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Harry Pepl * 1945  † 2005

Press on Andreas Felber

What was written and broadcast about Harry Pepl and Andreas Felber: reviews, portraits, interviews and obituaries, with summary and source.

To the page of Andreas Felber

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  1. 26 November 2025 · Radio · DE

    Ö1, „On stage Spezial“: Österreichischer Jazzpreis 2025, live aus dem Casino Velden

    Andreas Felber

    Live broadcast of the award ceremony on Wednesday, 26 November 2025, 19:30. The playlist includes “Hernstein Blues” from the album “Live” (Pepl and Salesny, 8:10).

  2. 6 November 2025 · Radio · DE

    Ö1, Spielräume (Sendungsseite auf orf.at): „Kammerjazzige Duoklänge“

    Andreas Felber (Gestaltung)

    Programme “Music from all directions” with new releases by Sinfonia de Carnaval and by the duo of Martin Gasselsberger (piano) and Tim Collins (vibraphone). On their album “Songs From The Treehouse” the two play, alongside their own compositions, Pepl’s “Air, Love & Vitamins”, which Felber calls Pepl’s lyrical hit. The page lists the duo’s concerts from January to February 2026.

    Harry Pepl’s lyrical hit “Air, Love and Vitamines”

  3. 10 June 2022 · Radio · DE

    Ö1, Spielräume (Sendungsseite auf orf.at): „Nachruf auf Wolfgang Reisinger“

    Andreas Felber (Gestaltung)

    Programme on the death of the drummer Wolfgang Reisinger, who died unexpectedly in Vienna on Wednesday, 8 June 2022. Felber calls him Austria’s most internationally renowned jazz drummer and recalls his ensembles of the 1980s, among them Air Mail with Harry Pepl and Wolfgang Puschnig, the Vienna Art Orchestra and his work in France.

  4. 13 February 2020 · Radio · DE

    Ö1, Spielräume: „Werner Pirchner, der Vibrafonist“ (Musik aus allen Richtungen zum 80. Geburtstag des Tiroler Kosmopoliten)

    Andreas Felber (Gestaltung)

    Programme for Werner Pirchner’s 80th birthday on 13 February 2020. It describes the vibraphonist’s path and explains how the Jazz-Zwio with Harry Pepl brought the connection with the young Austrian jazz scene and the international career; the focus is on Pirchner.

    Meanwhile, Harry Pepl and Werner Pirchner also joined forces with the young Austrian jazz scene

  5. 14 July 2016 · Radio · DE

    Ö1, „On Stage“ (Programmhinweis der Wiener Zeitung): Christian Muthspiels Werner-Pirchner-Hommage beim Jazzfestival Saalfelden 2015

    Andreas Felber

    On Thursday, 14 July 2016, at 7.30 pm, Ö1 (ORF's cultural radio station) broadcasts Christian Muthspiel's homage “Homesick” from the Jazzfestival Saalfelden 2015 with Franck Tortiller and Jerome Harris. Besides pieces by Werner Pirchner, compositions by his Jazz-Zwio partner Harry Pepl are heard.

    compositions by his former Jazz-Zwio duo partner Harry Pepl were also heard

  6. 3 December 2015 · Radio · DE

    Ö1, Spielräume: „Spielräume“ vom 3. Dezember 2015 (Musik aus allen Richtungen, Harry Pepls Wiederkehr)

    Andreas Felber (Gestaltung)

    Programme of 3 December 2015, 17:30, on the occasion of Pepl’s 70th birthday and the tenth anniversary of his death: Clemens Salesny, Martin Bayer, Peter Primus Frosch and Agnes Heginger perform Pepl’s music (5 December 2015, Porgy & Bess, Vienna jazz club). It also covers new CDs of Austrian production.

    Agnes Heginger, Clemens Salesny, Martin Bayer and Peter Primus Frosch play Harry Pepl

  7. 2007 · Press release · DE

    Christian Muthspiel Trio, „Against The Wind“ (Linernotes): „Das Christian Muthspiel Trio spielt Werner Pirchner und Harry Pepl“

    Andreas Felber

    Liner notes to the album “Against The Wind” (2007) in German, English and French. Felber describes Pirchner and Pepl as “perfectionist characters” who played Europe's festivals as the “Jazz-Zwio” roughly between 1978 and 1985, and reports that the young improvisers of the JazzWerkstatt Wien elevate Pepl to the father figure of the Austrian scene. The basis was a project with Wolfgang Muthspiel for the “Glatt&Verkehrt” festival in 2002. The product page also carries press quotes from Die Weltwoche and the Salzburger Nachrichten.

    Werner Pirchner and Harry Pepl were perfectionist characters who never did anything by halves.

    While the young improvisers of the JazzWerkstatt Wien, after Hans Koller, are now discovering Harry Pepl too and so elevating him to the father figure of the Austrian scene

  8. 31 August 2004 · Review · DE

    Der Standard (p. 24, culture): „Sicherheitsdenken und ‚positive Signale‘“ (Ausklang des Jazzfestivals Saalfelden 2004)

    Andreas Felber

    Report from the Saalfelden jazz festival 2004. In one of his rare solo concerts, on Sunday, 29 August 2004, Wolfgang Muthspiel reflected, among other things, the playing of his teacher Pepl.

    the rugged rhapsodic style of a Harry Pepl

  9. 27 July 2002 · Report · DE

    Der Standard (p. 30, Szenario): „Urwüchsiges Material“ (Werner-Pirchner-Schwerpunkt beim Festival „Glatt & Verkehrt“)

    Andreas Felber

    Preview of the Pirchner evening on Sunday, 28 July 2002, in the Minoritenkirche in Krems-Stein. Felber recalls the Jazzzwio’s triumphs on Europe’s festival stages; Christian Muthspiel explains why the brothers’ duo stays close to the originals on the three Jazzzwio records.

    celebrated triumphs on Europe’s festival stages in the Jazz-Zwio with the guitarist Harry Pepl

    Precisely because the energy of the Zwio cannot be separated from the actual pieces and compositions

    Christian Muthspiel

  10. 2002 · Report · DE

    Concerto (music magazine), issue 5/2002, p. 40: „24. Internationales Jazzfest Saalfelden“

    Andreas Felber

    Festival report by Andreas Felber (photos: Herbert Höpfl) on the 24th Jazzfestival Saalfelden (Salzburg, Austria) in August 2002. Felber singles out the homage by the brothers Christian and Wolfgang Muthspiel to the Jazzzwio of Werner Pirchner and Harry Pepl, disbanded in 1985: close to the originals, they turned pieces from the three vibraphone and guitar albums into calm mood pictures, including “Raga in M”. For Felber, proof that this music is developing its own traditions in Europe too.

    They offered an impressive homage to the “Jazzzwio” of Werner Pirchner/Harry Pepl, disbanded in 1985: the brothers Christian and Wolfgang Muthspiel.

  11. 2002 · Report · DE

    treibhaus Innsbruck (programme note): „DuoDue: Muthspiel & Muthspiel spielen die Musik von Pirchner & Pepl“

    Andreas Felber

    Programme text by Andreas Felber for the concert of the brothers Wolfgang and Christian Muthspiel with their programme “Muthspiel & Muthspiel play Pepl-Pirchner” at the treibhaus Innsbruck (cultural centre in Innsbruck, Tyrol, Austria). Wolfgang Muthspiel recalls a concert by Pirchner and Pepl in Graz in 1982 as a formative experience; until 1986 Pepl was his teacher at the University of Music and Performing Arts Graz. Christian Muthspiel describes what the Jazzzwio showed him. Werner Pirchner congratulated the brothers on their first duo record “Schneetanz” with a postcard, without knowing them personally.

    When Pirchner/Pepl played, it was an event. I personally still remember Pepl’s avalanche-like improvisations very well, where things always somehow got ‘dangerous’, hot. His immense rhythmic power was unbelievable.

    During my studies, standards and the academic jazz repertoire were held in high esteem. Through the ‘Jazz-Zwio’ I learned that in this music you really could do exactly what you wanted yourself.

  12. 2001 · Review · DE

    Concerto (music magazine), issue 5/2001, p. 54: „Fünf Variationen österreichischer Jazzkunst“ (Austrian Jazzart)

    Jörg Weitlaner

    Joint review of the first five CDs of Universal Music’s Austrian Jazzart series (reissues of Austrian jazz albums). First comes “Light Blues” by Air Mail, the quartet’s second and last record, with Wolfgang Puschnig, Wolfgang Reisinger and Mike Richmond. Pepl describes the band’s “telepathic understanding”; the review quotes from the liner notes (by Andreas Felber according to Discogs) his playing “marked by rough, jagged cascades of notes” and highlights the then still young MIDI technology. For Wolfgang Puschnig’s “Pieces Of The Dream” (No. 5) Pepl is named among the duo partners.

    playing marked by rough, jagged cascades of notes

    Andreas Felber

    The interplay of the whole band, in which we had developed a telepathic understanding, was what made Airmail special for me.

    Looking back in 2001 on his quartet Air Mail

    Harry Pepl