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| Collection | Entry | Year | Identifier | Open and work with |
|---|---|---|---|---|
| Work | WindsHarry Pepl · wind ensemble · Quartet: oboe, 2 clarinets, bassoon (according to mica) | 1990 | HP-W-0191ISWC T0011063856 | |
| Work | Zwei KlarinettenHarry Pepl · chamber music · Duo: clarinet and bass clarinet | 1990 | HP-W-0196ISWC T0012278806 | |
| Quotation | „a most radical use of technology: to play on a midi guitar connected to a computer just to return to a natural, acoustic sound“Harry Lachner · Liner notes to “Schönberg Improvations”, Amadeo 1990, on Pepl's method of playing a Bösendorfer grand piano from the MIDI guitar | 1990 | ||
| Quotation | „Although it is played on the guitar, there is hardly any difference from the acoustic sound of a piano.“APA news service (Austria Presse Agentur), APA JAZZ NEWS section, 30 January 1990; translated from the German | 1990 | ||
| Quotation | „And yet, it is not a sampled sound, it's a Bösendorfer grand piano - played on the guitar.“Harry Lachner · Liner notes to “Schönberg Improvations”, Amadeo 1990, on the sound of the album | 1990 | ||
| Quotation | „Austrian guitarist Harry Pepl has gone a long and imperturbable way.“Harry Lachner · Liner notes to “Schönberg Improvations”, Amadeo 1990, opening sentence | 1990 | ||
| Quotation | „free process of composition, in which the work is already fixed in writing at the very moment in which it is invented“Gesellschaft der Musikfreunde in Wien, programme booklet Brahms-Saal (Extraordinary Society Concert), 27 February 1990, PDF page 8 | 1990 | ||
| Quotation | „Harry Pepl is a man like Albert Einstein, a genius whom probably only a handful of people can still follow in his work.“Richie Österreicher jr. · Tschin Bumm (music magazine, Technik section, p. 52), February 1990, p. 52 | 1990 | ||
| Quotation | „If you're a great instrumentalist, you want to be able to express anything of the instrument, even beyond the instrument. It's not an …“Dave Liebman · Quoted by Harry Lachner in the liner notes to “Schönberg Improvations”, Amadeo 1990; Liebman plays soprano saxophone on the album | 1990 | ||
| Quotation | „musical quantum leap“Tschinnbumm (Musikmagazin) · On “Schönberg Improvations”, Tschinnbumm, February 1990, p. 52 ff., quoted in Heckel 2024, p. 119 | 1990 | ||
| Quotation | „The latest LP by the guitarist, acclaimed worldwide, is: a piano record.“Tschin Bumm (music magazine, Technik section, p. 52), February 1990, p. 52 | 1990 | ||
| Quotation | „the lyricism of "Alone Is A Golden Stone", the trance like 4/4 groove of "Magnet Resonance" are organically embedded into a context of …“Harry Lachner · Liner notes to “Schönberg Improvations”, Amadeo 1990, on the variety of styles on the album | 1990 | ||
| Quotation | „The simulation is complete, the circle is fullfilled and we should not be puzzled by the technical method but by the musical result.“Harry Lachner · Liner notes to “Schönberg Improvations”, Amadeo 1990 | 1990 | ||
| Press | Liner Notes und Credits zu „Schönberg Improvations“Amadeo (CD-Booklet) · Harry Lachner · Other | 1990 |
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| Press | „Harry Pepl mit Schönberg-Improvisationen“APA-Basisdienst (Austria Presse Agentur), Rubrik APA JAZZ NEWS · initials „hmf/fwi“ · Report | 30 Jan 1990 | ||
| Press | „Harry Pepl im Studio: Das Bösendorfer-Projekt“Tschin Bumm (music magazine, technology column, p. 52) · Report | 1990 |
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| Chronology | Presentation concert for “Schönberg Improvations”7 February 1990 · Vienna · Concerts | 7 Feb 1990 | ||
| Chronology | Composer portrait at the Vienna Musikverein27 February 1990 · Vienna · Works | 27 Feb 1990 | ||
| Press | Komponistenportrait Harry Pepl, Dienstag, 27. Februar 1990, 19.30 UhrGesellschaft der Musikfreunde in Wien, programme booklet, Brahms-Saal (special society concert) · editor: Teresa Hrdlicka · Programme booklet | 27 Feb 1990 |
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| Document | Konzertarchiv Ensemble Kontrapunkte mit Pizzicat, Online-FassungMusikverein | 19 Mar 1990 |
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| Chronology | “Pizzicat” at the Musikverein19 March 1990 · Vienna · Works | 19 Mar 1990 | ||
| Chronology | “What It Is” with Thomas Pernes at the Wiesen jazz festival14 July 1990 · Wiesen · Concerts | 14 Jul 1990 | ||
| Work | Brauereibraue AugenbrauneHarry Pepl · piano piece · solo piano | 1991 | HP-W-0022 | |
| Work | BremerHarry Pepl · piano piece · solo piano | 1991 | HP-W-0023ISWC T0011199839 | |
| Work | Cello PianoHarry Pepl · chamber music · cello and piano, 2 movements | 1991 | HP-W-0027 | |
| Work | Dr. KramerHarry Pepl · piano piece · solo piano; according to mica movements Nord, Ost, Südwest | 1991 | HP-W-0041ISWC T0011199828 | |
| Work | Faust aufs AugHarry Pepl · piano piece · solo piano | 1991 | HP-W-0054ISWC T0012522052 | |
| Work | Heavy Metal PedalHarry Pepl · piano piece · solo piano | 1991 | HP-W-0082ISWC T0011229825 | |
| Releases | Hier ist ein MenschPeter Alexander · Ariola 290386 | 1991 | HP-T-0099290386 | |
| Work | Intro P 34Harry Pepl · piano piece · solo piano | 1991 | HP-W-0092 | |
| Project | Kronos QuartetWorld premiere in Graz, 1991 · 1991 | 1991 | ||
| Work | Moving NavelHarry Pepl · string quartet · string quartet (2 violins, viola, cello), three movements; Pepl played the quartet parts with MIDI guitar and string samples | 1991 | HP-W-0120ISWC T0012789535 | |
| Listening copy | Moving Navel, world premiere by the internationally renowned Kronos Quartetlive recording, Orpheum Graz, 3 December 1991 | 1991 | ||
| Work | ObsessionHarry Pepl · string quartet · string quartet: one melody voice, three voices at a distance of fourths, extremely fast | 1991 | HP-W-0126ISWC T0012846488 | |
| Literature | Österreichisches Jahrbuch 1991Bundespressedienst (Hg.) · Jahrgang 63, Wien: Bundespressedienst · Vienna | 1991 | ||
| Work | Piano Nr. 36Harry Pepl · piano piece · solo piano | 1991 | HP-W-0135ISWC T0012522041 | |
| Work | Piano Nr. 38Harry Pepl · piano piece · solo piano | 1991 | HP-W-0136ISWC T0011199793 | |
| Work | String Nr. 8Harry Pepl · string quartet · string quartet (2 violins, viola, cello) | 1991 | HP-W-0164ISWC T0011395973 | |
| Quotation | „I like it when things stay open until the very last moment“Harry Pepl · Before the opening concert of the Lower Austrian Jazz Academy in Zeillern; interview with Ljubiša Tošić, Der Standard, Saturday, 3 August 1991, p. 13 | 1991 | ||
| Quotation | „It came to a close with a hugely successful concert by this year’s winner of the Lower Austrian Culture Prize, the jazz pianist Harry Pepl.“OTS (original text service of the APA), Lower Austrian State Press Service, 2 December 1991; translated from the German | 1991 | ||
| Quotation | „It is hard to place Harry Pepl anywhere musically, and strictly speaking it is not even necessary.“Kulturpreis des Landes Niederösterreich (1991 brochure, database of prizewinners), 1991 | 1991 | ||
| Quotation | „Pepl, and he leaves no doubt about this in this conversation either, is a musician of the moment.“Kulturpreis des Landes Niederösterreich (1991 brochure, database of prizewinners), 1991 | 1991 | ||
| Quotation | „The following Förderungspreise (encouragement prizes, 25,000 schillings each) were awarded: music: Harry Pepl“OTS (original text service of the APA), press release of the State of Lower Austria, 25 September 1991; translated from the German | 1991 | ||
| Quotation | „The highlights were the premiere of Horst Ebenhöh’s scenic humoresque “Pfaffenberger Nacht” and the closing concert with Harry Pepl.“Der Standard, 6 December 1991, p. 11; translated from the German | 1991 | ||
| Quotation | „the leading French newspaper Le Monde crowned him, without further ado, a “giant of improvisation”“Kulturpreis des Landes Niederösterreich (1991 brochure, database of prizewinners), 1991 | 1991 | ||
| Quotation | „What did I want to avoid? Simply playing any old standards.“Harry Pepl · Der Standard, 3 August 1991, p. 13; translated from the German | 1991 | ||
| Chronology | Lower Austrian Culture Prize for Music1991 · Lower Austria · Honours | 1991 | ||
| Chronology | Recording grant from austro mechana for the Harry Pepl Quartet1991 · Vienna · Recordings | 1991 | ||
| Press | „Spontane Klangerlebnisse“ (Anerkennungspreis 1991, Sparte Musik)Kulturpreis des Landes Niederösterreich (Broschüre 1991, Preisträgerdatenbank) · Portrait | 1991 | ||
| Chronology | Seven works at ORF Studio Tyrol17 February 1991 · Innsbruck · Works | 17 Feb 1991 |
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