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| Collection | Entry | Year | Identifier | Open and work with |
|---|---|---|---|---|
| Quotation | „What do I listen to at Christmas? Well, Silent Night!“Harry Pepl · Survey by Christian Rösner, Wiener Zeitung, Tuesday, 24 December 1996, p. 4 | 1996 | ||
| Quotation | „While playing the piano Harry Pepl enjoys being able to elevate himself to the mood of the moment, or to plunge into a different sense of …“Georg Pepl · Liner notes to “Flow” (Harry Pepl, piano; PAO Records CD 10140-2, 1996), English version by Stephen Ferguson in the booklet | 1996 | ||
| Press | Booklettext zu „Flow“PAO Records (CD-Booklet, CD 10140-2) · Stephen Ferguson · Other | 1996 | ||
| Press | Booklettext zu „Flow“PAO Records (CD-Booklet, CD 10140-2) · Georg Pepl · Other | 1996 | ||
| Chronology | Federal composition grant1996 · Vienna · Works | 1996 | ||
| Press | Infos Harry PEPLinformation sheet (press kit, 5 pages) · Press release | 1996 |
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| Chronology | Withdrawal from the stage1996 · Hernstein · Life | 1996 | ||
| Press | „Mythos und Zielpunkte“Kronen Zeitung (p. 16) · Review | 26 Feb 1996 | ||
| Chronology | Piano album “Flow”10 March 1996 · Vienna · Recordings | 10 Mar 1996 | ||
| Press | „Den Musikern vorsingen, mit ihnen atmen“ (Werner Pirchner feiert in Kufstein sein Debüt als Konzertdirigent)Tiroler Tageszeitung (culture section) · Rainer Lepuschitz · Interview | 25 Apr 1996 | ||
| Press | Veranstaltungstipp „Ballett“ (steirischer herbst: 13. Jugendmusikfest Deutschlandsberg)Der Standard (p. 706) · initials „knei“ · Report | 18 Oct 1996 | ||
| Chronology | Premiere of “Exzentrik Egometrik” in Deutschlandsberg19 October 1996 · Deutschlandsberg · Works | 19 Oct 1996 | ||
| Press | „Swinging Christmas!“Wiener Zeitung (p. 4, column „Jazzignal“) · Christian Rösner · Report | 24 Dec 1996 | ||
| Literature | Der Sinti-JazzAnita Awosusi (Hg.) · Die Musik der Sinti und Roma, vol. 2, Schriftenreihe des Dokumentations- und Kulturzentrums Deutscher Sinti und Roma, vol. 6, Heidelberg 1997, p. 137 · Heidelberg | 1997 | ||
| Literature | Eintrag zu Harry Pepl, S. 824 bis 826Günther · Bernhard Günther (Hg.): Lexikon zeitgenössischer Musik aus Österreich. Komponisten und Komponistinnen des 20 Jahrhunderts, Wien: music information center austria 1997, 1268 S.; entry Pepl p. 824 to 826 · Vienna | 1997 | ||
| Releases | My Foolish HeartCarl Drewo · Jive Music 20162 | 1997 | HP-T-010520162 | |
| Literature | Norske jazzplater 1960-1995. En diskografiAnne Mill Aakrann Eek, Vilde Beate Ronge Kaastad, Tonje Lehne Pedersen · Oslo: Biblioteksentralen 1997, ISBN 82-7022-191-0, p. 96 · Oslo | 1997 | ||
| Quotation | „After that Harry Pepl played, first on piano, then on drums, while Franz Hackl stayed with his trumpet.“Oberösterreichisches Volksblatt, 10 December 1997, p. 28; translated from the German | 1997 | ||
| Quotation | „Alongside Harry Pepl and Wolfgang Muthspiel, a generation younger, Ratzer is probably the most important Austrian guitar voice“Der Sinti-Jazz (Hg. Anita Awosusi) · Anita Awosusi (ed.): Der Sinti-Jazz, Heidelberg, Germany, 1997, p. 137; translated from the German | 1997 | ||
| Quotation | „As a string player he created fabulous special moments with Michel Portal, who phrased with a keen sense of sound on bass clarinet and …“Robert Urmann · INNtöne festival at Zell an der Pram Castle; OÖ Nachrichten, Tuesday, 9 December 1997 | 1997 | ||
| Quotation | „let it be said straight away, Pepl does not play guitar but piano“Wiener Zeitung, “Jazzignal” column, 11 November 1997, p. 4; translated from the German | 1997 | ||
| Quotation | „The piano and drum playing of the guitarist Harry Pepl attracted attention.“OÖ Nachrichten, culture section, 9 December 1997; translated from the German | 1997 | ||
| Quotation | „Their joy in playing carried over seamlessly to the audience.“Oberösterreichisches Volksblatt, 10 December 1997, p. 28; translated from the German | 1997 | ||
| Quotation | „Trumpeter Franz Hackl soulfully accentuated Harry Pepl’s piano impressions“Kronen Zeitung, 10 December 1997, p. 28; translated from the German | 1997 | ||
| Press | „Musikleckerbissen bei Inntönen“Wiener Zeitung (p. 4, column „Jazzignal“) · Christian Rösner · Report | 11 Nov 1997 | ||
| Chronology | INNtöne Festival with Michel Portal5 December 1997 · Zell an der Pram · Concerts | 5 Dec 1997 | ||
| Press | „Wiederholt wechselnde Bündnisse“OÖ Nachrichten (culture section) · Robert Urmann · Review | 9 Dec 1997 | ||
| Press | „Gemeinsame Jazzsprache“Kronen Zeitung (p. 28) · Chris Thommark · Review | 10 Dec 1997 | ||
| Press | „World Groove Music mitten im Innviertel“Oberösterreichisches Volksblatt (p. 28) · Harald Liehmann · Review | 10 Dec 1997 | ||
| Literature | Man könnte Klavierspielen müssen (Interview mit Harry Pepl)Martin Schuster · Concerto, no. 2, April/May 1998, p. 44 f. | 1998 | ||
| Literature | The Encyclopedia of Popular MusicColin Larkin (Hg.) · 3 Ausgabe, London und New York: Muze und Macmillan 1998 (Register vol. 8: p. 2890); frühere Ausgaben als „The Guinness Encyclopedia of Popular Music“, Enfield: Guinness 1992 und 1995 (p. 2219) · London | 1998 | ||
| Quotation | „Exploring the limits was obviously always his endeavour.“Kulturpreis Niederösterreich (state database of prizewinners), 1998, p. 1 | 1998 | ||
| Quotation | „For me music means emotions and memories. And even when I play something I don’t much like, my blood pressure goes up, because then it gets …“Harry Pepl · Conversation with Martin Schuster, “Man könnte Klavierspielen müssen”, Concerto 2/1998; quoted in Kohler 2006, p. 129; translated from the German | 1998 | ||
| Quotation | „He did a great deal for me rhythmically. What Mick Goodrick means in my case for the voicings, the accompaniment, Harry Pepl means for the …“Wolfgang Muthspiel · Lothar Trampert, Gitarre & Bass 7/1998, p. 54 ff., reprinted in Martin Schaberl, master’s thesis (Magisterarbeit, University of Music and Performing Arts Graz), 2004, p. 201; translated from the German | 1998 | ||
| Quotation | „I am a man of contrasts, often very funny or ironic and then very sad again. You can probably hear that in my playing too“Harry Pepl · Conversation with Martin Schuster, “Man könnte Klavierspielen müssen”, Concerto 2/1998; translated from the German | 1998 | ||
| Quotation | „I feel committed to musical truthfulness“Harry Pepl · Portrait on the Lower Austrian Culture Prize, “Auszeichnung für den musikalischen Jazz-Grenzgänger Harry Pepl” (initials “flo”), Kurier, Tuesday 3 November 1998, p. 10; translated from the German | 1998 | ||
| Quotation | „I played one note, then the second, and by the third at the latest Jack knew exactly where I was, and we were together.“Harry Pepl · On an unprepared festival concert with Jack DeJohnette; interview with Christian Rösner, Wiener Zeitung, Tuesday, 10 February 1998, p. 4 | 1998 | ||
| Quotation | „I wanted you to be able to hear the room on the CD as well.“Harry Pepl · Concerto (music magazine), issue 2/1998, April 1998, p. 2 of 4 (version in Presseberichte (1)) | 1998 | ||
| Quotation | „Music is my life, and I cannot not play“Harry Pepl · Conversation with Christian Rösner, “Echtzeitkompositionen”, Wiener Zeitung, Tuesday 10 February 1998, p. 4; translated from the German | 1998 | ||
| Quotation | „Music: Harry Pepl (prize of honour), Friedrich Keil and Elisabeth Schimana (recognition prizes)“Das Waldviertel, volume 47, issue 4 (page 408), December 1998, p. 408 | 1998 | ||
| Quotation | „Music: Harry Pepl (Würdigungspreis, prize of honour)“OTS (original text service of the APA), Lower Austrian State Press Service, 8 September 1998; translated from the German | 1998 | ||
| Quotation | „My main problem is my high blood pressure. Another contradiction: on the outside I may seem calm, but inside it races around in me like mad.“Harry Pepl · Conversation with Martin Schuster, “Man könnte Klavierspielen müssen”, Concerto 2/1998; also quoted in the Kleine Zeitung, Tuesday 6 December 2005, p. 55; translated from the German | 1998 | ||
| Quotation | „Pepl’s flowing real-time compositions on “Flow” are in any case full of energy and honesty; understandable in expression and eloquent.“Christian Rösner · Review of the CD “Flow”; “Echtzeitkompositionen”, Wiener Zeitung, Tuesday 10 February 1998, p. 4; translated from the German | 1998 | ||
| Quotation | „The 53-year-old guitarist and pianist of world renown from Hernstein captivates jazz lovers with extraordinary, spontaneous and innovative …“Kurier (Kürzel flo) · “Auszeichnung für den musikalischen Jazz-Grenzgänger Harry Pepl”, Kurier, 3 November 1998, p. 10 | 1998 | ||
| Quotation | „The guitarist and composer Harry Pepl may well be called Austria’s most independent and at the same time most uncompromising jazz voice.“Christian Rösner · Wiener Zeitung, Tuesday, 10 February 1998, p. 4 | 1998 | ||
| Quotation | „The music prizewinners are represented by Harry Pepl, who performs “Tintenfishinky”“OTS (original text service of the APA), Lower Austrian State Press Service, 30 September 1998; translated from the German | 1998 | ||
| Quotation | „What mattered to me was to play music that really comes from within and that happens in the moment“Harry Pepl · On real-time composing at the piano; interview with Christian Rösner, Wiener Zeitung, Tuesday, 10 February 1998, p. 4 | 1998 | ||
| Quotation | „What matters is finding your own individual line, and for that it is practise, practise, practise“Harry Pepl · Kurier (page 10, Chronik section, “Landsleute” column), 3 November 1998, p. 10 (Pepl) | 1998 | ||
| Press | „Bewusster Grenzgänger“ (Harry Pepl, Würdigungspreis 1998 Musik)Kulturpreis Niederösterreich (Preisträgerdatenbank des Landes) · Encyclopaedia | 1998 | ||
| Press | „Echtzeitkompositionen“Wiener Zeitung (p. 4, column „Jazzignal“) · Christian Rösner · Interview | 10 Feb 1998 |
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