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Harry Pepl * 1945  † 2005

Press on Dave Holland

What was written and broadcast about Harry Pepl and Dave Holland: reviews, portraits, interviews and obituaries, with summary and source.

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  1. 12 December 2005 · Obituary · DE

    NÖN Niederösterreichische Nachrichten (p. 38, Triestingtal): „Tiefe Trauer um Harry“

    Obituary in the Triesting valley edition on the day of the funeral: Pepl shaped Austrian jazz nationally and internationally like hardly anyone else and created a jazz idiom that can be called European. It mentions Benny Goodman, Dave Holland, Dino Saluzzi, Dave Liebman and Mino Cinelu, instant and real-time composing, and the lying in state, requiem and burial in Hernstein; the paper wrongly gives his age as 61.

    He shaped and influenced Austrian jazz, nationally and internationally, like hardly anyone else.

    Harry Pepl shaped a jazz idiom which, in its uncompromising direction and its phrasing in waves over a steady pulse, can be called European.

    The only thing essential for the synthesis of the temporal and the timeless to succeed is the fulfilled moment!

    On Real-time Composing, quoted in the obituary in the NÖN, the regional weekly of Lower Austria, December 2005

    Harry Pepl

  2. 7 December 2005 · Obituary · DE

    Salzburger Nachrichten (p. 14, culture): „Gestorben: Harry Pepl“ (Rubrik „Gestorben“)

    Obituary in the “Gestorben” (deaths) column: Pepl had long been regarded as one of the most independent and creative guitarists on the European jazz scene. It mentions the Zwio with Werner Pirchner, projects with Benny Goodman, Jack DeJohnette, Dave Holland and Dave Liebman, and real-time composing in the tradition of the Second Viennese School.

    he had long been regarded as one of the most independent and creative guitarists on the European jazz scene

    played with clichés of home in an original and sly way

    In the “Zwio” with the composer and vibraphonist Werner Pirchner he disregarded musical conventions from the 1970s on and played originally and slyly with clichés of homeland.

  3. 7 December 2005 · Obituary · DE

    Süddeutsche Zeitung (p. 17, arts section): „Verstummte Saiten“ (Zum Tod des Wiener Jazzgitarristen Harry Pepl)

    Ralf Dombrowski

    Obituary from Munich (Germany): the Graz Academy of Music appointed Pepl in 1977, the same year in which the Zwio with Werner Pirchner began to attract attention beyond Austria; years with Jack DeJohnette, Dave Holland, Dino Saluzzi, Charlie Mariano and Lee Konitz followed. Dombrowski describes a style with broad arcs of tension, unexpected harmonic progressions and clear, at times metallic sounds.

    Students such as Wolfgang Muthspiel still count him among the most important driving forces in recent European jazz history.

    In dialogue the two took the small chamber-jazz form to a previously unimagined communicative intensity.

    He shaped a playing style which, with expansive arcs of tension, unexpected harmonic progressions and clear, at times metallic sounds, expanded the expressive range of his instrument melodically and rhythmically.

  4. 6 December 2005 · Obituary · DE

    OÖ Nachrichten (p. 22, culture): „Jazzer Harry Pepl gestorben“ (Meldung unter „Harry bleibt vorne“)

    Short obituary that counts Pepl among the best guitarists of the present day and recalls Le Monde’s phrase “giant of improvisation”. It stresses that despite his international reputation Pepl remained loyal to regional jazz festivals in Upper Austria such as Raab; it wrongly gives a Vienna hospital as the place of death.

    He was one of the best guitarists of our time and was often called a “giant of improvisation” (in Le Monde, among others)

    Despite his international reputation he always remained committed and loyal to regional jazz festivals in Upper Austria (such as Raab).

  5. 5 December 2005 · Obituary · DE

    APA-Basisdienst (APA0621, culture): „Österreichischer Jazzgitarrist Harry Pepl 60-jährig gestorben“ (Spielte mit vielen internationalen Größen)

    APA (initials whl/cm)

    News agency report from the day of his death, Monday, 5 December 2005, 5.31 pm, on which many newspapers relied the next day. It mentions his guitar studies at the Vienna Academy of Music, his teaching in Graz from 1977 and his professorship from 1984 to 1995, the Pirchner-Pepl-JazzZwio, real-time composing and partners such as the Benny Goodman Quintet, Dave Holland, Dino Saluzzi and Michel Portal; the rector Otto Kolleritsch honours Pepl as an “exceptional figure”.

    Pepl was regarded as a musical border-crosser whose music impressed with its vitality, density and emotion.

    gifted guitarist

    Otto Kolleritsch

  6. 26 July 1994 · Report · DE

    Kronen Zeitung (p. 18): „Musikalischer Grenzgänger lehrt an ‚NÖ Jazzakademie‘“

    initials „D. S.“

    Preview of the sixth Lower Austrian Jazz Academy at Zeillern Castle (31 July to 6 August 1994), a further-training seminar for aspiring professional musicians. Pepl is introduced as the most prominent teacher; with his quartet he plays the opening concert on Sunday, 31 July, at 9 pm.

    Guitarist and composer Harry Pepl is regarded as a musical border-crosser and has played with jazz greats such as Benny Goodman, Dave Holland, Dave Liebman and Jack DeJohnette.

    The top-class musician will also play the opening concert with his quartet on 31 July from 9 p.m.

  7. 24 May 1994 · Review · DE

    Kronen Zeitung (p. 17): Kurzkritik vom Innviertler Jazzfestival in Raab

    initials „CT“ (vermutlich Chris Thommark)

    Report from the third day (Sunday, 22 May 1994) of the Innviertel jazz festival in the Rothuberhalle in Raab: Jack DeJohnette spontaneously joins Idris Muhammad’s Afro Beat and later plays a duo with Pepl, who holds dialogues on guitar synthesizer with DeJohnette on piano and drums.

    Alternating between piano and drums, he engaged in dialogues with Harry Pepl on guitar synthesizer.

    These were sound meditations between expansive and concentrated, in lyrical solitude and orchestral fullness of sound.

    Kürzel CT (vermutlich Chris Thommark)

  8. 7 April 1987 · Report · DE

    APA-Basisdienst (Austria Presse Agentur), Rubrik APA JAZZ NEWS: „Jazz-Splitter“

    initials „hmf/fwi“

    Short report: Pepl had been in the studio with the trumpeter and flugelhorn player Herbert Joos (the result became “Cracked Mirrors”), sessions in France with Jack DeJohnette, Michel Portal and Mino Cinelu would follow in May, and a trio record with DeJohnette and Dave Holland was in preparation. Pepl is introduced as guitar professor at the jazz department of the Graz music academy (today the University of Music and Performing Arts Graz).

    A trio record with Jack DeJohnette and Dave Holland is in preparation.