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| Collection | Entry | Year | Identifier | Open and work with |
|---|---|---|---|---|
| Quotation | „Versatility is as much a part of Pepl as his turn to different (compositional) techniques.“Neue Kronen-Zeitung (Steiermark) · “Rastloser Grenzgänger”, Neue Kronen-Zeitung, 28 July 1994, p. 22 | 1994 | ||
| Press | Abstract Truth: „Beginnings“ (Booklet)Amadeo, Vienna (CD-Booklet, 523 570-2) · Other | 1994 |
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| Chronology | Concerts with Labarrière, Jackson and Mitterer1994 · Kyiv, Graz, Vienna · Concerts | 1994 | ||
| Press | Harry Pepl Quartet: „N.Y.C. Impressure“magazine (title not preserved), record review · Review | 1994 |
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| Press | Musiktipp „Harry Pepl Quartet: N. Y. C. imPressure“Buchkultur (Vienna) · Review | 1994 | ||
| Chronology | “Beginnings” with Abstract Truth and a personal showcase at the Porgy & Bess1994 · Vienna, New York · Recordings | 1994 | ||
| Press | „Aus dem Konzertsaal: Graz Meeting 1994 (2)“Ö1, „Aus dem Konzertsaal“ (live recording, in der Österreichischen Mediathek) · Jörg-Martin Willnauer (presenting) · Radio | 1994 | ||
| Press | „‚Strings‘ - Ein Jazzfestival der Saiten“APA-Basisdienst (Austria Presse Agentur) · initials „hmf/gg“ · Report | 16 Feb 1994 | ||
| Chronology | “Porträt Harry Pepl” at the Porgy & Bess18 April 1994 · Vienna · Concerts | 18 Apr 1994 | ||
| Chronology | Harry Pepl Quartet at the Graz Meeting “Strings”20 April 1994 · Graz · Concerts | 20 Apr 1994 | ||
| Press | „Harry Pepl Quartet 20.04.1994 (1)“ (unveröffentlichte Aufnahme)Österreichische Mediathek, Katalog (online) · Other | 20 Apr 1994 | ||
| Chronology | CD recording for STUDIO PERCUSSION grazMay 1994 · Straßengel near Graz · Recordings | 1994 | ||
| Press | „Verständigungen über den Gartenzaun“ (Jazz-Gitarristen: Harry Pepls Comeback, Ray Cooder, Doctor Blocher, Bill Frisell)Salzburger Nachrichten · Wolfgang Gratzer · Review | 7 May 1994 |
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| Chronology | Duo with Jack DeJohnette at the Innviertel jazz festival22 May 1994 · Raab, Upper Austria · Concerts | 22 May 1994 | ||
| Press | Kurzkritik vom Innviertler Jazzfestival in RaabKronen Zeitung (p. 17) · initials „CT“ (vermutlich Chris Thommark) · Review | 24 May 1994 | ||
| Press | „Zwischen Räucherstäbchen-Blues und festlicher Marching-Band-Tarnung“Der Standard (p. 10) · Ljubiša Tošić · Review | 24 May 1994 | ||
| Press | „Neue Symptome einer Krankheit“ (Das Jazzfestival in Raab ist als „Innviertler Jazzfestival“ wiederauferstanden)Salzburger Nachrichten (p. 8) · Wolfgang Lamprecht · Review | 26 May 1994 | ||
| Press | „Der Groove-Professor gibt sich recht unberechenbar“Der Standard · Ljubiša Tošić · Review | 27 May 1994 |
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| Press | Nr. 11: „Infojazz č. 2/94“, Abschnitt „Súťaže, dielne a festivaly v zahraničí“ (Wettbewerbe, Workshops und Festivals im Ausland)Hudobný život (Slovak music magazine) · Yvetta Lábska (Slovak Jazz Society) · Other | 8 Jun 1994 |
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| Press | „Musikalischer Grenzgänger lehrt an ‚NÖ Jazzakademie‘“Kronen Zeitung (p. 18) · initials „D. S.“ · Report | 26 Jul 1994 | ||
| Press | „Rastloser Grenzgänger“Neue Kronen-Zeitung (Styria edition, p. 22) · Bernd Schmidt · Portrait | 28 Jul 1994 | ||
| Chronology | Opening concert of the Lower Austrian Jazz Academy with the Harry Pepl Quartet31 July 1994 · Zeillern · Concerts | 31 Jul 1994 | ||
| Chronology | Second brain haemorrhageAugust 1994 · Upper Austria · Life | 1994 | ||
| Chronology | With Harry Sokal and Friedrich Gulda at the Brucknerhaus Linz5 November 1994 · Linz · Concerts | 5 Nov 1994 | ||
| Releases | Romantic SymphonyDas Große ORF Unterhaltungsorchester (Austrian Radio Orchestra) feat. Karl Ratzer, Rens Nieuwland, Karl Drewo, Robert Dodge · Jive Music JM 2005-2 · CD (compilation) | 21 Nov 1994 | HP-T-0053JM 2005-2 | |
| Press | „Österreichs Jazz hält seine Freunde auf Trab“Salzburger Nachrichten (p. 7) · Wolfgang Lamprecht · Report | 24 Dec 1994 | ||
| Press | „Jazz-Splitter“APA-Basisdienst (Austria Presse Agentur), Rubrik APA JAZZ NEWS · initials „hmf/gg“ · Report | 28 Dec 1994 | ||
| Literature | Aspekte österreichischer Kultur seit 19451995, p. 33 | 1995 | ||
| Work | Boogie for EdiHarry Pepl · piano piece (improvisation) · solo piano | 1995 | HP-W-0021ISWC T0011980010 | |
| Work | Bösendorfer FactoryHarry Pepl · piano piece (improvisation) · solo piano | 1995 | HP-W-0019ISWC T0011979966 | |
| Work | ConsequenceHarry Pepl · piano piece (improvisation) · solo piano | 1995 | HP-W-0031ISWC T0013215478 | |
| Work | Cut UpHarry Pepl · piano piece (improvisation) · solo piano | 1995 | HP-W-0032ISWC T0011979955 | |
| Project | Harry Pepl soloSolo piano: “Consequence” (1995) and “Flow” (1996) · 1995 to 1996 | 1995 | ||
| Project | Harry Pepl's Lonely Single Swinger BandThe one-man band in the Hernstein home studio · 1995 to 2005 | 1995 | ||
| Literature | Jazz in Graz. Von den Anfängen nach dem Zweiten Weltkrieg bis zu seiner akademischen EtablierungElisabeth Kolleritsch · Graz: Akademische Druck- und Verlagsanstalt 1995, ISBN 3-201-01640-3, p. 153 · Graz | 1995 | ||
| Work | Low and SlowHarry Pepl · piano piece (improvisation) · solo piano | 1995 | HP-W-0108ISWC T0011979977 | |
| Work | MollHarry Pepl · piano piece (improvisation) · solo piano | 1995 | HP-W-0117ISWC T0011979988 | |
| Literature | Musikgeschichte Österreichs, Band 3: Von der Revolution 1848 zur GegenwartRudolf Flotzinger, Gernot Gruber (Hg.) · 2 Auflage, Vienna, Cologne, Weimar: Böhlau 1995, ISBN 3-205-98338-6, p. 265 · Vienna | 1995 | ||
| Work | Natürlich UnartürlichHarry Pepl · piano piece (improvisation) · solo piano | 1995 | HP-W-0121ISWC T0011980021 | |
| Work | Nerven unter sichHarry Pepl · piano piece (improvisation) · solo piano | 1995 | HP-W-0122ISWC T0013215490 | |
| Literature | Nova Música VivaJorge Lima Barreto · Fábrica de Letras 1995, p. 137 | 1995 | ||
| Releases | Plays Harry Pepl / Wolfgang Muthspiel / Armin PokornStudio Percussion · Extraplatte EX 242-2 · CD | 1995 | HP-T-0054EX 242-2 | |
| Work | RegionHarry Pepl · piano piece (improvisation) · solo piano | 1995 | HP-W-0143ISWC T0011980009 | |
| Work | Strange UhudlerHarry Pepl · jazz composition · trombone, guitar synthesiser (duo, according to the booklet of “Beginnings”) | 1995 | HP-W-0162ISWC T0011723151 | |
| Work | The Real RitardHarry Pepl · piano piece (improvisation) · solo piano | 1995 | HP-W-0170ISWC T0011979999 | |
| Work | To Remember CzernyHarry Pepl · piano piece (improvisation) · solo piano | 1995 | HP-W-0175ISWC T0013215503 | |
| Work | Vienna ImprovisationsHarry Pepl · piano piece (improvisation) · solo piano | 1995 | HP-W-0184ISWC T0013215489 | |
| Quotation | „He controls his instrument electronically, from the vibraphone to the organ register.“Kronen Zeitung, 5 November 1995, p. 26; translated from the German | 1995 | ||
| Quotation | „In the two-part melody group, guitarist Harry Pepl is the defining creative force.“Kürzel CT (vermutlich Chris Thommark) · On the CD “Beginnings” by Abstract Truth; Kronen Zeitung, Sunday, 5 November 1995, p. 26 | 1995 | ||
| Quotation | „Thus five sound pictures open up whose colourful motion exerts a considerable pull“Wolfgang Gratzer · On “Anspannen, Überspannen, Abspannen”; Salzburger Nachrichten, Saturday, 19 August 1995 | 1995 |
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