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Harry Pepl * 1945  † 2005

Press archive

What was written and broadcast about Harry Pepl: reviews, portraits, interviews and obituaries, with summary and source. The originals are protected by copyright and kept in the archive; we provide them to researchers and the press on request.

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  1. 22 December 2019 · Report · IT

    Tracce di Jazz (Blog): „L’AVVOCATO DEL DIAVOLO…..“

    milton56

    Reply on the same Italian jazz blog to the review of “Volver” published on Wednesday, 18 December 2019. Taking the part of the “devil’s advocate”, as the title has it, the author milton56 sets against his colleague’s enthusiasm the story of how the album came about, as he had heard it about a month earlier from the Italian trumpeter Enrico Rava himself. He explicitly retells it from memory: a second-hand recollection, not a studio log. According to this account, the 1986 session was slow to get going because the Argentine bandoneon player Dino Saluzzi and the American drummer Bruce Ditmas had very different ideas about accompaniment and volume, and Rava mediated. In a deadlocked silence Harry Pepl is said to have struck a chord at random, just to break the silence. The producer Manfred Eicher, founder of the renowned European jazz label ECM, came into the studio full of enthusiasm and saw in it the starting point from which the band could at last develop something; Pepl himself could not even vaguely remember the chord. Rava, according to this recollection, described the work on the record as laborious. The author concludes that the album nevertheless found its way to listeners.

    The guitarist Pepl strikes a chord at random, just to break the icy silence.

    From a story told by Enrico Rava about the stalled recording session for “Volver” in 1986, explicitly retold from memory by the blogger milton56; a second-hand recollection

    As if on purpose, the Austrian cannot even vaguely remember what had come out of his instrument by chance……

    Punchline of the same story: the producer Manfred Eicher had seen in Pepl’s chance chord the starting point for the recording; a second-hand recollection

  2. 14 June 1988 · Report · DE

    APA-Basisdienst (Austria Presse Agentur), Rubrik APA JAZZ NEWS: „Erfolge für Harry Pepl“

    initials „A“

    Report on the international response to “Cracked Mirrors” with Herbert Joos and Jon Christensen and to the LP “Volver” with Dino Saluzzi and Enrico Rava. Appearances at Scandinavian festivals and concerts in Japan are announced for the following year. Pepl says he began playing without any concrete idea of the sound.

    His new album “Cracked Mirrors”, recorded with Herbert Joos and Jon Christensen, has caught the attention of international critics.

    created, as it were, out of nothing

    Harry Pepl