazine), 24 February 2009, p. 1 | 2009 | ||
| Quotation | „Harry Pepl, a complex guitarist of truly international stature.“Der Standard · CD review “Zwio und Trio”, Der Standard, Friday 6 March 2009, p. R50; translated from the German | 2009 | ||
| Quotation | „Harry Pepl, a complex guitarist of truly international stature“Der Standard (online, Musikrundschau section), 13 February 2009, p. 1 | 2009 | ||
| Quotation | „has undertaken a host of band projects with Harry Pepl, Dino Saluzzi, Ray Anderson, Albert Mangelsdorff, Lee Konitz“Harald Justin, tribute to Enrico Rava, Jazzrytmit (Finnish jazz magazine, online), 4 December 2009 | 2009 | ||
| Quotation | „If there are classics of Austrian jazz, here is one!“Kronen Zeitung (Kürzel MG) · Short review of “Live in Concerts”, Kronen Zeitung, 20 March 2009, p. 36 | 2009 | ||
| Quotation | „Our aim with the Harry Pepl Prize is to keep this flame burning until musicology in Graz also takes up the subject.“Gerhard Kosel · Kronen Zeitung (page 31, Styria), 6 February 2009, p. 31 (Gerhard Kosel) | 2009 | ||
| Quotation | „Particularly beautiful is ‘And Harry Said Goodbye’, dedicated to the unforgotten colleague Harry Pepl.“Die Presse (online), 20 February 2009 | 2009 | ||
| Quotation | „The creative fury, the intensity achieved there still seems to set the standard today.“Der Standard · On the Jazzzwio live in Montreux 1981; CD review “Zwio und Trio”, Der Standard, Friday 6 March 2009, p. R50; translated from the German | 2009 | ||
| Quotation | „the playful wit of these two strong characters, one Viennese and one Tyrolean to the core, still sounds fresh as morning dew more than 25 …“Peter Füssl · Peter Füssl, CD recommendation “JazzZwio: Live in Concerts”, KULTUR, a cultural magazine from Vorarlberg, Austria, 24 February 2009; translated from the German | 2009 | ||
| Quotation | „The superb guitarist Harry Pepl and his perfectly matched partner“Die Presse (online), 13 February 2009, p. 1 | 2009 | ||
| Quotation | „Two original home-grown musicians, both of whom had to go far too soon and are unforgotten“Kurier · Short review “JAZZZWIO: Harry Pepl & Werner Pirchner”, Kurier, 18 January 2009, p. 38 | 2009 | ||
| Quotation | „Werner Pirchner and Harry Pepl formed the legendary duo “jazzzwio” and left their own individual mark on European jazz.“Kleine Zeitung · “Muthspiel-Trio und ein Heimatfilm”, Kleine Zeitung, 3 March 2009, p. 30; translated from the German | 2009 | ||
| Quotation | „While I try to be innovative within a framework, within a style, Harry always tried to cross the set boundaries and then go further.“Daniel Pepl · Concerto (2/2009, page 44), February 2009, p. 44 (Daniel Pepl) | 2009 | ||
| Quotation | „With his trombone he served greats such as David Murray or the brilliant Harry Pepl“Vorarlberger Nachrichten, 4 August 2009, p. D4; translated from the German | 2009 | ||
| Quotation | „With their JazzZwio, the guitarist Harry Pepl and the vibraphonist Werner Pirchner were internationally sought-after protagonists of Alpine …“Klaus Nüchtern (Kürzel „KN“) · Record review of “Live in Concerts”, Falter, 18 March 2009, p. w27; translated from the German | 2009 | ||
| Literature | Musik. Eine Kulturgeschichte der Möglichkeiten und UnmöglichkeitenIrene Suchy · In: Kultur im Spiegel der Zeit. 1960–2010 Kulturpreise Niederösterreich, Office of the Lower Austrian Provincial Government (ed.), p. 111 to 113, 122 to 124 · St. Pölten | 2010 | ||
| Quotation | „A few days before the fifth anniversary of the death of the Viennese jazz guitarist and composer, the trombone duo Daniel Riegler and …“Kleine Zeitung, 24 November 2010, p. 63; translated from the German | 2010 | ||
| Quotation | „As a prelude, Daniel Riegler (Pepl Prize winner 2008) and Matthias Muche had performed three “real-time compositions” by the master as a …“Kronen Zeitung, 24 November 2010, p. 44; translated from the German | 2010 | ||
| Quotation | „Between jazz, ethnic and Alpine music, musical freedom is always at the centre of the creative process for Heckel, as it was for Pepl.“Kleine Zeitung, 22 November 2010, p. 12; translated from the German | 2010 | ||
| Quotation | „distinct music personalities, many of whom have helped shape the character of European jazz and contemporary improvised music“Wolfgang Lamprecht, “Euro-American Dream Stories”, text for the Vienna Art Orchestra compilation “The Big Band Years” (Universal Music Austria), 2010 | 2010 | ||
| Quotation | „For it is to be devoted entirely to the oeuvre of the jazz guitarist and composer Harry Pepl, who passed away suddenly five years ago.“Kleine Zeitung, 22 November 2010, p. 12; translated from the German | 2010 | ||
| Quotation | „he was just about the only fantastic thing about Graz“Martin Siewert · Martin Siewert on his teacher Harry Pepl, Falter, 14 July 2010, p. 25; translated from the German | 2010 | ||
| Quotation | „I still remember well how we once came off the stage, John Scofield went on, and in passing he said to Harry, ‘I’ll kill you!’. Those are …“Wolfgang Reisinger · Wolfgang Reisinger, “Porträt: Wolfgang Reisinger”, mica: music austria, 6 May 2010 | 2010 | ||
| Quotation | „In the seventies and eighties Pirchner and Pepl formed the legendary “Jazz-Zwio”, a group that gave European jazz important impulses.“Patrizia Steipe · Patrizia Steipe, Süddeutsche Zeitung, 11 December 2010; translated from the German | 2010 | ||
| Quotation | „Pepl’s career with the legendary ORF Big Band“Irene Suchy, “Musik. Eine Kulturgeschichte der Möglichkeiten und Unmöglichkeiten”, in: Kultur im Spiegel der Zeit. 1960–2010 Kulturpreise Niederösterreich, 2010, p. 112 | 2010 | ||
| Quotation | „Since the death of the great guitarist and composer Harry Pepl (1945-2005), his work still awaits scholarly study, says Soundcheck director …“Kronen Zeitung, 24 November 2010, p. 44; translated from the German | 2010 | ||
| Quotation | „The fantastic sax solo and Metheny-esque picking lend even more elegance to the track’s progressive sound.“ECM Reviews (Between Sound and Space: ECM Records and Beyond), 8 July 2010 | 2010 | ||
| Quotation | „the great instrumentalist and composer Harry Pepl“Irene Suchy, Ö1 · Irene Suchy, “Musik. Eine Kulturgeschichte der Möglichkeiten und Unmöglichkeiten”, in: Kultur im Spiegel der Zeit. 1960–2010 Kulturpreise Niederösterreich, 2010, p. 111 | 2010 | ||
| Quotation | „Time and again I have had the good fortune to meet great musicians from whom you could really learn a lot, and the first of them was …“Wolfgang Reisinger · Wolfgang Reisinger, “Porträt: Wolfgang Reisinger”, mica: music austria, 6 May 2010 | 2010 | ||
| Quotation | „to dissolve himself as a personality in the music“Daniel Pepl · Heckel 2024, p. 39 (interview with Daniel Pepl, 27 December 2010); translated from the German | 2010 | ||
| Literature | Die Gitarre in Österreich. Von Abate Costa bis ZykanStefan Hackl · StudienVerlag 2011, 263 pages, ISBN 978-3-7065-4980-6, p. 136 · Innsbruck, Vienna, Bolzano | 2011 | ||
| Literature | Themen und Werte der ORF-Jugendmagazine „Okay“ und „Ohne Maulkorb“. Ein Vergleich zweier TV-Zielgruppensendungen der 1980er JahreKerstin Madner · Master’s thesis, journalism and communication studies, University of Vienna (supervisor Fritz Hausjell) · Vienna | 2011 | ||
| Quotation | „Legendary, too, his collaboration with the singer Linda Sharrock or his projects with Harry Pepl (“Air Mail”).“Kurier, 5 January 2011, p. 30; translated from the German | 2011 | ||
| Quotation | „The crowding of the z's and the tacked-on w also nicely illustrated, visually, what bound the Viennese guitarist and the Tyrolean …“Michael Tschida · Michael Tschida on the Jazzzwio, Kleine Zeitung, 13 October 2011, p. 69; translated from the German | 2011 | ||
| Quotation | „When soloing, however, it sounds fantastic“ECM Reviews (Between Sound and Space: ECM Records and Beyond), 20 December 2011, p. 1 | 2011 | ||
| Quotation | „a far better showcase for Pepl’s innovative talents“ECM Reviews (Between Sound and Space: ECM Records and Beyond), 16 January 2012, p. 1 | 2012 | ||
| Quotation | „a quintet featuring Furio Di Castri on double bass, Bruce Ditmas on drums and Harry Pepl on guitar“Luciano Vanni, Jazzit (Italian jazz magazine), no. 73, November/December 2012, p. 68; translated from the Italian | 2012 | ||
| Quotation | „from the start with Ron McClure on bass and first Harry Pepl, then Fritz Pauer in the quartet“Kronen Zeitung, 30 September 2012, p. 2; translated from the German | 2012 |
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