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| Collection | Entry | Year | Identifier | Open and work with |
|---|---|---|---|---|
| Releases | Pieces Of The DreamWolfgang Puschnig · EmArcy (Universal Music Austria), Reihe Austrian Jazzart Nr. 5 837 322-2 · CD, album, reissue (six-panel digipak) | 2001 | HP-T-0125837 322-2 | |
| Literature | The New Grove Dictionary of Music and Musicians, 2. Ausgabe, Artikel „Pirchner, Werner“Stanley Sadie (Hg.) · London und New York: Macmillan und Grove 2001, vol. 19 · London | 2001 | ||
| Literature | The Twentieth-Century String Quartet. An Historical Introduction and CatalogueIan Lawrence · Lanham, Md.: Scarecrow Press 2001, ISBN 0-8108-4002-2 · Lanham | 2001 | ||
| Quotation | „Above all, however, he formed with the guitarist Harry Pepl the “Jazz-Zwio”, which was successful far beyond Austria’s borders.“Falter, 15 August 2001, p. 49; translated from the German | 2001 | ||
| Quotation | „At that time everyone was talking about Harry Pepl.“Christian Rösner · Christian Rösner in the Wiener Zeitung, 28 December 2001, p. 11; translated from the German | 2001 | ||
| Quotation | „playing marked by rough, jagged cascades of notes“Andreas Felber · Andreas Felber, head of the Ö1 jazz department, on Pepl’s guitar playing in the liner notes to the reissue “Light Blues” (Air Mail, Austrian Jazzart No. 1, EmArcy 2001); quoted by Jörg Weitlaner in Concerto 5/2001, p. 54; translated from the German | 2001 | ||
| Quotation | „The interplay of the whole band, in which we had developed a telepathic understanding, was what made Airmail special for me.“Harry Pepl · On the quartet Air Mail; quoted by Jörg Weitlaner in “Fünf Variationen österreichischer Jazzkunst” (Five variations of Austrian jazz art), Concerto 5/2001, p. 54; translated from the German | 2001 | ||
| Quotation | „the legendary “Light Blues” by Harry Pepl’s “Airmail”. Wonderful.“Otmar Klammer · Otmar Klammer, Kleine Zeitung, 27 October 2001; translated from the German | 2001 | ||
| Quotation | „With Harry Pepl on guitar he founded the legendary “jazz orchestra with two men”“Gunther Baumann, Kurier, 11 August 2001, p. 29; translated from the German | 2001 | ||
| Chronology | “Light Blues” reissued2001 · Vienna · Recordings | 2001 | ||
| Press | „Fünf Variationen österreichischer Jazzkunst“ (Austrian Jazzart)Concerto (music magazine), issue 5/2001, p. 54 · Jörg Weitlaner · Review | 2001 | ||
| Chronology | Death of Werner Pirchner10 August 2001 · Innsbruck · Life | 10 Aug 2001 | ||
| Press | „Alpen-Zappa, Jazzstar und großer Komponist“ (Nachruf auf Werner Pirchner)Kurier (p. 29, culture) · Gunther Baumann · Report | 11 Aug 2001 | ||
| Press | „Leben nach dem Tod“ (Werner Pirchner, 1940 bis 2001)Falter (p. 49, culture) · Report | 15 Aug 2001 | ||
| Press | „Auferstehung“Kleine Zeitung (culture, Jazz-News) · Otmar Klammer · Report | 27 Oct 2001 | ||
| Press | „Christian Rösner - ein Superuser zwischen den Zeilen“Wiener Zeitung (p. 11, culture) · Report | 28 Dec 2001 | ||
| Literature | All Music Guide to Jazz. The Definitive Guide to Jazz MusicAll Music Guide (Redaktion) · 4 Ausgabe, San Francisco: Backbeat Books 2002, p. 1053 · San Francisco | 2002 | ||
| Literature | Forum Stadtpark. Die Grazer Avantgarde von 1960 bis heuteChristine Rigler (Hg.) · Vienna, Cologne, Weimar: Böhlau 2002, 492 S., ISBN 3-205-99487-6, p. 264 · Vienna | 2002 | ||
| Releases | Freu dich wunderschöne WeihnachtszeitPeter Alexander · Ariola 7432194203 | 2002 | HP-T-00937432194203 | |
| Literature | Inhalt schafft Form. Ein Versuch über Werner Pirchner (1940-2001)Andreas Felber · Österreichische Musikzeitschrift 57 (2002), Heft 7, p. 50 to 52; DOI 10.7767/omz.2002.57.7.50 (Crossref führt den Beitrag unter dem Titel „Werner Pirchner, Projekt Krems“) · Vienna | 2002 | ||
| Literature | Jazz-LexikonKunzler · Martin Kunzler: Jazz-Lexikon, vol. 2: M to Z, vollständig überarbeitete und erweiterte Neuausgabe, Reinbek: Rowohlt Taschenbuch 2002 (rororo 16513), p. 906 f. (entry Pepl) · Reinbek | 2002 | ||
| Work | Nach SaalfeldenHarry Pepl · multitrack recording (Lonely Single Swinger Band) · all instruments played by Pepl, recorded track by track | 2002 | HP-W-0197 | |
| Listening copy | Nach Saalfelden, Lonely Single Swinger Band | 2002 | ||
| Literature | Swing that music! 30 Jahre Jazzland. Ein sehr persönliches Jazzland-LexikonAxel Melhardt · Wien: Pichler 2002, ISBN 3-85431-275-X · Vienna | 2002 | ||
| Literature | The New Grove Dictionary of JazzBarry Kernfeld (Hg.) · 2 Ausgabe, New York: Grove's Dictionaries 2002, 3 Bände, ISBN 1-56159-284-6; Nennungen in vol. 3 (Nightclubs to Zwingenberger) · New York | 2002 | ||
| Quotation | „a bit crazy, and he liked trying out funny things“Harry Pepl · On Werner Pirchner; quoted in the Kurier, 24 July 2002, p. 26; translated from the German | 2002 | ||
| Quotation | „Avalanches of sound also characterise the playing of the Austrian guitarist Harry Pepl.“Clemens Panagl, Salzburger Nachrichten · Clemens Panagl, “Grooven nach Mitternacht”, Salzburger Nachrichten, 26 August 2002, p. 10; translated from the German | 2002 | ||
| Quotation | „celebrated triumphs on Europe’s festival stages in the Jazz-Zwio with the guitarist Harry Pepl“Andreas Felber, Der Standard, 27 July 2002, p. 30; translated from the German | 2002 | ||
| Quotation | „During my studies, standards and the academic jazz repertoire were held in high esteem. Through the ‘Jazz-Zwio’ I learned that in this …“Christian Muthspiel, “DuoDue: Muthspiel & Muthspiel spielen die Musik von Pirchner & Pepl”, treibhaus Innsbruck, c. 2002 | 2002 | ||
| Quotation | „He played something to me, I had to play along, and every few bars he commented on how it was going. In his words that was, laconically …“Wolfgang Muthspiel · On lessons with Pepl in Graz; in conversation with Klaus Taschwer, “Leiwand oder ned leiwand”, Falter, Wednesday 24 July 2002, p. 55; translated from the German | 2002 | ||
| Quotation | „listening again now, I noticed once more how magnificently Pepl and Pirchner played. That was improvisation in the best sense.“Wolfgang Muthspiel · On the Jazzzwio; in conversation with Klaus Taschwer, “Leiwand oder ned leiwand”, Falter, Wednesday 24 July 2002, p. 55; translated from the German | 2002 | ||
| Quotation | „Pepl and Pirchner showed us that you can make exactly the music you want to make.“Christian Muthspiel · Christian Muthspiel in the Falter, 24 July 2002, p. 55; translated from the German | 2002 | ||
| Quotation | „Pepl was one of the most interesting guitarists in jazz. Great musicians like Dave Liebman or Jack DeJohnette say so too.“Wolfgang Muthspiel · In conversation with Klaus Taschwer, “Leiwand oder ned leiwand”, Falter, 24 July 2002, p. 55; translated from the German | 2002 | ||
| Quotation | „Precisely because the energy of the Zwio cannot be separated from the actual pieces and compositions“Christian Muthspiel · Christian Muthspiel in Der Standard, 27 July 2002, p. 30; translated from the German | 2002 | ||
| Quotation | „the duo also made audible the timeless aesthetic qualities of a music that has lost nothing of its relevance“Salzburger Nachrichten, 28 November 2002, p. 14; translated from the German | 2002 | ||
| Quotation | „the legendary “Jazz-Zwio”, which the vibraphonist Pirchner turned into a myth in the mid-seventies together with the splendid guitarist …“Otmar Klammer, Kleine Zeitung, 1 December 2002, p. 66; translated from the German | 2002 | ||
| Quotation | „The lessons with him at the conservatory were like an extended concert.“Wolfgang Muthspiel · Wolfgang Muthspiel in the Falter, 24 July 2002, p. 55; translated from the German | 2002 | ||
| Quotation | „The time I studied with Pepl was very formative. The lessons with him at the conservatory were like an extended concert.“Wolfgang Muthspiel · On his studies with Pepl; in conversation with Klaus Taschwer, “Leiwand oder ned leiwand”, Falter, Wednesday 24 July 2002, p. 55; translated from the German | 2002 | ||
| Quotation | „They offered an impressive homage to the “Jazzzwio” of Werner Pirchner/Harry Pepl, disbanded in 1985: the brothers Christian and Wolfgang …“Andreas Felber · Andreas Felber, head of the Ö1 jazz department, report on the 24th International Jazzfestival Saalfelden, Concerto 5/2002, p. 40; translated from the German | 2002 | ||
| Quotation | „When Pirchner/Pepl played, it was an event. I personally still remember Pepl’s avalanche-like improvisations very well, where things always …“Wolfgang Muthspiel, “DuoDue: Muthspiel & Muthspiel spielen die Musik von Pirchner & Pepl”, treibhaus Innsbruck, c. 2002 | 2002 | ||
| Quotation | „which the vibraphonist Pirchner, together with the splendid guitarist Harry Pepl, turned into a myth in the mid-seventies.“Otmar Klammer · On the Jazzzwio; “Reflexionen”, Kleine Zeitung, Sunday 1 December 2002, p. 66; translated from the German | 2002 | ||
| Press | „24. Internationales Jazzfest Saalfelden“Concerto (music magazine), issue 5/2002, p. 40 · Andreas Felber · Report | 2002 | ||
| Press | „DuoDue: Muthspiel & Muthspiel spielen die Musik von Pirchner & Pepl“treibhaus Innsbruck (programme note) · Andreas Felber · Report | 2002 | ||
| Press | „Im Gedenken an einen Grenzgenialen“ (Werner Pirchners Nachlass bei „Glatt & Verkehrt“)Kurier (p. 26, culture) · initials „Ros“ · Report | 24 Jul 2002 | ||
| Press | „Leiwand oder ned leiwand“ (Doppelporträt Muthspiel & Muthspiel und Jazzzwio)Falter (p. 55, culture) · Klaus Taschwer · Portrait | 24 Jul 2002 | ||
| Press | „Urwüchsiges Material“ (Werner-Pirchner-Schwerpunkt beim Festival „Glatt & Verkehrt“)Der Standard (p. 30, Szenario) · Andreas Felber · Report | 27 Jul 2002 | ||
| Chronology | Muthspiel & Muthspiel play Pepl and Pirchner for the first time28 July 2002 · Krems an der Donau · Concerts | 28 Jul 2002 | ||
| Press | „Grooven nach Mitternacht“ (Jazzfestival Saalfelden 2002)Salzburger Nachrichten (p. 10, culture) · Clemens Panagl · Review | 26 Aug 2002 | ||
| Chronology | Muthspiel & Muthspiel play Pepl and Pirchner24 November 2002 · Austria · Concerts | 24 Nov 2002 | ||
| Press | „Heimweh, Jodler und Zwiefache“Salzburger Nachrichten (p. 14, culture) · initials „PAC“ · Review | 28 Nov 2002 |
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