Press archive
What was written and broadcast about Harry Pepl: reviews, portraits, interviews and obituaries, with summary and source. The originals are protected by copyright and kept in the archive; we provide them to researchers and the press on request.
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1982 · Other · SK
Bratislavské jazzové dni, festival archive (online): „Archív 1979-2001“, 1982
The online archive of the Bratislavské jazzové dni (Bratislava Jazz Days, the jazz festival in Bratislava, Slovakia) lists the programmes of the years 1979 to 2001 without dates. For 1982 it names the “Medzinárodná konkláva” (International Conclave) with C. Zelenák, K. Koch (GDR), E. Viklický, H. Pepl (Austria), J. Audes, K. Debski (Poland), V. Nikolov (Bulgaria) and “V. Lackerschmidt” (West Germany), meaning the vibraphonist Wolfgang Lackerschmid; the same year’s line-up also included the Family of Percussion, Rena Rama and the Toots Thielemans Quartet. Opus released this formation’s “St. Thomas” in 1983 on the double LP “Bratislava Jazz Days 1982”.
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March 1983 · Report · CS
Melodie (music magazine, Prague), Heft 3/1983, p. 82: Kopf „Bratislavské jazzové hodování“ (Bericht von den Bratislavské jazzové dni 1982) new
Ondřej Konrád (Zeichnung am Ende, Zuordnung wahrscheinlich)
Festival report by a visitor to the Bratislavské jazzové dni 1982 (Bratislava Jazz Days, jazz festival in Bratislava, Slovakia) on the specially assembled International Conclave: with Emil Viklický, who according to the report was in fact the soul of the whole ensemble, the players included Klaus Koch (double bass, GDR), Harry Pepl (guitar, Austria), Veselin Nikolov (alto saxophone, Bulgaria), Wolfgang Lackerschmid (vibraphone, printed as “Lackerschmitt” and wrongly assigned to Austria) and the Polish violinist Krzesimir Dębski (printed as “Kazimierz Debski”), whom the report singles out as the ensemble’s absolute number one.
Viklický was in fact the soul of the whole ensemble