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Harry Pepl * 1945  † 2005

Press archive

What was written and broadcast about Harry Pepl: reviews, portraits, interviews and obituaries, with summary and source. The originals are protected by copyright and kept in the archive; we provide them to researchers and the press on request.

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  1. 30 April 1980 · Report · DE

    Burgenländische Freiheit (gedruckte p. 52, ANNO-p. 44): „Jazz aktuell“ bei Jeunesses Musicales

    Short report on the “Jazz aktuell” concert of the Musical Youth on 21 April 1980 in the assembly hall of the Pädagogische Akademie Eisenstadt. The quintet “5 Neighbours”, led by the pianist Dieter Glawischnig, was joined as soloists by Werner Pirchner on vibraphone and Harry Pepl on guitar.

    Vibraphone and Harry Pepl on guitar demonstrated convincingly

  2. 20 May 1982 · Report · DE

    Steirerkrone (Neue Kronen Zeitung, Styria edition): „Star mit Witz: Larry Coryell“

    Ronnie Herbolzheimer

    Report on the concert of the American guitarist Larry Coryell with the Polish violinist Michal Urbaniak at the Münzl in Graz. The afternoon before, Coryell visited the University of Music and Performing Arts Graz, showed the students some new tricks and played a jam session with Harry Pepl, who, according to the report, greatly impressed him.

    to play a jam session with Harry Pepl, by whom he was very impressed.

  3. February 1990 · Report · DE

    Tschin Bumm (music magazine, technology column, p. 52): „Harry Pepl im Studio: Das Bösendorfer-Projekt“

    Studio report on the recordings for “Schönberg Improvations” (PolyGram) at the SingSang studio in Vienna: six studio days, pieces averaging 15 minutes with borrowings from Arnold Schoenberg, entirely without guitar tone, on the Bösendorfer (Vienna piano maker) computer grand piano, with David Liebman, Mino Cinelu and Wolfgang Reisinger. Pepl had played in the parts at home on the Roland MIDI guitar; the studio head Richie Österreicher jr. explains the technology. Only page 52 has survived; the continuation is missing from the scan.

    Harry Pepl is a man like Albert Einstein, a genius whom probably only a handful of people can still follow in his work.

    Richie Österreicher jr.

    The latest LP by the guitarist, acclaimed worldwide, is: a piano record.

  4. December 1992 · Report · DE

    Jazzlive (vol. 10, no. 99/1992): Titelbild Harry Pepl; „Soundknitting. Die farbenfrohen Klangmuster der New Yorker Knitting Factory“

    Hannes Schweiger (article); Rainer Rygalyk (cover photo)

    The Viennese jazz magazine shows Harry Pepl on its cover, photographed by the publisher Rainer Rygalyk. In the issue, Hannes Schweiger describes the history and programme of the New York club Knitting Factory (New York music club for jazz and the avant-garde) and reports that in summer 1992 Pepl played there for an evening with his quartet (Klaus Stötter, Paul Nowinski, JoJo Mayer). Pepl describes how the pace of New York changed the way he plays.

    I noticed myself that I play completely differently there than at home.

    Harry Pepl

    The ambience of the club is rather plain. Playing there was really an experience.

    Harry Pepl

  5. 24 December 1994 · Report · DE

    Salzburger Nachrichten (p. 7): „Österreichs Jazz hält seine Freunde auf Trab“

    Wolfgang Lamprecht

    Annual review of Austrian jazz in 1994, covering Porgy & Bess (Vienna jazz club), labels and CD productions. Pepl appears only in a subordinate clause: the author names “N.Y.C. impressure” his jazz album of the year.

    the (for the author of these lines) Austrian jazz album of the year, “N.Y.C. impressure”, by and with Harry Pepl

  6. 3 November 1998 · Report · DE

    Kurier (p. 10, local news section, column „Landsleute“): „Auszeichnung für den musikalischen Jazz-Grenzgänger Harry Pepl“

    initials „flo“

    Brief news item about the 53-year-old guitarist and pianist from Hernstein, listing companions such as Toni Stricker, André Heller and the ORF Big Band (ORF: Austria's public broadcaster). It also mentions the Le Monde phrase about the „Giganten der Improvisation“ [“giants of improvisation”] and the German Record Critics’ Awards. The text does not say which award the headline refers to.

    What matters is finding your own individual line, and for that it is practise, practise, practise

    Harry Pepl

    The 53-year-old guitarist and pianist of world renown from Hernstein captivates jazz lovers with extraordinary, spontaneous and innovative sounds.

  7. December 1998 · Report · DE

    Das Waldviertel, Jahrgang 47, Heft 4 (p. 408): Kulturpreise des Landes Niederösterreich 1998 (nach NÖ Landeskorrespondenz, 22.10.1998)

    List of the prizewinners of the 1998 culture prizes of the state of Lower Austria (award of the State of Lower Austria for the arts and culture), based on a release from the NÖ Landeskorrespondenz of 22 October 1998. In the music category Harry Pepl receives the prize of honour, while Friedrich Keil and Elisabeth Schimana receive recognition prizes.

    Music: Harry Pepl (prize of honour), Friedrich Keil and Elisabeth Schimana (recognition prizes)

  8. 2002 · Report · DE

    treibhaus Innsbruck (programme note): „DuoDue: Muthspiel & Muthspiel spielen die Musik von Pirchner & Pepl“

    Andreas Felber

    Programme text by Andreas Felber for the concert of the brothers Wolfgang and Christian Muthspiel with their programme “Muthspiel & Muthspiel play Pepl-Pirchner” at the treibhaus Innsbruck (cultural centre in Innsbruck, Tyrol, Austria). Wolfgang Muthspiel recalls a concert by Pirchner and Pepl in Graz in 1982 as a formative experience; from 1983 to 1986 Pepl was his teacher at the University of Music and Performing Arts Graz. Christian Muthspiel describes what the Jazzzwio showed him. Werner Pirchner congratulated the brothers on their first duo record “Schneetanz” with a postcard, without knowing them personally.

    When Pirchner/Pepl played, it was an event. I personally still remember Pepl’s avalanche-like improvisations very well, where things always somehow got ‘dangerous’, hot. His immense rhythmic power was unbelievable.

    During my studies, standards and the academic jazz repertoire were held in high esteem. Through the ‘Jazz-Zwio’ I learned that in this music you really could do exactly what you wanted yourself.

  9. 17 November 2006 · Report · DE

    Kleine Zeitung (Online, culture section): „Harry Pepl: Œuvre eines Kreativen“

    Michael Tschida

    Online article on the first presentation of the Harry Pepl Prize in Graz, seen as an impetus to safeguard Pepl’s musical estate. His work, it says, is stored in boxes at the house, with tapes, scores and technical oddities; gamsbART (Graz concert promoter) is said to have promised that future diploma scholarships should support the scholarly study of it.

    to archive the work of an exceptionally creative person

    Gerhard Kosel

    How much the star guitarist still inspires jazz musicians even now should be shown by more than just today’s final of the “Austrian Soundcheck”. Hats off to Harry P.!

  10. 22 November 2006 · Report · DE

    Der Standard (culture, Printausgabe): „Jazzwohnzimmer Miles Smiles feiert“

    felb

    Short report on the 15th anniversary of the Viennese jazz club Miles Smiles in the Josefstadt, founded by Wulf Müller. The first concert in autumn 1981 was played by Bill Frisell and Eberhard Weber. Among those who recorded there were Aladár Pege, Jim Pepper and David Friesen, along with Austrian musicians down to Werner Pirchner and Harry Pepl.

    along with Austrian greats from Werner Pirchner and Harry Pepl downwards

  11. 3 December 2007 · Report · DE

    mica music austria: „Tribute to Harry Pepl im Porgy“

    Announcement of a tribute evening at Porgy & Bess (Vienna jazz club) in Vienna on 6 December 2007, two years after Pepl’s death. The text pays tribute to him as an internationally sought-after boundary-crosser and names collaborations with Benny Goodman, Dave Holland, Dino Saluzzi, Jon Christensen and Dave Liebman. The evening is organised by former companions, prompted by the Graz platform Gamsb'Art, which awards the Harry Pepl Prize.

    one of the most respected Austrian musicians

  12. 17 September 2010 · Report · DE

    mica music austria: „STUDIO FAN, das Abonnementprogramm des Ensembles Studio Dan“

    Presentation of the subscription series of the Viennese ensemble Studio Dan with a short biography of its leader Daniel Riegler. For 2008 it lists his leadership of the Porgy & Bess (Vienna jazz club) stage band and the Harry Pepl Prize 2008.

  13. 25 November 2013 · Report · DE

    mica music austria: „Clemens Salesny erhält den Harry Pepl Preis“

    News item on the fourth presentation of the Harry Pepl Prize at the Austrian Soundcheck (festival in Graz) in Graz: the encouragement prize went in 2013 to the alto saxophonist Clemens Salesny. The article briefly introduces Salesny and his projects.

    This year the Harry Pepl Prize was awarded for the fourth time as part of the “Austrian Soundcheck” in Graz.

  14. 26 March 2014 · Report · DE

    Falter 13/2014 (arts section): „Erinnerungen an Werner Pirchner, den Frank Zappa aus Hall in Tirol“

    Klaus Nüchtern

    Review of the film “D.U.D.A.!” by Werner Ludin about Werner Pirchner. The text mentions Pirchner’s collaboration with the guitarist Harry Pepl, through which he became an internationally sought-after jazz virtuoso; the focus is on Pirchner.

    Through his collaboration with the guitarist Harry Pepl he rose to become an internationally sought-after jazz virtuoso

  15. 31 August 2015 · Report · DE

    Die Presse (Online): „Saalfelden: Schmerz an der Heimat, Störung der Jazz-Idylle“

    Samir H. Köck

    Festival report from Jazzfest Saalfelden 2015 (major jazz festival in the Salzburg region). The festival recalled Werner Pirchner’s 75th birthday and also commemorated the guitarist Harry Pepl, who died in 2005.

    also commemorated the guitarist Harry Pepl, who died in 2005

  16. 18 November 2015 · Report · DE

    Falter 47/2015 (Rubrik Steiermark): „Steiermark kurz“

    Short news from Styria. One item reports that the Harry Pepl Prize, endowed with 5,000 euros, went for the first time to a female musician at the Austria Soundcheck (festival in Graz), the composer and saxophonist Viola Falb.

    the Harry Pepl Prize to the composer and saxophonist Viola Falb

  17. 24 December 2015 · Report · DE

    NÖN (Online, Hollabrunn): „Viola Falb, die erste Frau im Jazz“

    Report on the saxophonist and composer Viola Falb from the Hollabrunn district in Lower Austria: at the opening of this year's Austrian Soundcheck (festival in Graz) in Graz, Austria, she received the fifth Harry Pepl Prize. Only the beginning of the article is freely available online.

    Viola Falb, the district's exceptional artist, received the 5th Harry Pepl Prize in Graz.

  18. 12 May 2016 · Report · DE

    Der Standard (Online): „Inntöne-Festival: Session mit der Historie“

    Preview of the INNtöne festival (jazz festival in Diersbach, Upper Austria). The saxophonist Clemens Salesny, the guitarist Martin Bayer, the drummer Peter Primus Frosch and the singer Agnes Heginger interpret pieces by Harry Pepl on the Saturday, improvise on them and respond to recordings that Pepl improvised for his Lonely Single Swinger Band: guitar, synthesizer, piano, vocals and drums, all recorded by himself at home. Der Standard calls this a formidable example of an engagement with history that yields “delicate results”.

    There are, however, ways of engaging with history that yield delicate results. A formidable example can be experienced on Saturday at the Inntöne festival in Diersbach (which begins on Friday), when sounds by the guitarist Harry Pepl (who died in 2005) also ring out from the stage.

    Guitar, synthesizer, piano, vocals, drums: Pepl once recorded everything himself at home.

    Clemens Salesny, Martin Bayer, Peter Primus Frosch and Agnes Heginger interpret Harry Pepl

  19. 16 May 2016 · Report · DE

    Die Presse (Online): „Resch, renitent: Der Sound des Sauwalds“

    Samir H. Köck

    Report on the 30th anniversary of the Inntöne festival in Diersbach. It also describes the performance of the homage to Harry Pepl, in which fragments of Pepl’s recordings were played in and which not everyone liked.

    an artistic high-wire act in which fragments of Pepl’s recordings were also played in

  20. 17 May 2016 · Report · DE

    Der Standard (Online): „Inntöne: Expressive Gelassenheit“ (Al Foster und das Harry-Pepl-Projekt)

    Festival report from the Inntöne in Diersbach. Only the teaser about the Al Foster Quartet is visible; the subtitle names the Harry Pepl project as a further item on the programme. The full text was not accessible.

    Al Foster and the Harry Pepl project

  21. 8 April 2017 · Report · DE

    Ö1 (oe1.orf.at, article): „Pirchner und Pepl“ (Muthspiel Trio spielt „Against the Wind“)

    Haide Tenner (Gesprächspartnerin)

    Item on the CD “Against the Wind”, on which the Christian Muthspiel Trio plays works by Harry Pepl and Werner Pirchner. In conversation with Haide Tenner on the “Klassik-Treffpunkt”, Muthspiel tells how the CD came about out of the commemoration of Pirchner and the programme “Pepl/Pirchner”.

    The musicians play works by the composers Harry Pepl and Werner Pirchner, who died early.

  22. 20 September 2017 · Report · DE

    Ö1 (oe1.orf.at, article): „Der Musiker Werner Pirchner“

    Short portrait of Werner Pirchner (13 February 1940 to 10 August 2001) as a jazz musician and composer. It lists the Pirchner-Pepl-JazzZwio, founded in 1975, with its appearances until the mid-1980s, among others in Velden, Montreux and Saalfelden; the focus is on Pirchner.

    With the guitarist Harry Pepl he founded the Pirchner-Pepl-JazzZwio in 1975

  23. 10 October 2017 · Report · DE

    Ö1 (oe1.orf.at, article): „Der Gratwanderer Werner Pirchner“

    Article on Werner Pirchner for the tenth anniversary of his death, shown on the page with the date 10 October 2017 but referring in the text to 10 August 2011. It names the Jazz-Zwio with Harry Pepl as a stage that also made Pirchner known in the international jazz scene; the focus is on Pirchner.

    together with Harry Pepl in the legendary JazzZwio

  24. 18 June 2020 · Report · FR

    FIP (Radio France): „„Les heures propices“ et majestueuses de Franck Tortiller“

    Catherine Carette

    Article by the Paris radio station FIP on the duo album “Les heures propices” by Franck Tortiller (vibraphone) and Misja Fitzgerald Michel (guitar), released on 19 June 2020 on MCO. Even before the studio sessions, the duo presented Pepl’s piece “Air, Love and Vitamins” during lockdown, according to FIP a nod to the Vienna Art Orchestra and to Christian Muthspiel. The video is embedded.

    the duo was already unveiling this piece by the Austrian guitarist Harry Pepl, a nod to the Vienna Art Orchestra and to Christian Muthspiel

  25. 12 April 2024 · Report

    Wulf Müller, Blog „European Jazz Masters Of The Past“: „European Jazz Masters Of The Past #3: Herbert Joos“

    Wulf Müller

    Biographical essay on Herbert Joos. Towards the end of the 1980s Joos went into the studio with Harry Pepl and Jon Christensen to record “Cracked Mirrors”, which was released in 1988 to critical acclaim.

    he went into the studio with Austrian guitar master Harry Pepl and Norwegian drummer Jon Christensen to record ‘Cracked Mirrors’

  26. 10 December 2024 · Report

    JazzDanmark: „DMA Jazz 2024 in Store VEGA: The winners are here!“

    Report on the presentation of the Danish Music Awards Jazz (Danish jazz awards) 2024 at Store VEGA in Copenhagen. The album “Live at H15 Studio” by the Kresten Osgood Quintet (ILK Music), on which Pepl’s piece “The Halleys Comet - Light Blue Blues” can be heard, was named Jazz Release of the Year. The text itself does not mention Pepl.

  27. November 2025 · Report · DE

    ORF Kärnten (Online): Bericht über den Österreichischen Jazzpreis 2025

    Report on the presentation of the Austrian Jazz Award 2025 (award for jazz from Austria) at Casino Velden, with the ranking in the Best Album category: Kenji Herbert Trio ahead of Harry Pepl (tape) & The (Lonely) Single Swinger Band and the Tobias Meissl Trio.

  28. 26 November 2025 · Report · DE

    Fullmax Recordings (Website): Beitrag zum Österreichischen Jazzpreis 2025, Best Album

    Post on the album “Live” taking 2nd place in the Best Album category at the Austrian Jazz Award 2025 (award for jazz from Austria). The Jazz Academy consists of 149 experts, there were over 170 submissions and a seven-member expert jury; the award ceremony took place at Casino Velden.