Press archive
What was written and broadcast about Harry Pepl: reviews, portraits, interviews and obituaries, with summary and source. The originals are protected by copyright and kept in the archive; we provide them to researchers and the press on request.
Filters active
1 entry filtered · CSV of the filtered entries
Newest first · Oldest first
-
2 December 1984 · Review · DE
Kurier (Vienna daily newspaper), p. 12, reviews section: „Markenzeichen Austrojazz“ (Szene Wien: Konzerte mit Miklin, Sokal, Pepl) new
Gunther Baumann
Review of the concerts by Karlheinz Miklin, Harry Sokal and Harry Pepl at the Szene Wien (a venue in Vienna-Simmering) in the preceding days. Pepl played with Jean-François Jenny-Clark and Daniel Humair, who according to Baumann had come to Vienna to make recordings with Sokal and Pepl; Baumann writes in hymn-like terms about Pepl’s guitar playing.
Thrilling above all was the encounter with Harry Pepl. The guitarist works with berserker force and yet with the tenderest sensitivity.
From a review of the concerts by Karlheinz Miklin, Harry Sokal and Harry Pepl at the Szene Wien (Vienna-Simmering) in the Kurier, a Viennese daily newspaper; Pepl played with Jean-François Jenny-Clark and Daniel Humair.
His solos: absurdly sparkling, dark cascades of notes, cleverly interrupted by oases of chords full of strange, touching harmony.
From a review of the concerts by Karlheinz Miklin, Harry Sokal and Harry Pepl at the Szene Wien (Vienna-Simmering) in the Kurier, a Viennese daily newspaper; Pepl played with Jean-François Jenny-Clark and Daniel Humair.
That was intellectual and at the same time emotional avant-garde jazz.
On the quartet of Harry Sokal and Harry Pepl with Jean-François Jenny-Clark and Daniel Humair at the Szene Wien (Vienna-Simmering), from the same review in the Kurier, a Viennese daily newspaper.