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| Collection | Entry | Year | Identifier | Open and work with |
|---|---|---|---|---|
| Quotation | „They were all thrilled. A sensation, really.“Harry Pepl · On Montreux 1981; interview in Wochenpresse no. 49, 9 December 1988, p. 55 | 1988 | ||
| Quotation | „This album certainly runs completely against the wind of the zeitgeist.“ECM Records, Munich (press release), May 1988, p. 2 | 1988 | ||
| Quotation | „three musicians meet who are able to improvise with a great deal of sensuality and warmth even in advanced playing techniques.“ECM Records, Munich (press release), May 1988, p. 1 | 1988 | ||
| Quotation | „“Cracked Mirrors” is the name of the LP featuring the three jazz musicians in truly outstanding form.“APA news service (Austria Presse Agentur), APA JAZZ NEWS section, 8 March 1988; translated from the German | 1988 | ||
| Press | Kritik zu „Volver“ (ECM 1343), Fanfare Band 12, Nr. 1Fanfare (US-Magazin für Plattenkritik) · Edward Strickland · Review | 1988 | ||
| Press | „Cracked Mirrors“: Kritiken aus Deutschland, Österreich, Frankreich, Großbritannien und Japanpress review (Collage, compiler not named) · various (incl. Ken Hyder, Christa Wörner, Robert Urman) · Other | 1988 |
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| Press | „Feldzug mit der Gitarre“Kleine Zeitung · Otmar Klammer · Portrait | 10 Jan 1988 |
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| Chronology | “Jazz und Stories” with Peter TurriniMarch 1988 · Graz · Recordings | 1988 | ||
| Press | „Jazz aus Österreich“APA-Basisdienst (Austria Presse Agentur), Rubrik APA JAZZ NEWS · initials „hmf/fwi/ca“ · Report | 8 Mar 1988 | ||
| Press | „Versierte Gefährten“ (Musikantendreieck der Extraklasse im Posthof)daily newspaper (title not preserved) · -a- · Review | 1988 |
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| Chronology | Trio Pepl/Joos/Christensen at the Szene Wien16 April 1988 · Vienna · Concerts | 16 Apr 1988 | ||
| Chronology | Cracked Mirrors live at the Posthof Linz20 April 1988 · Linz · Concerts | 20 Apr 1988 | ||
| Chronology | Trio Pepl/Joos/Christensen at the Hotel Mader, Katsdorf22 April 1988 · Katsdorf · Concerts | 22 Apr 1988 | ||
| Press | „Glanzvolle Dreieinigkeit“daily newspaper (title not preserved) · Robert Urman · Review | 22 Apr 1988 |
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| Press | Harry Pepl / Herbert Joos / Jon Christensen: „Cracked Mirrors“ECM Records, Munich (press release) · ECM Records · Press release | 1988 |
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| Releases | Cracked MirrorsHarry Pepl / Herbert Joos / Jon Christensen · ECM Records ECM 1356 / 833 472-1 (LP), 833 472-2 (CD) · LP, CD | 30 May 1988 | HP-T-0042ECM 1356 / 833 472-1 (LP), 833 472-2 (CD) | |
| Chronology | “Cracked Mirrors” released on ECM30 May 1988 · Munich · Recordings | 30 May 1988 | ||
| Press | „Erfolge für Harry Pepl“APA-Basisdienst (Austria Presse Agentur), Rubrik APA JAZZ NEWS · initials „A“ · Report | 14 Jun 1988 | ||
| Press | „Michel Portal: « Men's land »“Le Monde · F. M. (wahrscheinlich Francis Marmande) · Review | 17 Aug 1988 | ||
| Press | „New Albums“ (Neuerscheinungen vom 30. August bis 2. September 1988)Music Week (British music trade magazine) · Other | 27 Aug 1988 |
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| Press | „Schallplattenpreis für Harry Pepls ‚Cracked Mirrors‘“APA-Basisdienst (Austria Presse Agentur), Rubrik APA JAZZ NEWS · initials „hmf/fwi“ · Report | 30 Aug 1988 | ||
| Press | „Jazz in Willisau: Coming Dates“Jazz Festival Willisau, Programmheft 1988 · Programme booklet | 1988 | ||
| Press | „Vitaler Klangmaler“ (Das Künstlerporträt: Harry Pepl)Die Steirische · Heimo Steps · Portrait | 8 Sep 1988 |
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| Press | „Große Konzertreihe mit Jazz und zeitgenössischer Musik in Graz“APA-Basisdienst (Austria Presse Agentur), Rubrik APA JAZZ NEWS · initials „hmf/fwi“ · Report | 4 Oct 1988 | ||
| Chronology | Joos, Pepl and Oxley at the Dieselstraße in EsslingenDecember 1988 · Esslingen am Neckar · Concerts | 1988 | ||
| Press | „Saitensprünge“Wochenpresse (no. 49) · Wolfgang Kralicek · Interview | 9 Dec 1988 | ||
| Chronology | Austrian tour with Herbert Joos and Tony Oxley10 December 1988 · Austria · Concerts | 10 Dec 1988 | ||
| Chronology | Trio with Herbert Joos and Tony Oxley in Tamsweg15 December 1988 · Tamsweg · Concerts | 15 Dec 1988 | ||
| Press | „Jazz im Zauberspiegel“ (Dieselstraße: Joos-Pepl-Oxley)Stuttgarter Zeitung · lind · Review | 15 Dec 1988 |
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| Press | „Perkussives“ (Joos, Pepl und Oxley)Eßlinger Zeitung (weekend edition) · Christa Wörner · Review | 17 Dec 1988 |
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| Press | „Österreichs Jazz wurde international“APA-Basisdienst (Austria Presse Agentur), Jahresrückblick „Pop, Rock, Jazz“ · initials „hmf/fwi/ca“ · Report | 19 Dec 1988 | ||
| Work | 3 Days BeforeHarry Pepl · Instant Composition · MIDI grand piano (Pepl), soprano saxophone (Dave Liebman); mica: solo guitar | 1989 | HP-W-0003 | |
| Work | Alone Is a Golden StoneHarry Pepl · Instant Composition · AKM: piano, saxophone and percussion; on the album MIDI grand piano (two tracks by Pepl), soprano saxophone (Dave Liebman), drums (Wolfgang Reisinger) | 1989 | HP-W-0008ISWC T0011063787 | |
| Work | Argentinischer SchuhplattlerHarry Pepl · vocal and ensemble work · choir, trumpet, percussion, accordion | 1989 | HP-W-0011 | |
| Work | Ballade for Mr. DinozoHarry Pepl · chamber music · 2 violins, viola, double bass (melody in violin and double bass, other parts as backgrounds); mica gives viola and double bass | 1989 | HP-W-0013ISWC T0010795604 | |
| Literature | Benny Goodman und DeutschlandGerhard Klußmeier · Frankfurt am Main: Buchhandlung und Antiquariat Eisenbletter & Naumann 1989 (DNB: 1990), ISBN 3-927355-03-8 · Frankfurt am Main | 1989 | ||
| Photo | Bösendorfer project 1989, contact sheetPhoto: David Liebmann | 1989 | ||
| Literature | Das Porträt. Österreichische Komponisten der Gegenwart in Wort und BildInge Ute Brunner, Walter Szmolyan · St. Pölten, Wien: Niederösterreichisches Pressehaus 1989, ISBN 3-85326-878-1, p. 46; Bilder Inge Ute Brunner, Text Walter Szmolyan · St. Pölten | 1989 | ||
| Photo | Dave Liebman and Harry Pepl, 1989 | 1989 | ||
| Work | Eastern Island EarsHarry Pepl · Instant Composition · MIDI grand piano (Pepl), tenor saxophone (Johannes Enders), soprano saxophone (Dave Liebman); AKM: 2 pianos | 1989 | HP-W-0046ISWC T0011063801 | |
| Work | Einsicht ins IchHarry Pepl · Instant Composition · guitar, saxophone and drums (according to the AKM code) | 1989 | HP-W-0048ISWC T0011270851 | |
| Work | Einsicht ins MichHarry Pepl · Instant Composition · solo piano (MIDI grand piano); AKM: 2 pianos; mica: three movements | 1989 | HP-W-0049ISWC T0011270851 | |
| Project | Ensemble Wien“Ballade for Mr. Dinozo” and “Grogos” at the Musikverein, 1989 · 1989 | 1989 | ||
| Work | FM SyndromHarry Pepl · Instant Composition · MIDI grand piano (Pepl), soprano saxophone (Dave Liebman), drums (Wolfgang Reisinger) | 1989 | HP-W-0059ISWC T0012280862 | |
| Work | GrogosHarry Pepl · computer composition for the string quartet medium · 2 violins, viola, double bass (mica: violin, viola, double bass) | 1989 | HP-W-0075ISWC T0011029687 | |
| Work | Herbstzeitlose ArbeitsloseHarry Pepl · Instant Composition · Album: MIDI grand piano (Pepl), tenor saxophone (Johannes Enders), soprano saxophone (Dave Liebman); ensemble version: octet and soprano (mica) | 1989 | HP-W-0083ISWC T0012280793 | |
| Work | ItegilHarry Pepl · choral work · choir | 1989 | HP-W-0093ISWC T0011874739 | |
| Work | Knessl Ressl JumpHarry Pepl · ensemble work with electronics · Quartet and electronics: trombone, percussion, guitar, viola, synthesiser (according to mica) | 1989 | HP-W-0100ISWC T0012288264 | |
| Work | KraftwerkHarry Pepl · vocal and electronic work · choir, percussion, computer, synthesiser (according to mica) | 1989 | HP-W-0101ISWC T0011874386 | |
| Work | KrenekHarry Pepl · piano piece · solo piano | 1989 | HP-W-0102 |
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