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| Collection | Entry | Year | Identifier | Open and work with |
|---|---|---|---|---|
| Quotation | „Works extremely well.“Der Standard (RONDO), 11 December 2015; translated from the German | 2015 | ||
| Quotation | „wove archive recordings of the improvising genius into something excitingly new“Kleine Zeitung, 18 December 2015, p. 88; translated from the German | 2015 | ||
| Literature | Jazz & the City. Jazz in Graz von 1965 bis 2015Michael Kahr · Leykam 2016, 523 pages, ISBN 978-3-7011-0357-7 · Graz | 2016 | ||
| Quotation | „Al Foster and the Harry Pepl project“Der Standard (online), 17 May 2016, p. 1 | 2016 | ||
| Quotation | „an artistic high-wire act in which fragments of Pepl’s recordings were also played in“Die Presse (online), 16 May 2016, p. 1 | 2016 | ||
| Quotation | „An extremely successful tribute to one of Austria's important jazz musicians.“Jazzpages (online), 19 May 2016 | 2016 | ||
| Quotation | „An impulsive homage to one of the greats of European jazz.“Ljubiša Tošić · Ljubiša Tošić from the INNtöne, Der Standard, 17 May 2016 (online), print edition 18 May 2016, p. 30; translated from the German | 2016 | ||
| Quotation | „As a guitarist he was outside every norm. That opened up a new, more flexible approach to phrasing for me.“Wolfgang Puschnig · Wolfgang Puschnig on Harry Pepl, Die Presse, 19 May 2016 (online), print edition 20 May 2016, p. 38; translated from the German | 2016 | ||
| Quotation | „At a first mini festival on 23 June 1975, Werner Pirchner, Harry Pepl, Wayne Darling and Fritz Ocmec performed at the HTL Saalfelden.“Salzburger Nachrichten, 20 January 2016, p. 13; translated from the German | 2016 | ||
| Quotation | „Clemens Salesny, Martin Bayer, Peter Primus Frosch and Agnes Heginger interpret Harry Pepl“Der Standard (online), 12 May 2016, p. 1 | 2016 | ||
| Quotation | „compositions by his former Jazz-Zwio duo partner Harry Pepl were also heard“Ö1, On Stage (programme note in the Wiener Zeitung), 14 July 2016, p. 14; translated from the German | 2016 | ||
| Literature | „Finite Elemente Methode“ (FEM) für die Berechnung von VibraphontastenLukas Handle · Master’s thesis, master’s programme in musicology, University of Vienna, 2016, xiv, 92 pages; supervisor Christoph Reuter; DOI 10.25365/thesis.44516 · Vienna | 2016 | ||
| Quotation | „Guitar, synthesizer, piano, vocals, drums: Pepl once recorded everything himself at home.““Inntöne-Festival: Session mit der Historie”, Der Standard (online), 12 May 2016 | 2016 | ||
| Quotation | „Harry Pepl, definitely, with whom I played in the Airmail band for seven years.“Wolfgang Puschnig · Wolfgang Puschnig, asked about his most lasting influence, Kleine Zeitung, 20 May 2016, p. 79; translated from the German | 2016 | ||
| Quotation | „In jagged, experimental improvisations they go all out and systematically leave familiar structures and sounds behind.“Passauer Neue Presse, 17 May 2016; translated from the German | 2016 | ||
| Quotation | „It was on arriving on European soil that he auditioned and hired the Austrian guitarist Harry Pepl, the German bassist Peter “Fifi” Witte …“Alex Dutilh, “Jazz au Trésor: Benny Goodman: Berlin 1980”, France Musique, 30 May 2016 | 2016 | ||
| Quotation | „She is currently working on it with Daniel Pepl, the son of the European jazz guitar legend Harry Pepl.“Samir H. Köck · Samir H. Köck, Die Presse, 20 August 2016, p. 10; translated from the German | 2016 | ||
| Quotation | „Some pieces and arrangements offer such great freedom that they sound different every time live, and Harry, too, keeps on surprising.“Clemens Salesny · Ljubiša Tošić, “Inntöne-Festival: Session mit der Historie”, Der Standard online, 12 May 2016, quoted in Heckel 2024, p. 168 | 2016 | ||
| Quotation | „The four musicians on stage played so excellently with Pepl's legacy that, without knowing the story behind it and with your eyes closed …“Jazzpages (online), 19 May 2016 | 2016 | ||
| Quotation | „The great tenor saxophonist Hans Koller, a central figure of modern jazz in Europe, was also there at the time, and of course the guitarist …“Der Standard (RONDO), 10 June 2016; translated from the German | 2016 | ||
| Quotation | „The late grandmaster of impulsive improvisation“Ljubiša Tošić · Ljubiša Tošić from the INNtöne, Der Standard, 17 May 2016 (online), print edition 18 May 2016, p. 30; translated from the German | 2016 | ||
| Quotation | „The Melk jazz club dedicates a performance at the Tischlerei to the “giant of improvisation”.“Regional newspaper, Melk district, September 2016; translated from the German | 2016 | ||
| Quotation | „The saxophonist Clemens Salesny, for instance, chose an innovative approach to pay tribute to Harry Pepl, who died in 2005.“OÖ Nachrichten, 17 May 2016, p. 13; translated from the German | 2016 | ||
| Quotation | „the seven years with Airmail, the band of the guitarist Harry Pepl, who died in 2005“Die Presse (online), 19 May 2016, p. 1 | 2016 | ||
| Quotation | „Their bold homage to the late Harry Pepl was an artistic high-wire act“Samir H. Köck · On the homage by Agnes Heginger and Clemens Salesny at the Inntöne festival; “Resch, renitent: Der Sound des Sauwalds”, Die Presse, Tuesday 17 May 2016, p. 20; translated from the German | 2016 | ||
| Quotation | „There are, however, ways of engaging with history that yield delicate results. A formidable example can be experienced on Saturday at the …““Inntöne-Festival: Session mit der Historie”, Der Standard (online), 12 May 2016 | 2016 | ||
| Quotation | „There is nothing at all to say that could even come close to capturing this late, magnificent Pepl spectacle.“Alexander Schmitz, Jazzpodium, 2016; translated from the German | 2016 | ||
| Quotation | „They dedicate their concert to an Austrian jazz legend: the jazz guitarist and composer Harry Pepl.“Oberösterreichisches Volksblatt, 17 May 2016, p. 14; translated from the German | 2016 | ||
| Quotation | „which now brings the name of the great Viennese guitarist Harry Pepl back into public awareness with a project of equal stature“Alexander Schmitz, Jazzpodium, 2016; translated from the German | 2016 | ||
| Literature | The Development of the Austrian Jazz Scene and Its Identity 1960–1980Christa Bruckner-Haring · European Journal of Musicology 16/1 (2017), p. 136 to 157, DOI 10.5450/ejm.2017.16.5784 · Bern | 2017 | ||
| Quotation | „Check out “Cracked Mirror” to hear how his playing in 1988 sounds fresh even today.“Guitar Moderne (online), 18 December 2017 | 2017 | ||
| Quotation | „Depending on the piece, the Roland MIDI guitar system creates a synthesizer-like expanse.“kudojazz in ジャズCDの個人ページ ECM Blog (Japanese blog on ECM records), 25 November 2017; translated from the Japanese | 2017 | ||
| Quotation | „first classical guitar with Leo Witoszynskyj, then jazz with Harry Pepl as well“Kronen Zeitung, 12 July 2017, p. 36; translated from the German | 2017 | ||
| Quotation | „His chorused sound and fluidity were reminiscent of Metheny, but his attack was harder and his sensibility was decidedly more “out.”“Guitar Moderne (online), 18 December 2017 | 2017 | ||
| Quotation | „I was never a good student either; the only teacher who could teach me anything was Harry Pepl. And he gave me a spirit to take with me“Andy Manndorff · Salzburger Nachrichten (online, APA), 11 September 2017 | 2017 | ||
| Quotation | „Manndorff had studied with the legendary Viennese guitarist Harry Pepl“Kurier, 12 September 2017, p. 26; translated from the German | 2017 | ||
| Quotation | „The musicians play works by the composers Harry Pepl and Werner Pirchner, who died early.“Ö1 (oe1.orf.at, article), 8 April 2017, p. 1 | 2017 | ||
| Quotation | „There are passages that sound like free improvisation and passages that are pastoral.“kudojazz in ジャズCDの個人ページ ECM Blog (Japanese blog on ECM records), 25 November 2017; translated from the Japanese | 2017 | ||
| Literature | „Those were the days“. Salzburgs populäre Musikkulturen der 1950er und 1960er JahreThomas Hochradner, Sarah Haslinger (Hg.) · Hollitzer Wissenschaftsverlag 2017 · Vienna | 2017 | ||
| Quotation | „together with Harry Pepl in the legendary JazzZwio“Ö1 (oe1.orf.at, article), 10 October 2017, p. 1 | 2017 | ||
| Quotation | „trio arrangements of pieces by the mavericks he admires, Harry Pepl & Werner Pirchner“Kleine Zeitung, 1 October 2017, p. 20; translated from the German | 2017 | ||
| Quotation | „With the guitarist Harry Pepl he founded the Pirchner-Pepl-JazzZwio in 1975“Ö1 (oe1.orf.at, article), 20 September 2017, p. 1 | 2017 | ||
| Literature | Jazz in Graz von 1965 bis heute. Geschichte und Identität einer Jazz(haupt)stadtMichael Kahr · p. 435 to 451, in: Historisches Jahrbuch der Stadt Graz, vol. 48 (Graz 1918-1938), Leykam 2018, ISBN 978-3-7011-0412-3 · Graz | 2018 | ||
| Literature | Mein LebenslaufFelix Mitterer · Haymon 2018, ISBN 978-3-7099-3425-8, p. 344 · Innsbruck | 2018 | ||
| Literature | The History of European Jazz. The Music, Musicians and Audience in ContextFrancesco Martinelli (Hg.) · Equinox 2018, ISBN 978-1-78179-446-3, p. 368, 369, 374 · Sheffield | 2018 | ||
| Quotation | „a gifted guitarist and an exceptional phenomenon“Otto Kolleritsch · Otto Kolleritsch, former rector of the University of Music Graz, quoted on wienerzeitung.at, 10 September 2018; translated from the German | 2018 | ||
| Quotation | „A multifaceted excursion through the Pepl cosmos.“Otmar Klammer · Review “Auratisch: Zwei fünfte Männer” (Austrian Soundcheck at Tube’s Graz), Kleine Zeitung, Thursday 15 November 2018, p. 55; translated from the German | 2018 | ||
| Quotation | „For this evening the landlord and passionate jazz connoisseur Hans Peter Kasper booked “Zwio”, the duo of the Tyrolean composer and …“OÖ Nachrichten, 11 January 2018, p. 31; translated from the German | 2018 | ||
| Quotation | „GIANT OF IMPROV“Kärntner Monat, 2 November 2018, p. 106; translated from the German | 2018 | ||
| Quotation | „Great project: the late guitarist Harry Pepl comes from tape here.“Der Standard (Watchlist), 10 November 2018, p. 37; translated from the German | 2018 |
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