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| Collection | Entry | Year | Identifier | Open and work with |
|---|---|---|---|---|
| Chronology | Michel Portal: “Men's Land” in Amiens30 May 1987 · Amiens, France · Recordings | 30 May 1987 | ||
| Press | „Concert du Michel Portal Unit 87“Radio France, „Le temps du jazz“ (live recording, im INA-Katalog) · André Francis (production) · Radio | 30 May 1987 | ||
| Press | „Programm für das ‚Jazzianer-Fort‘ in Wiesen fixiert“APA-Basisdienst (Austria Presse Agentur), Rubrik APA JAZZ NEWS · initials „hmf/fwi/wm“ · Report | 2 Jun 1987 | ||
| Press | „Erfolg für Harry Pepl in Frankreich“APA-Basisdienst (Austria Presse Agentur), Rubrik APA JAZZ NEWS · initials „hmf/fwi“ · Report | 16 Jun 1987 | ||
| Chronology | Air Mail at the Wiesen jazz festival5 July 1987 · Wiesen · Concerts | 5 Jul 1987 | ||
| Chronology | Air Mail live at the Schlachthof Wels8 July 1987 · Wels · Recordings | 8 Jul 1987 | ||
| Releases | VolverEnrico Rava / Dino Saluzzi Quintet · ECM Records ECM 1343 / 831 395-1 (LP), 831 395-2 (CD) · LP, CD | 1 Oct 1987 | HP-T-0041ECM 1343 / 831 395-1 (LP), 831 395-2 (CD) | |
| Press | „Festival Le Temps du Jazz : extraits du concert du multi-instrumentiste Michel Portal“France Musique, „Jazz vivant“ (broadcast listed in the INA catalogue) · André Francis (production and presentation) · Radio | 1 Nov 1987 | ||
| Literature | 20 Jahre Steirischer Herbst. Eine DokumentationPaul Kaufmann (Hg.) · Vienna, Darmstadt: Zsolnay 1988, ISBN 3-552-81988-6, p. 157, 169, 336, 379 und 399 · Vienna | 1988 | ||
| Literature | Benny Goodman: Listen to His LegacyD. Russell Connor · Metuchen, N.J.: Scarecrow Press und Institute of Jazz Studies 1988, p. 299 to 301, ISBN 0-8108-2095-1 · Metuchen | 1988 | ||
| Literature | Dictionnaire du jazzPhilippe Carles, André Clergeat, Jean-Louis Comolli · Paris: Robert Laffont 1988; Neuausgabe 1994 (Register „Pepl, Harry“: p. 483, 617 und 1215) · Paris | 1988 | ||
| Work | FleacircusHarry Pepl · jazz composition · Quartet: saxophone, drums, guitar, double bass (Air Mail) | 1988 | HP-W-0056ISWC T0011807503 | |
| Listening copy | Harry Pepl portrait, Ö3 Musicbox 1988Gestaltung: Walter Gröbchen, ORF Ö3 | 1988 |
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| Listening copy | Harry Pepl, Herbert Joos, Jon Christensen: Schikaneder Delight (Cracked Mirrors, 1988)ECM Records, 1988 | 1988 |
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| Listening copy | Harry Pepl, Herbert Joos, Jon Christensen: Tintenfisch Inki (Cracked Mirrors, 1988)ECM Records, 1988 | 1988 |
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| Releases | Light BluesAir Mail · Amadeo 835 305-1 (LP), 835 305-2 (CD) · LP, CD | 1988 | HP-T-0043835 305-1 (LP), 835 305-2 (CD) | |
| Releases | Pieces Of The DreamWolfgang Puschnig · Amadeo 837 322-2 · CD | 1988 | HP-T-0044837 322-2 | |
| Literature | SaitensprüngeWolfgang Kralicek · Wochenpresse, no. 49, 9 December 1988, p. 54 f. · Vienna | 1988 | ||
| Work | Shifting PeopleHarry Pepl · jazz composition · Quartet: alto saxophone, guitar, bass, drums (Air Mail) | 1988 | HP-W-0155ISWC T0010758743 | |
| Photo | Szene Wien poster: Pepl, Joos, Christensen | 1988 | ||
| Work | TranceHarry Pepl · solo piece · solo cello | 1988 | HP-W-0176 | |
| Document | Transcript: Harry Pepl portrait, Ö3 Musicbox 1988Beitrag: Walter Gröbchen, ORF Ö3; Transkript: Harry Pepl Archiv | 1988 |
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| Work | Viola & CelloHarry Pepl · chamber music · Duo: viola, cello | 1988 | HP-W-0185 | |
| Quotation | „A treat for jazz lovers“Chris Tomark, Kronen Zeitung · Concert review, Kronen Zeitung, 4 April 1988, p. 24, quoted in Heckel 2024, p. 93 (chapter “Cracked Mirrors”) | 1988 | ||
| Quotation | „accepted Harry Pepl’s guitar synthesiser as an imaginative enrichment of the sound“Stuttgarter Zeitung, 15 December 1988 | 1988 | ||
| Quotation | „Austrian jazz has finally become international. Guitarist Harry Pepl received the German Record Critics’ Award for “Cracked Mirrors” …“Austria Presse Agentur · APA review of the year, APA-Basisdienst, Monday, 19 December 1988 | 1988 | ||
| Quotation | „Austrian jazz’s guitar great, of a standing that helps to set the tone not only in Europe“Daily newspaper (title not preserved), April 1988 | 1988 | ||
| Quotation | „created, as it were, out of nothing“Harry Pepl · Harry Pepl quoted by the APA news service (Austria Presse Agentur), APA JAZZ NEWS section, 14 June 1988; translated from the German | 1988 | ||
| Quotation | „European jazz? The trio of Herbert Joos, Harry Pepl and Tony Oxley provided an example of it.“Eßlinger Zeitung (Saturday/Sunday edition), 17 December 1988 | 1988 | ||
| Quotation | „Gems of contemporary jazz, wittily crafted by a top-class trio“Daily newspaper (title not preserved), 22 April 1988 | 1988 | ||
| Quotation | „Great success for the guitarist Harry Pepl, a lot of attention for Austrian jazz.“APA news service (Austria Presse Agentur), APA JAZZ NEWS section, 30 August 1988; translated from the German | 1988 | ||
| Quotation | „Harry Pepl brings electronics into play in an astonishing way.“Daily newspaper (title not preserved), April 1988 | 1988 | ||
| Quotation | „Harry Pepl’s guitar adds greatly to the moody mix“Edward Strickland · Edward Strickland, Fanfare, Volume 12, No. 1, 1988, p. 373 | 1988 | ||
| Quotation | „Harry PEPL’s natural and attractive playing on his MIDI guitar creates constant “aha” moments and marks him out as one of the most …“Press review (collage, compilation not identified), 1988 | 1988 | ||
| Quotation | „Having grown up with the accordion, he does not deny our own musical tradition and lets it flow into his music.“Heimo Steps · „Vitaler Klangmaler“, Die Steirische, 08.09.1988, S. 12 | 1988 | ||
| Quotation | „He is one of my favourites“John Scofield (zitiert von Heimo Steps) · “Vitaler Klangmaler”, Die Steirische, 8 September 1988, p. 12; Steps writes “Miles Davis guitarist John Scofield told me” | 1988 | ||
| Quotation | „He's great, he's like a machine gun“John Abercrombie · Reported in Kleine Zeitung, 10 January 1988, p. 18 | 1988 | ||
| Quotation | „His musical paintings are a pleasure to listen to, not least because sensuality and warmth are inherent in them.“Heimo Steps, Die Steirische · “Vitaler Klangmaler”, Die Steirische, 8 September 1988, p. 12 | 1988 | ||
| Quotation | „His new album “Cracked Mirrors”, recorded with Herbert Joos and Jon Christensen, has caught the attention of international critics.“APA news service (Austria Presse Agentur), APA JAZZ NEWS section, 14 June 1988; translated from the German | 1988 | ||
| Quotation | „I couldn’t care less that it’s called jazz.“Harry Pepl · Interview in Wochenpresse no. 49, 9 December 1988, p. 55 | 1988 | ||
| Quotation | „in a piece like “Schikaneders Delight” there was also quite definitely a Mozartean cheerfulness at play.“Stuttgarter Zeitung, 15 December 1988 | 1988 | ||
| Quotation | „In this way Pepl managed to play a dazzling drum solo on the guitar.“Eßlinger Zeitung (Saturday/Sunday edition), 17 December 1988 | 1988 | ||
| Quotation | „internationally sought-after master of improvisation“Kleine Zeitung (Bildunterschrift) · Report “Feldzug mit der Gitarre”, Kleine Zeitung, 10 January 1988, p. 18, caption | 1988 | ||
| Quotation | „Just as a ray of light is refracted many times in the splinters of broken mirrors, musical genres appear on this record in repeatedly …“ECM Records (Pressetext) · Press text for “Cracked Mirrors”, 1988, quoted in Heckel 2024, p. 91 | 1988 | ||
| Quotation | „PEPL, Harry/Herbert JOSS/Jón CHRISTENSEN CRACKED MIRRORS ECM/New Note ECM 1356/8334722"CD"“Music Week (British music trade magazine), 27 August 1988, p. 34 | 1988 | ||
| Quotation | „The Austrian musician Harry Pepl is a man in demand internationally.“Wolfgang Kralicek, Wochenpresse · “Saitensprünge”, Wochenpresse no. 49, 9 December 1988, p. 54 (subtitle) | 1988 | ||
| Quotation | „The great stylistic diversity and his unmistakably idiosyncratic playing, not to mention his perfect command of the instrument, make even …“Heimo Steps · „Vitaler Klangmaler“, Die Steirische, 08.09.1988, S. 12 | 1988 | ||
| Quotation | „The guitar professor in Graz is regarded internationally as one of the best in his field.“Otmar Klammer, Kleine Zeitung · Report “Feldzug mit der Gitarre”, Kleine Zeitung, 10 January 1988, p. 18 (standfirst) | 1988 | ||
| Quotation | „The jazz guitarist Harry Pepl proves to be a master of sound painting with his new album “Cracked Mirrors”“Press review (collage, compilation not identified), 1988 | 1988 | ||
| Quotation | „The three offered breathtaking string artistry, virtuosically realised visions of wilful electronic mobilisation“Daily newspaper (title not preserved), 22 April 1988 | 1988 |
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