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| Collection | Entry | Year | Identifier | Open and work with |
|---|---|---|---|---|
| Press | „Reflexionen“Kleine Zeitung (p. 66, culture) · Otmar Klammer · Report | 1 Dec 2002 | ||
| Releases | FarewellBenny Goodman · TV Matters MUM9030 · CD, DVD-Video | 2003 | HP-T-0058MUM9030 | |
| Releases | Live At Miles SmilesHarry Pepl / Werner Pirchner / Georg Polanski · EmArcy (Universal), Reihe Austrian Jazzart Nr. 14 980680-4 · CD | 2003 | HP-T-0059980680-4 | |
| Literature | Österreichische Komponisten im Grenzbereich zwischen Neuer Musik und JazzMartina Glatz · Diploma thesis, University of Music and Performing Arts Vienna, 2003, getrennte Zählung, mit Notenbeispielen · Vienna | 2003 | ||
| Literature | Reclams Jazzlexikon, Eintrag „Pepl, Harry“Wolf Kampmann (Hg.), Sachlexikon von Ekkehard Jost · Stuttgart: Reclam 2003, ISBN 3-15-010528-5; 2 Auflage 2009 (dort nicht geprüft) · Stuttgart | 2003 | ||
| Literature | Une histoire du jazz moderne. Joachim KühnMarc Sarrazy · Paris: Syllepse 2003, 319 S., ISBN 2-84797-020-7; Nennung p. 106 und 199 (Namensregister p. 314) · Paris | 2003 | ||
| Quotation | „25 years ago the Muthspiel brothers themselves sat in the audience at Münzgrabenstraße 59 and marvelled at Werner Pirchner and Harry Pepl.“Kronen Zeitung, 22 November 2003, p. 30; translated from the German | 2003 | ||
| Quotation | „By 1985, over three albums, Pirchner and Pepl developed an unmistakable style.“Sandra Hupfauf · “Pirchner-Abende: Adrette Duette”, Salzburger Nachrichten, Thursday 20 November 2003, p. 14; translated from the German | 2003 | ||
| Quotation | „I was also very lucky to have a superb teacher in Graz, Harry Pepl, jazz guitarist, a truly great jazz musician, […] who really is a great …“Wolfgang Muthspiel · Conversation with Herbert Uhlir (Ö1), Porgy & Bess, Vienna, 28 January 2003, reprinted in Martin Schaberl, master’s thesis (Magisterarbeit, University of Music and Performing Arts Graz), 2004, p. 134; translated from the German | 2003 | ||
| Quotation | „Muthspiel’s most formative teacher, Harry Pepl“Martin Juen, Neue Vorarlberger Tageszeitung, 24 January 2003, p. 41; translated from the German | 2003 | ||
| Quotation | „Pepl & Pirchner, that was once one of those irresistible jazz combinations that knew how to unite musical subtlety and intensity on a …“Ljubiša Tošić · On the Jazzzwio; “Die Muthspiels - auf den Spuren eines Zwios” (initials “tos”), Der Standard, Wednesday 19 November 2003, p. 12; translated from the German | 2003 | ||
| Quotation | „Pepl’s guitar, whose notes could sound gentle but also strike with nerve-shredding force, remains unrivalled to this day, and not only in …“Ljubiša Tošić · “Die Muthspiels - auf den Spuren eines Zwios”, Der Standard, 19 November 2003, p. 12; translated from the German | 2003 | ||
| Quotation | „The first thing that comes to mind [is] the authority on time […]. And on the guitar perhaps the one who, in that respect, has gone further …“Wolfgang Muthspiel · Martin Schaberl, master’s thesis (Magisterarbeit, University of Music and Performing Arts Graz), 2004, p. 165, interview with Wolfgang Muthspiel in Vienna on 2 September 2003; translated from the German | 2003 | ||
| Quotation | „their two role models Werner Pirchner and Harry Pepl, who with their Jazz-Zwio struck out on new paths away from well-worn tracks“Christian Jentsch · On the Muthspiel brothers and the Jazzzwio; “Szene”, Tiroler Tageszeitung, Saturday 22 November 2003, p. 61; translated from the German | 2003 | ||
| Quotation | „Through the Jazz-Zwio I learned that in this music you really could do exactly what you wanted yourself“Christian Muthspiel · Christian Muthspiel in the Tiroler Tageszeitung, 22 November 2003, p. 61; translated from the German | 2003 | ||
| Quotation | „Very lively, too, an almost historic live recording, “Live at Miles Smiles”“Werner Rosenberger, Kurier, 17 December 2003, p. 30; translated from the German | 2003 | ||
| Quotation | „When the two of them played, it was an event. The immense rhythmic power was incredible“Wolfgang Muthspiel · On the Jazzzwio; “Jazz gegen Oberflächlichkeit”, Tiroler Tageszeitung, 22 November 2003, p. 61; translated from the German | 2003 | ||
| Quotation | „Wolfgang is a European, thinks and plays like one. That comes from his cultural heritage, the influences of his classical music studies and …“Jojo Mayer · Martin Schaberl, master’s thesis (Magisterarbeit, University of Music and Performing Arts Graz), 2004, p. 221, e-mail interview with Jojo Mayer, autumn 2003; translated from the German | 2003 | ||
| Chronology | Two Goodman and Jazzzwio releases2003 · Vienna · Recordings | 2003 | ||
| Chronology | Wolfgang Muthspiel Trio pays tribute to Pepl in Dornbirn22 January 2003 · Dornbirn · Concerts | 22 Jan 2003 | ||
| Press | „Diffizile Jazz-Spielereien“Neue Vorarlberger Tageszeitung (p. 41, culture) · Martin Juen · Review | 24 Jan 2003 | ||
| Press | „Die Muthspiels - auf den Spuren eines Zwios“Der Standard (p. 12, Szenario) · initials „tos“ · Report | 19 Nov 2003 | ||
| Chronology | Muthspiel & Muthspiel: 20 years as a duo with the music of the Jazzzwio20 November 2003 · Vienna · Concerts | 20 Nov 2003 | ||
| Press | „Jazz gegen Oberflächlichkeit“Tiroler Tageszeitung (p. 61) · Report | 22 Nov 2003 | ||
| Press | „Nostalgische Bruderschaft“ (Muthspiel und Muthspiel im Grazer M59)Kronen Zeitung (p. 30) · initials „ME“ · Review | 22 Nov 2003 | ||
| Press | „Exzellente Musiker und exzellente Musik“ (Österreichische Jazz-Produktionen 2003)Kurier (p. 30, culture) · Werner Rosenberger · Review | 17 Dec 2003 | ||
| Releases | Air, Love & VitaminsWolfgang Muthspiel, Marc Johnson, Brian Blade · Quinton Q-0402-2 · CD | 2004 | HP-T-0060Q-0402-2 | |
| Literature | Ars Electronica 1979-2004. The Network for Art, Technology and Society. The First 25 YearsArs Electronica (Hg.) · Ostfildern-Ruit: Hatje Cantz 2004, ISBN 3-7757-1525-8 · Ostfildern-Ruit | 2004 | ||
| Work | Dedicated to Michel Noiret's StockhausenHarry Pepl · Instant Composition (multitrack recording) · drums, double bass (VST via MIDI guitar), electric guitar or guitar synthesiser, all played by Pepl | 2004 | HP-W-0034ISWC T0094166718 | |
| Work | Fun FareHarry Pepl · solo piece with an original track by Pepl · Harry Pepl (tape) only, guitar | 2004 | HP-W-0064 | |
| Photo | Harry Pepl explains his music: rehearsal at the Salzburger Jazzherbst 2004Photo: Rainer Rygalyk | 2004 | ||
| Literature | Pepl, HarryPeter Stachel · Österreichisches Musiklexikon online, founded by Rudolf Flotzinger, edited by Barbara Boisits; last content update 28 July 2004 · Vienna | 2004 | ||
| Releases | Schoenberg ImprovisationsHarry Pepl · EmArcy (Universal Music Austria), Reihe Austrian Jazzart Nr. 17 986 661-8 · CD, album, reissue (digipak) | 2004 | HP-T-0126986 661-8 | |
| Literature | Weiss-grüne-Kultur-FelderKarlpeter Elis (Hg.) · Wien: Lit 2004, 263 S., ISBN 3-8258-7959-3, p. 143 · Vienna | 2004 | ||
| Literature | Wolfgang Muthspiel – einer der vielseitigsten Musiker Österreichs und Preisträger des European Jazz Prize 2003Martin Schaberl · Magisterarbeit, Institut für Jazzforschung, University of Music and Performing Arts Graz (supervisor Franz Krieger) · Graz | 2004 | ||
| Quotation | „most uncompromising document to date of his principle of Instant Composing“Andreas Felber · Andreas Felber, head of the Ö1 jazz department, liner notes “Harry Pepl. Die Überzeitlichkeit des Augenblicks” to the reissue “Schoenberg Improvisations” (Austrian Jazzart No. 17, EmArcy 2004), quoted in Heckel 2024, p. 119 | 2004 | ||
| Quotation | „one of Austria’s most creative jazz musicians“IG Jazz Wien, Blue Tomato archive, 17 September 2004, p. 1 | 2004 | ||
| Quotation | „the most spectacular record of one of the most original guitar players of European Jazz in those years“Andreas Felber · Andreas Felber, head of the Ö1 jazz department, on “Schönberg Improvations” in the English version of his liner notes to the reissue “Schoenberg Improvisations” (Austrian Jazzart No. 17, EmArcy 2004); quoted by Wulf Müller, blog essay of 5 February 2024, and by Kohler 2006, p. 117 | 2004 | ||
| Quotation | „The photographer Rainer Rygalyk and the former world-class guitarist Harry Pepl invited young horn players to improvise over sampled sounds …“Christoph Lindenbauer, APA (Austria Presse Agentur), 6 November 2004; translated from the German | 2004 | ||
| Quotation | „the rugged rhapsodic style of a Harry Pepl“Andreas Felber, Der Standard, 31 August 2004, p. 24; translated from the German | 2004 | ||
| Quotation | „The title comes from a composition by the grand old master of jazz guitar, Harry Pepl“Salzburger Nachrichten, 18 May 2004, p. 12; translated from the German | 2004 | ||
| Chronology | Wolfgang Muthspiel: “Air, Love & Vitamins”2004 · Recordings | 2004 | ||
| Press | „JAZZ“ (Wolfgang Muthspiel: „Air, Love & Vitamins“)Salzburger Nachrichten (p. 12, culture) · Review | 18 May 2004 | ||
| Press | Pepl, HarryÖsterreichisches Musiklexikon online · Peter Stachel · Encyclopaedia | 28 Jul 2004 | ||
| Chronology | Creation of “Dedicated to Michel Noiret's Stockhausen”5 August 2004 · Hernstein · Recordings | 5 Aug 2004 | ||
| Press | „Sicherheitsdenken und ‚positive Signale‘“ (Ausklang des Jazzfestivals Saalfelden 2004)Der Standard (p. 24, culture) · Andreas Felber · Review | 31 Aug 2004 | ||
| Chronology | “Habanero-Slide-Show” at the Blue Tomato, Vienna17 September 2004 · Vienna · Concerts | 17 Sep 2004 | ||
| Press | „Rainer Rygalyk / Harry Pepl: Habanero-Slide-Show“IG Jazz Wien, Blue-Tomato-Archiv · Other | 17 Sep 2004 | ||
| Chronology | Salzburger Jazzherbst4 November 2004 · Salzburg · Concerts | 4 Nov 2004 | ||
| Press | „‚Es fehlen die Visionäre‘: Dennoch hohes Niveau im heimischen Jazz“ (Salzburger Jazzherbst 2004)APA-Basisdienst (APA0059, culture) · Christoph Lindenbauer · Review | 6 Nov 2004 |
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